The first object of the work in reading must always be to have the pupil understand the thought expressed on the printed page. However thorough has been his training in the grades, the average pupil on entering high school needs to be taught how to read. Generally he gets but a hazy, general idea from reading a paragraph, either because he fails to grasp the meaning of each sentence, or because he does not combine the sentence-thoughts in their relation to the topic. The aim of the reading must be to enable the pupil to understand each idea as it is presented, to combine these ideas to get the thought of the sentence, and to follow the chain of thought from sentence to sentence until he grasps the meaning of the paragraph, essay, story, or poem, as a whole. As rapidly as the maturity of the pupil permits, other elements that aid in the better understanding of a piece of literature may be considered in connection with the reading. The study of the structure, the form, the author’s purpose, his style, the revelation of the author’s personality, the relation of the piece of literature to the age in which it was written, and a comparison with other pieces of the same type, all give a clearer understanding of literature. The other purpose of the reading is to stimulate the pupils’ interest in good literature, and to lead them to read what is worth while, on their own initiative. If interest is aroused by the reading and study in class, of one work of an author, it is easy to create a desire to read other works by the same author, outside of the class room. By suggestions and advice the teacher can do much toward directing the pupils in their outside reading. To lead pupils to read, understand, and appreciate the best of English literature is certainly an aim that is worth striving to accomplish.
To enable the pupil to give clear and effective expression to his own thoughts, is the end and aim of the other important part of the English work—composition. That composition is the expression of his own thoughts is the first principle that must constantly be impressed upon the pupils’ minds. The misconception that the only ideas worth expressing in writing themes are those derived from books, must be corrected at once. While reproductions and paraphrases of the expressed thoughts of others may sometimes be used as exercises, the fact must be made clear to the pupils that these are not original compositions, in as much as they are not the expression of their own ideas.
The relation of clear thinking to clear expression is another factor to be considered in teaching composition. Much of the instruction in theme writing is really concerned with training the pupils to think logically and to arrange their thoughts in an orderly manner. Pupils must be taught that as they can give clear expression only to those thoughts that are clear in their own minds, the first process in theme writing is the clarifying and arranging of their ideas. The mental training given by such systematic preparation for theme writing as the making of outlines or other devices for grouping thoughts in a logical plan, is invaluable, since, unlike that given by other studies, it is concerned largely with the pupil’s own thoughts rather than with those acquired from books.
The third important element in composition is the style or form of expression. The first aim of teaching composition, whether written or oral, must be to give the pupils sufficient command of simple, idiomatic English for the needs of everyday life. If the average pupil can be taught to express his ideas in clear, correct English, much will have been accomplished by the four years’ training. Those pupils who show natural ability in expression can be encouraged to develop their talent for writing or speaking in connection with class work or with the various outside activities of the school, and may be given considerable assistance in their efforts by the teacher of English. It is much more important, however, to enable the majority of high school pupils to express themselves simply, naturally, and correctly, than to attempt to develop literary style where there is little natural ability.
II
ORGANIZATION OF ENGLISH WORK
1. Length of Course
All high schools provide four years of instruction in English, and most of the schools devote five periods a week to the subject in each year. The course of study outlined in this bulletin, therefore, is arranged on the basis of five periods a week for four years. The successful completion of at least two years’ work in English, one-half of which shall be devoted to composition and rhetoric, and one-half to the study of English classics, is required of all students for graduation from Wisconsin high schools, and for entrance to the University of Wisconsin. The first two years of English are always required of all high school pupils whether they pursue an elective or a prescribed course of study. In some high schools four years’ study of English is required of all pupils, and in most of the Wisconsin high schools the curriculum provides for three years of English in all courses. When the course of study is partly elective, pupils are usually advised to continue with a third and often a fourth year of English after completing the two years of required work. Thus practically all high school pupils pursue the course in English for at least three years.
Whether pupils who study English for three years take up the work in the third or the fourth year of their course, is generally determined by the arrangement of the other subjects in the curriculum. When a choice may be made by either third or fourth year pupils between third and fourth year English, the principal and teacher of English can often decide for the pupil, basing their decision in each case upon what they know of the pupil and his plans. For some pupils the survey of English and American literature in the third year will be most valuable since it furnishes them the means of extending their acquaintance with literature by independent reading. Other pupils will doubtless derive more benefit from the intensive study of a few classics outlined for the fourth year.
2. Plan of Course
The arrangement of the several phases of the English work in the course, and the amount of time that is to be devoted to each is as follows[[2]]: