After the performance was over, Archie took a taxi and started for Riverside Drive. He meant to see it through to-night. When he entered the reception hall of the hotel before which he had strolled that morning, the hall porter challenged him. He said he was waiting for Miss Kronborg. The porter looked at him suspiciously and asked whether he had an appointment. He answered brazenly that he had. He was not used to being questioned by hall boys. Archie sat first in one tapestry chair and then in another, keeping a sharp eye on the people who came in and went up in the elevators. He walked about and looked at his watch. An hour dragged by. No one had come in from the street now for about twenty minutes, when two women entered, carrying a great many flowers and followed by a tall young man in chauffeur’s uniform. Archie advanced toward the taller of the two women, who was veiled and carried her head very firmly. He confronted her just as she reached the elevator. Although he did not stand directly in her way, something in his attitude compelled her to stop. She gave him a piercing, defiant glance through the white scarf that covered her face. Then she lifted her hand and brushed the scarf back from her head. There was still black on her brows and lashes. She was very pale and her face was drawn and deeply lined. She looked, the doctor told himself with a sinking heart, forty years old. Her suspicious, mystified stare cleared slowly.
“Pardon me,” the doctor murmured, not knowing just how to address her here before the porters, “I came up from the opera. I merely wanted to say good-night to you.”
Without speaking, still looking incredulous, she pushed him into the elevator. She kept her hand on his arm while the cage shot up, and she looked away from him, frowning, as if she were trying to remember or realize something. When the cage stopped, she pushed him out of the elevator through another door, which a maid opened, into a square hall. There she sank down on a chair and looked up at him.
“Why didn’t you let me know?” she asked in a hoarse voice.
Archie heard himself laughing the old, embarrassed laugh that seldom happened to him now. “Oh, I wanted to take my chance with you, like anybody else. It’s been so long, now!”
She took his hand through her thick glove and her head dropped forward. “Yes, it has been long,” she said in the same husky voice, “and so much has happened.”
“And you are so tired, and I am a clumsy old fellow to break in on you to-night,” the doctor added sympathetically. “Forgive me, this time.” He bent over and put his hand soothingly on her shoulder. He felt a strong shudder run through her from head to foot.
Still bundled in her fur coat as she was, she threw both arms about him and hugged him. “Oh, Dr. Archie, Dr. Archie,”—she shook him,—“don’t let me go. Hold on, now you’re here,” she laughed, breaking away from him at the same moment and sliding out of her fur coat. She left it for the maid to pick up and pushed the doctor into the sitting-room, where she turned on the lights. “Let me look at you. Yes; hands, feet, head, shoulders—just the same. You’ve grown no older. You can’t say as much for me, can you?”
She was standing in the middle of the room, in a white silk shirtwaist and a short black velvet skirt, which somehow suggested that they had ‘cut off her petticoats all round about.’ She looked distinctly clipped and plucked. Her hair was parted in the middle and done very close to her head, as she had worn it under the wig. She looked like a fugitive, who had escaped from something in clothes caught up at hazard. It flashed across Dr. Archie that she was running away from the other woman down at the opera house, who had used her hardly.
He took a step toward her. “I can’t tell a thing in the world about you, Thea—if I may still call you that.”