The high school course in English

by Willard Grosvenor Bleyer

4. Conferences on Written Work

In order to accomplish the best results in theme writing and correcting, it is desirable that the teacher talk over the written work with each pupil as frequently as his time permits. If the English teacher’s programme of recitations is properly arranged, he should have sufficient time to have conferences with all his pupils once a month. Regular appointments should be made with each pupil for holding these conferences during those periods in which both pupil and teacher have no recitation. At the conference the teacher can go over with the pupil the written work of the month, can answer questions, and give helpful suggestions for improving the pupil’s composition and class work.

5. Oral Composition

Although the term “composition” as used in connection with English work usually refers only to written expression, it is evident that the oral expression of the pupils’ thoughts is worthy of consideration. Generally no particular provision is made in high school work for so-called oral composition, nor does it seem necessary to provide a distinct place for it in the outline of the course. The importance of the form of the recitation in every subject is emphasized by all good teachers. The topical recitation now so frequently required in all high school studies, if properly conducted, is the most effective kind of oral composition that can be given. A teacher of English, of course, should give especial attention to the form of recitation in English classes. Pupils, after some encouragement, will express their ideas freely in the course of the discussions which inevitably arise in connection with the reading and composition. Their attention should be directed to the fact that the same principles govern the clear and forcible expression in spoken, as in written language. The correction of common faults in recitation, such as the “and”, “and then” habit, will assist in eliminating these errors from the written work as well as in improving greatly the oral expression. During the first year the pupils may be assigned simple topics in connection with the reading and should be taught how to collect the material and arrange it in an outline form from which to present it in the class room. After they have acquired the ability to present topics with the aid of notes, they should be encouraged to speak without any of these aids. The same method may be applied to the daily recitation. In fact, it is often best to begin by having the pupils outline the subject matter of the lesson and come to class prepared to recite upon any topic in the outline. In this manner the recitations in English and in practically all of the other subjects of the high school course may be used to give the pupils the necessary training in oral composition.

6. Principles of Composition

In connection with the writing and correction of themes must be studied the principles of composition and their application. These rhetorical principles may be presented either inductively or deductively. The pupil may either learn them from a definite statement in the text-book, which illustrates their application by selected examples, or he may be led to discover the principles of effective expression from the literature that he is studying in class as a part of the work in reading. While much may be said for the merits of each of these methods, the inductive plan seems to commend itself particularly, since it makes possible a close and effective correlation of the two elements of the English work—composition and reading.

During the first two years, when particular attention is given to the principles of sentence and paragraph construction in the composition work, these principles can be developed and their application readily illustrated from the selections that are read and studied in class. The object of the work in reading, as has already been stated, is to teach the pupil to get the thought clearly from the printed page. In order to do this effectively, it is necessary to study with some degree of care the sentence and paragraph structure of the selection which he is reading. To get the thought of each sentence it is necessary to understand clearly the relation of all its parts. By noting the separate ideas as expressed in words, phrases, and clauses, and by determining their relation in the sentence as the expression of the whole thought, the pupil is taught the principles of sentence unity and coherence. If his attention is properly drawn to these principles as they are exemplified in the literature before him, the importance and application of them may be clearly demonstrated without spoiling the masterpiece of literature. In fact the appreciation of the skill of the literary artist is thereby increased, provided the teaching is done in a proper manner.

To follow the chain of thought in the paragraph, it is necessary to see clearly the relation of each thought as expressed in the sentence to the preceding and succeeding thoughts in order that the development of the topic may be clear, and that the pupil may grasp the subject in its entirety. In teaching the pupil to get the whole thought in the paragraph, it is necessary to consider the whole topic treated in the paragraph; that is, to study the unity of the paragraph; and also to consider the relation of each thought to the one central topic; that is, the principle of paragraph coherence. Thus, in the effort to teach the pupil how to get the thoughts of others by reading, the essential principles of composition are absolutely necessary. In a similar manner all the principles of narration, description, exposition, and argumentation may be developed inductively from the reading. By seeing the application of the rhetorical principles in literature, the pupil comes to realize their importance in effective writing, and is impressed by the varied forms of their application as he is not likely to be by selected examples isolated from their context, in text-books.

7. Use of Text-book

If the principles of composition may be developed from the masterpieces that are studied in class, the question naturally suggests itself, “Is it necessary to have a text-book at all in studying the principles of rhetoric and composition?” It is entirely possible to teach composition successfully without a text-book, but owing to difficulties in the organization of the schools, and the not infrequent change of teachers, it is often desirable for the sake of uniformity of work to make use of a text-book. It is also convenient, even where these difficulties do not exist, to have a good text-book to which the teacher may direct the pupil for a detailed statement of the principles after they have been developed and exemplified in the reading; that is, to use it as a reference book. In order that it may be used thus for reference, the text-book selected should take up the principles of composition and the forms of discourse in a logical manner, treating each fully and systematically in a separate division. Text-books of this character can be used throughout the first two years at least, and some of them are sufficiently complete to supply all the material needed for four years’ study of composition.