Modern Painting, Its Tendency and Meaning

by Willard Huntington Wright

• Adoration of the Wise Men, [40].
• Alexander, John W., [98].
• Altichiero, [191].
• Ambassadors, The, [24].
• Andreiev, [52].
• Angelina, [68].
• Angelus, The, [57].
• Anges au Tombeau, Les, [79].
• Annunciation, [81].
• Anquetin, [197].
• Antwerp Museum, [40].
• Apollinaire, Guillaume, [341].
• Après le Bain, [212].
• Archipenko, [163].
• Arm Organisation in Blue-Green, [301].
• Art of Spiritual Harmony, The, [310].
• Arts et Les Artistes, Les, [338].
• Ashe, E. M., [221].
• Assommoir, L’, [73].
• Assyrian art, [78].
• Augier, [216].
• Augrand, [175].
• Au Piano, [123].
• Aurier, [193].
• Avignon painters, [108].
  
• Baignade, La, [203].
• Baigneuse, 1884, (Renoir), [120].
• Baigneuse, 1888, (Renoir), [122], [123].
• Baigneuse au Griffon, La, [112].
• Baigneuse Brune, La, [123].
• Baigneuses, 1885, (Renoir), [121], [125].
• Baigneuses, 1902, (Renoir), [125]-126, [157].
• Baigneuses, (Matisse), [226], [235].
• Baigneuses, Les, (Courbet), [56].
• Baigneuses, Les, (Gleizes), [257].
• Bain, Le, (Daumier), [60].
• Bain, Le, (Manet), see Déjeuner sur l’Herbe, Le.
• Bain Turc, Le, [69].
• Balançoire, La, [115].
• Balla, Giacomo, [276];
  • Dog and Person in Movement, [272].
• Ballu, Roger, [336].
• Balzac, [25], [216];
  • Le Chef-d’Œuvre Inconnu, [162].
• Barbizon school, [69], [70], [87], [284].
• Bar des Folies-Begère, Le, [80].
• Bataille de Taillebourg, [40].
• Battle of Prague, The, [332].
• Baudelaire, [43], [53].
• Baudelaire Chez les Mufles, [219]-220.
• Bazille, [89], [103].
• Beardsley, Aubrey, [181], [221].
• Beaux-Arts, [153], [165], [223], [323].
• Beerbohm, Max, [62], [221].
• Beethoven, [25], [42], [82], [155], [281];
  • Ninth Symphony, [8].
• Bechteiev, [324].
• Bell, Clive, [341].
• Bellini, Gentile, [188].
• Bellows, [221].
• Bernard, Émile, [130], [143], [152], [156], [175], [182], [195], [197].
• Bernhardt, portrait of Sarah, [216].
• Bernheim-Jeune galleries, [290], [297].
• Besnard, [319].
• Blanc, 165. Blast, [325].
• Bloch, [324].
• Blumenschein, [221].
• Boccioni, Umberto, [275], [276].
• Böcklin, [21], [203].
• Bolz, [324].
• Bonington, [37], [49].
• Bonnard, [315], [316]-318, [318], [319];
  • Le Jardin, [317].
• Bonnat, [215].
• Bononi, [23].
• Borassa school, [191].
• Botticelli, [21], [22], [28], [93], [203].
• Boucher, [34], [97], [121].
• Bouguereau, [161], [222], [223], [239].
• Bourdelle, [320].
• Bourgeois, [31].
• Boussingault, [325].
• Bracquemond, [165].
• Brangwyn, [21].
• Braque, Georges, [257], [258].
• Bronzino, [187].
• Bruce, [262].
• Bruyas, [53].
• Buen Viaje, [219].
• Bulles de Savon, Les, [80].
• Bussy, Simon, [321]-322.
• Buveur d’Absinthe, Le, [66], [68].
• Byron, [43].
• Byzantine art, [9], [35], [40], [51], [93], [204].
  
• Cabanel, [222].
• Cabaret de la Mère Anthony, Le, [109].
• Café-Concert, [215].
• Caffin, Charles H., [338].
• Caillebotte Collection, [98]-99, [104].
• Calvary (Memlinc), [217].
• Canaletto, [188].
• Caprichos, [225].
• Captivité de Babylone, La, [42].
• Caravaggio, [44], [56].
• Carlopez, [221].
• Carrà, Carlo D., [275], [276];
  • Funeral of the Anarchist Galli, [314].
• Carreño, [67].
• Carrière, [60], [73], [194], [198], [223].
• Cassatt, [165].
• Casseurs de Pierres, Les, [57].
• Castagnary, [79].
• Castello, Valerio, [21].
• Cathédral, La, [102].
• Cazin, [209].
• Celesti, [23].
• Cellini, [52].
• Cesare, [221].
• Cézanne, [21], [26], [27], [31], [32], [36], [45], [56], [61], [75], [96], [97], [104], [115], [126], [128], [129]-163, [175], [176], [180], [189], [197], [200], [203], [206], [208], [222], [223], [225], [234], [240], [241], [242], [244], [247], [249], [250], [251], [253], [254], [260], [262], [272], [274], [277], [280], [281], [282], [283], [284], [286], [287], [289], [291], [295], [296], [298], [300], [303], [307], [308], [310], [320], [321], [331], [332], [337], [338].
• Chagall, [324].
• Chahut, Le, [180].
• Chamaillard, [197], [324].
• Champfleury, [56].
• Chanteuse des Rues, La, [79].
• Chardin, [34], [225].
• Charivari, [48].
• Chase, William M., [337].
• Chavannes, Puvis de, [74], [202], [316], [319].
• Chef-d’Œuvre Inconnu, Le, [162].
• Chemin de Fer, Le, [80].
• Chéret, [216].
• Chesneau, Ernest, [44].
• Chevelure, La, [114].
• Chevreul, [31], [84], [165], [166], [168], [180], [285];
  • De la Loi du Contraste Simultané des Couleurs, [164].
• Chien et Lièvres, [51].
• Chinese art, [64], [125], [128], [190], [215], [315].
• Christophe, Jules, [177].
• Chromo-luminarists, see Neo-Impressionism.
• Cimabue, [29].
• Cirque, Le, [180].
• Claire de Lune, Le, [80].
• Claretie, [335].
• Claude, [50].
• Coco, heads of, [126].
• Coco et les Deux Servantes, [126].
• Coins de Rivière, [100].
• Combat de Cerfs, Le, [51].
• Combat du Kerseage et de l’Alabama, [80].
• Concert Champêtre, see Rural Concert.
• Conegliano, [79].
• Conrad, Joseph, [52], [161].
• Constable, [17], [37], [43], [46], [49], [50], [97], [175], [329].
• Constant, Benjamin, [336].
• Cormon, [215].
• Corot, [21], [48], [68], [87], [89], [91], [108], [189].
• Correggio, La Vierge à l’Écuelle, [62].
• Courbet, [17], [45], [48], [50]-58, [59], [63], [66], [67], [69], [70], [71], [72], [73], [74], [75], [76], [77], [81], [83], [87], [89], [97], [106], [107], [108], [109], [111], [112], [113], [115], [127], [128], [131], [134], [158], [207], [208], [212], [239], [253], [282], [284], [319], [330], [335];
  • Les Baigneuses, [56].
  • Les Casseurs de Pierres, [57].
  • Chien et Lièvres, [51].
  • Le Combat de Cerfs, [51].
  • Femme de Munich, [53].
  • Les Grands Châtaigniers, [57].
  • La Grotte, [56].
  • Le Hamac, [76].
  • L’Enterrement à Ornans, [51], [54], [55], [63], [77], [239].
  • Les Lutteurs, [59]-60;
  • Le Retour de la Conférence, [51].
  • La Vague, [101].
• Course de Taureaux, [80].
• Courtesan, The, [217].
• Courtois, [108].
• Couture, Thomas, [66], [161];
  • Méthodes et Entretiens d’Atelier, [44].
• Crayer, Gaspar de, [306].
• Creation of the Sun and Moon, [24].
• Cromwell au Château de Windsor, [40].
• Croquet, Le, [123].
• Cross, [174], [224].
• Cubism (Cubists), [97], [187], [222], [227], [237]-262, [274], [275], [277], [282], [283], [285], [291], [303], [307], [315], [323], [331], [332], [336], [338].
  
• da Bologna, Giovanni, [41].
• da Bosozzo, Michelino, [191].
• Danseuse, La, 114.
• Dante et Virgile aux Enfers, [36], [55].
• da Sesto, Cesare, [306].
• Daubigny, [67].
• Daudet, [216].
• Daumier, [17], [25], [58]-63, [66], [68], [72], [97], [106], [126], [137], [144], [182], [200], [207], [208], [213], [220], [226], [243], [278], [279], [280], [330];
  • Le Bain, [60].
  • Don Quichotte, [62].
  • Le Drame, [63].
  • Les Emigrants, [62].
  • Les Lutteurs, [59]-60;
  • Ratapoil, [62].
  • Le Repos des Saltimbanques, [60].
  • La République, [61].
  • Silène, [63].
• David, [17], [34], [35], [43], [56], [239], [282].
• Davies, Arthur B., [323].
• da Vinci, Leonardo, [44], [60], [306];
  • Trattato della Pittura, [148].
• Dead Christ, The, [24].
• Debucourt, [34].
• Debussy, [52].
• Decamps; Sonneurs de Cloches, [62].
• de Chennevières, [335].
• de Chirico, [325].
• Defoe, [191].
• Degas, [19], [62], [63], [165], [191], [203], [207]-221, [222], [226], [242], [253], [266], [307], [313], [318];
  • Après le Bain, [212].
  • Café-Concert, [215].
  • Femme au Tub, [212].
  • Musiciens à l’Orchestre, [213].
  • La Sortie du Bain, [212].
  • La Toilette, [212].
  • Torse de Femme S’Essuyant, [212].
  • Trois Danseuses, [212].
• De Hahn, [197].
• dei Barbari, Jacopo, [223].
• Déjeuner, Le, [79].
• Déjeuner sur l’Herbe, Le, [69]-70, [77]-78, [79].
• Delacroix, [17], [25], [27], [30], [34], [35]-46, [48], [50], [53], [56], [57], [58], [59], [62], [63], [66], [67], [72], [75], [80], [81], [87], [88], [106], [107], [108], [111], [112], [113], [114], [128], [133], [135], [137], [165], [175], [176], [177], [180], [181], [182], [201], [205], [207], [264], [277], [278], [281], [282], [303], [310], [329], [330], [334], [335], [339];
  • Bataille de Taillebourg, [40].
  • La Captivité de Babylone, [42].
  • Cromwell au Château de Windsor, [40].
  • Dante et Virgile aux Enfers, [36], [45].
  • Enlèvement de Rébecca, [40].
  • Entrée des Croisés à Jérusalem, [40].
  • Les Femmes d’ Alger dans Leur Appartement, [39], [111], [112].
  • La Grèce Expirant sur les Ruines de Missolonghi, [41].
  • Janissaires à l’Attaque, [40].
  • La Justice de Trajan, [40], [42].
  • Justinien Composant les Institutes, [43].
  • La Liberté Guidant le Peuple sur les Barricades, [38], [40].
  • Lion Déchirant un Cadavre, [41].
  • La Lutte de Jacob avec l’Ange, [40], [45].
  • Massacre de Scio, 36 ,39;
  • Piéta, [41].
  • Rénaude et Angélique, [62].
  • Repos, [42].
• de la Fresnay, [323].
• De la Loi du Contraste Simultané des Couleurs, [164].
• Delaunay, [259]-162, [323];
  • L’Équipe de Cardiff, [260].
  • Route de Laon, [261].
  • Les Tours, [261].
  • Ville de Paris, [259]-260, [260].
• Delaunay-Terk, Madame, [262].
• Delécluze, [335].
• Delibes, [281].
• Denis, Maurice, [197], [216], [319]-320.
• Derain, André, [163], [320].
• de Ris, Clément, [335].
• Descent from the Cross, [24].
• De Segonzac, [321].
• d’Espagnat, [322].
• Desvallières, [320].
• Dethomas, Maxime, [221].
• D’Eugène Delacroix au Néo-Impressionnisme, [169].
• Deux Sœurs, Les, [123].
• Deux Tahïtiens, [226].
• Devil’s Bridge, The, [50].
• Diane Chasseresse, [109].
• Diaz, [68], [89], [108], [182].
• Dimanche à la Grande-Jatte, Un, [180], [203].
• di Nicolo, Pietro, [41].
• Divisionists, see Neo-Impressionism.
• Dog and Person in Movement, [272].
• Donatello, [203].
• Donde Vá Mamá, [219].
• Don Quichotte, [62].
• Dostoievsky, [52].
• Dove, [84], [324].
• Drame, Le, [63].
• Dreiser, Theodore, [52].
• Dubois-Pillet, [175].
• Duchamp, Marcel, [257], [258].
• Dumas, [43].
• Dürer, [187], [251], [338];
  • Four Naked Women, [24].
• Duret, [102].
• Dutch landscapists, [96].
• Dynamisme d’une Auto, [269].
  
• Earl and Countess of Arundel, The, [24].
• East Indian art, [237].
• Eddy, Arthur Jerome, [340].
• Église à Varengeville, L’, [99].
• Egyptian art, [64], [78], [205].
• Eichler, R. M., [202].
• El Greco, [20], [21], [22], [51], [95], [125], [135], [158], [163], [203], [246], [254], [255], [259], [297], [308], [329];
  • Annunciation, [81].
  • Obsequies of the Count of Orgaz, [55].
  • The Resurrection of Christ, [24].
• Émigrants, Les, [62].
• Émile Zola, [79].
• Emperor Charles V, [24].
• En Bateau, [79].
• Enfant à l’Epée, L’, [67].
• Enfants en Rose et Bleu, Les, [120].
• English painters, [99], [116].
• Engström, Albert, [221].
• Enlèvement de Rébecca, [40].
• Enterrement à Ornans, L’, [51], [54], [55], [63], [77], [239].
• Entrée des Croisés à Jérusalem, [40].
• Équipe de Cardiff, L’, [260].
• Erler, Fritz, [202].
• Etchells, Frederick, [323].
• Eva Gonzalès, [79].
• Exécution de Maximilien, [80].
  
• Falaise à Étretat, [100], [101].
• Fantin-Latour, [53], [175].
• Fauché, [197].
• Faust, [8].
• Fauves, Chef des, [233].
• Fauvism, [234].
• Fécondité, [73].
• Femme à la Mandoline, [251].
• Femme à la Perruche, La, [112].
• Femme au Cheval, La, [258].
• Femme au Miroir, La, [127].
• Femme au Perroquet, La, [79].
• Femme au Tub, [212].
• Femme aux Mangos, La, [75].
• Femme de Munich, [53].
• Femmes Assises à l’Ombre des Palmiers, [196].
• Femmes d’Alger dans Leur Appartement, Les, [39], [111], [112].
• Ferguson, J. D., [324].
• Fielding, [37].
• Fighting Téméraire, The, [47].
• Filiger, [197].
• Filles de Catulle Mendès, Les, [123].
• Fillette à la Gerbe, La, [123].
• Fillette à l’Orange, La, [26].
• Fillette Attentive, La, [114].
• fin de siècle movement, [219].
• Flandrin, [321], [322].
• Flemish masters, [137].
• Flight Turning a Corner, [274].
• Folle, La, [55].
• Forain, J.-L., [62], [165], [213], [219]-221, [221];
  • Baudelaire Chez les Mufles, [219]-220.
• Fornerod, Rodolphe, [202].
• Forum, The, [9].
• Fouquet, [34].
• Four Naked Women, [24].
• Fragonard, [34], [121], [244].
• French art, [211].
• Friesz, Othon, [22], [234], [320].
• Frost, [262].
• Fry, Roger, [324], [341].
• Fuller, portrait of Loie, [216].
• Funeral of the Anarchist Galli, [314].
• Futurism (Futurists), [257], [259], [264]-276, [282], [284], [285], [291], [295], [303], [316], [323], [336].
  
• Gainsborough, [111], [181];
  • Mrs. Siddons, [115].
• Gare St. Lazare, La, [50].
• Gauguin, [22], [39], [93], [104], [150], [165], [183], [184], [186], [187]-206, [208], [210], [222], [223], [225], [226], [227], [231], [243], [246], [247], [279], [281], [285], [306], [308], [315], [316], [318], [319], [323];
  • Deux Tahïtiens, [226].
  • Femmes Assises à l’Ombre des Palmiers, [196].
  • La Femme aux Mangos, [75].
  • Jeunes Bretonnes, [195].
  • Noa Noa, [190].
  • Paysage de la Martinique, [194].
  • Ruperupe, [195].
  • Tahïtiennes, [195].
  • Vaïraoumati Téi Oa, [196].
• Gautier, [43], [335].
• Gérard, [17], [34], [35], [56].
• Géricault, [34], [35], [51], [113], [211], [281];
  • La Folle, [55].
  • Radeau de la Méduse, [35], [55].
• German art, [211].
• Gérôme, [222].
• Ghil, René de, [266].
• Giampietrino, [306].
• Gibson, C. D., [221].
• Giorgione, [21], [30], [95], [126], [329];
  • Rural Concert (Concert Champêtre), [69].
• Giotto, [22], [29], [44], [56], [75], [125], [195], [203], [235], [280], [329];
  • Death of Saint Francis, [81].
  • Descent from the Cross, [24].
• Girardon, [121], [121]-122.
• Girodet, [34].
• Glace sans Tain, La, [231].
• Glackens, W. S., [324].
• Gleizes, Albert, [257], [258];
  • Les Baigneuses, [257].
  • L’Homme au Balcon, [257].
• Goethe; Faust, [8].
• Goya, [19], [25], [44], [67], [74], [75], [76], 110 [187], [218], [225], [231], [255];
  • Buen Viaje, [219].
  • Caprichos, [225].
  • Donde Vá Mamá, [219].
  • La Maya Desnuda, [42].
• Grand Canal--Venice, The, [24].
• Grands Châtaigniers, Les, [57].
• Grant, Duncan, [324].
• Granville, [62].
• Granzow, [325].
• Gravelot, [34].
• Grèce Expirant sur les Ruines de Missolonghi, La, [41].
• Greek artists, [35], [125], [128], [163].
• Greuze, [21], [34].
• Gris, Jean, [258].
• Gros, [17], [34], [35], [335].
• Grotte, La, [56].
• Guardi, [188];
  • The Grand Canal--Venice, [24].
• Guariento; The Heavenly Host, [274].
• Guercino, [56].
• Guérin, Charles, [35], [36], [322], [322]-323.
• Guillaumin, [89], [96], [103], [104], [165], [166], [194].
• Guitarrero, Le, [67].
• Guizot, caricature of, [62].
  
• Hallock, Madame Mary, [266].
• Hals, Franz, [70], [80], [89], [187], [284].
• Hamac, Le, [76].
• Hankwan, [127].
• Hartley, [324].
• Hartmann, Sadikichi, [266].
• Hassam, Childe, [324].
• Hauptmann, Gerhart, [52].
• Hayden, [324].
• Haydn, [155].
• Head of a Chinese Lady, [127].
• Head of an Old Man, [217].
• Heavenly Host, The, [274].
• Held, portrait of Anna, [216].
• Helmholtz, [31], [165], [168], [285].
• Henri, Robert, [273], [283].
• Henri-Matisse. See Matisse.
• Hiroshige, [73], [99];
  • Series of the Tokaido, [100].
• Hogarth, [19], [116].
• Hokusai, [73], [99], [218];
  • Views of Fuji, [100].
• Holbein, [209];
  • The Ambassadors, [24].
• Homme an Balcon, L’, [257].
• Horace, [134].
• House of Parliament--London, The, [100].
• Humbert, [165].
  
• Impressionism (Impressionists), [31], [36], [43], [46], [47], [48], [49], [70], [74], [80], [82], [83]-106, [107], [108], [111], [112], [114], [119], [120], [129], [135], [136], [137], [139], [141], [144], [156], [158], [165], [166], [167], [168], [169], [173], [174], [175], [176], [177], [188], [189], [194], [195], [196], [198], [199], [202], [203], [208], [209], [211], [222], [223], [224], [238], [239], [241], [246], [248], [274], [279], [280], [282], [284], [285], [286], [287], [294], [295], [315], [318], [324], [330], [331], [336], [337], [338], [339].
• Improvisation No. 29, [315].
• Ingénue, [115].
• Ingres, [17], [35], [56], [62], [108], [111], [112], [126], [203], [210], [226], [227], [239], [243], [322];
  • Le Bain Turc, [69].
  • La Source, [69].
  • Stratonice, [210].
  • Thétis et Jupiter, [79].
• Intimists, [315]-319.
• Intruse, L’, [193].
• Italian art, [56], [82], [97].
  
• Janissaires à l’Attaque, [40].
• Japanese art, [64], [93], [99], [100], [188].
• Japonaise, La, [98].
• Jardin, Le, [317].
• Jardin de Bellevue, Le, [80].
• Jardin d’Essoyes, Le, [126].
• Jarretière, La, [75].
• Jaulmes, Gustave, [202], [322].
• Jawlensky, [324].
• Jeu de Balles, [235].
• Jeunes Bretonnes, [195].
• John, Augustus, [320].
• Jongkind, [43], [69], [91], [96], [175].
• Journal, Delacroix’s, [37], [39], [45], [164], [156], [177].
• Journal des Artistes, [335].
• Juanes, Juan de, [51].
• Justice de Trajan, La, [40], [42].
• Justinien Composant les Institutes, [43].
  
• Kandinsky, [234], [264], [308]-315;
  • The Art of Spiritual Harmony, [310].
  • Improvisation No. 29, [315].
• Kanoldt, [325].
• Keion; Flight Turning a Corner, [274].
• Knauerhase, [324].
• Korngold, [52];
  • Symphonietta, [332].
• Kroll [324].
  
• La Fosse, [79].
• Lancret, [34].
• Landon, C. P., [44].
• Laprade, Pierre, 321.
• Largillière, [121].
• Larson, Carl, [221].
• La Tour, [34].
• Lautrec, see Toulouse-Lautrec.
• Laval, [197].
• Lawrence, [37], [209].
• Lebasque, [321].
• Le Beau, Alcide, [202], [322].
• Leclerc, Julien, [193].
• Léger, Fernand, [256]-257, [258];
  • Maisons et Fumées, [256].
  • Les Toits, [256].
• Legrand, Louis, [213], [218], [218]-219, [221], [227];
  • Maîtresse, [219].
• Legros, [209].
• Leibniz, [269].
• Le Moyne, [79], [121].
• Le Nains, the, [34].
• Lewis, Wyndham, [320], [323].
• Lhermitte, [209].
• Lhote, [324].
• Liberté Guidant le Peuple sur les Barricades, La, [38], [40].
• Liombruno, [223].
• Lion Déchirant un Cadavre, [41].
• Lise, [109], [109]-110, [111].
• Liszt, [97].
• Little Dutchmen, the, [188].
• Loge, La, [114].
• Lola de Valence, [68].
• London series (Monet), [102].
• Loti, Pierre, [191].
• Lotiron, [324].
• Louis Philippe, [43].
• Louis XVI, [34].
• Louvre, the, [36], [53], [69], [136], [223], [226].
• Luce, [175].
• Lucretius, [134].
• Lutte de Jacob avec l’Ange, La, [40], [45].
• Lutteurs, Les (Courbet), [59]-60.
• Lutteurs, Les (Daumier), [59].
• Luxembourg gallery, [53], [68], [99], [104], [115].
  
• Macdonald-Wright, S., [283], [284]-285, [286], [287]-288, [289], [289]-290, [292], [293], [296], [298], [300]-302, [303], [338];
  • Arm Organisation in Blue-Green, [301].
  • Synchromie en Bleu, [297].
• Madame T. et Son Fils, [26].
• Mlle. Durand-Ruel, [113], [114].
• Maeterlinck, [310];
  • L’Intruse, [193].
• Maisons et Fumées, [256].
• Maîtresse, [219].
• Mallarmé, [275].
• Manet, [25], [52], [53], [62], [64]-82, [83], [87], [90], [93], [98], [99], [106], [107], [108], [109], [111], [112], [113], [115], [127], [128], [131], [134], [135], [191], [204], [207], [212], [225], [226], [239], [243], [282], [283], [308], [330], [335], [336], [337];
  • Angelina, [68].
  • Les Anges au Tombeau, [79].
  • Le Bar des Folies-Bergère, [80].
  • Les Bulles de Savon, [80].
  • Le Buveur d’Absinthe, [66], [68].
  • La Chanteuse des Rues, [79].
  • Le Chemin de Fer, [80].
  • Le Claire de Lune, [80].
  • Combat du Kerseage et de l’Alabama, [80].
  • Course de Taureaux, [80].
  • Le Déjeuner, [79].
  • Le Déjeuner sur l’Herbe, [69]-70, [77]-78, [79].
  • Émile Zola, [79].
  • En Bateau, [79].
  • L’Enfant à l’Épée, [67].
  • Eva Gonzalès, [79].
  • Exécution de Maximilien, [80].
  • La Femme au Perroquet, [79].
  • Le Guiterrero, [67].
  • Le Jardin de Bellevue, [80].
  • La Jarretière, [75].
  • Lola de Valence, [68].
  • Nana, [75].
  • La Nymphe Surprise, [66].
  • Olympia, [74]-75, [79], [335].
  • Les Parents de l’Artiste, [67].
  • Le Port de Bordeaux, [80].
  • Rendez-vous de Chats, [77], [80].
  • Le Repos, [76].
• Manguin, [321].
• Mantegna; The Dead Christ, [24].
• Mantz, Paul, [336].
• Man with the Hoe, The, [57].
• Marconi, [97].
• Marinetti, [265], [276].
• Marquet, [324].
• Marseillaise, [311]-312.
• Martin, Henri, [101], [102], [175].
• Martinet’s gallery, [68].
• Martyrdom of Saint Bartholomew, The, [55].
• Marval, Madame, [321].
• Masaccio, [22], [42], [329];
  • Saint Peter Baptising the Pagans, [24].
• Massacre de Scio, [36], [39].
• Massys, [217];
  • The Courtesan, [217].
  • Head of an Old Man, [217].
  • Portrait of a Canon, [217].
• Matisse, [22], [32], [97], [123], [202], [203], [216], [222]-236, [237], [238], [241], [243], [246], [247], [254], [256], [262], [280], [281], [282], [284], [285], [289], [291], [308], [309], [310], [315], [316], [320], [321], [323], [324], [331], [332], [337];
  • Baigneuses, [226], [235].
  • La Glace sans Tain, [235].
  • Jeu de Balles, [235].
  • La Musique--esquisse, [235].
  • La Musique (panneau décoratif), [235].
• Mauve, [182].
• Maya Desnuda, La, [42].
• Mazo, [67].
• Mazzola-Bedoli, 203.
• Meissonier, [53].
• Meier-Graefe, [55], [340].
• Memlinc, [217];
  • The Casting of the Lots, [217].
  • Our Lord’s Passions, [217].
• Ménage Sisley, Le, [109], [110]-111, [112].
• Mère et Enfant, [123].
• Merimée, [43].
• Merril, Stuart, [193].
• Métbodes et Entretiens d’Atelier, [44].
• Metzinger, Jean, [257], [257]-258;
  • La Femme au Cheval, [258].
  • Le Port, [258].
• Meules, Les, [102].
• Meunier, [62].
• Michelangelo, [27], [36], [42], [44], [60], [61], [75], [82], [95], [119], [122], [129], [145], [155], [159], [163], [165], [235], [236], [237], [254], [267], [273], [284], [285], [294], [306], [308];
  • Creation of the Sun and Moon, [24].
  • Slaves, [21], [290], [299], [338].
• Mille et Une Nuits, [231].
• Millet, [57], [182], [188];
  • The Angelus, [57].
  • The Man with the Hoe, [57].
• Minerva Expelling Mars, [57].
• Miracle Saint Mark, The, [24].
• Mitsuoki, [77].
• Modern Painters, [47].
• Mokkei, [158].
• Molineri, Antonino, [21].
• Monastery Bells, [332].
• Monet, [47], [48], [49], [50], [53], [80], [82], [90], [91], [96], [96]-102, [103], [104], [112], [113], [114], [115], [128], [144], [165], [166], [175], [199], [200], [210], [216], [223], [274], [280], [283], [285], [308], [324];
  • La Cathédral, [102].
  • Coins de Rivière, [100].
  • L’Église à Varengeville, [99].
  • Falaise à Étretat, [100], [101].
  • La Gare St. Lazare, [50].
  • The Houses of Parliament--London, [100].
  • La Japonaise, [99].
  • London series, [102].
  • Les Meules, [102].
  • Les Nymphéas, [102].
  • Les Peupliers, [100].
  • Venice series, [102].
• Monnier, [62].
• Moore, George, [25], [52].
• Monticelli, [182].
• Moréas, [193].
• Moreau, Gustave, [190], [221], [224].
• Morgan, Wallace [221].
• Morisot, [165].
• Moronobu, [274].
• Morot, Aimé, [258].
• Moulin de la Gallette, Le, [26], [114], [115].
• Mounet-Sully, portrait of, [216].
• Mozart, [42].
• Mrs. Siddons, [115].
• Münter, [324].
• Münzer, Adolf, [202].
• Murillo, [21], [67].
• Musiciens à l’Orchestre, [213].
• Musique aux Tuileries, La, [109].
• Musique--esquisse, La, [235].
• Musique (panneau décoratif), La, [235].
  
• Nadelmann, [163].
• Nana, [75].
• Napoleon, [53].
• Napoleon III, [69].
• National Gallery, London, [41].
• Natte, La, [123].
• Nattier, [34].
• Negro sculpture, [229], [230], [231], [236].
• Neo-Impressionism (Neo-Impressionists), [164]-186, [189], [197], [199], [203], [208], [222], [224], [234], [260], [275], [278], [293], [303], [330].
• New age, The, [9], [341].
• Ninth Symphony, [8].
• Noa Noa, [190].
• Nu à l’Étoffe Vert et Jaune, [123].
• Nymphe Surprise, La, [66].
• Nymphéas, Les, [102].
  
• Obsequies of the Count of Orgaz, [55].
• Observateur des Beaux-Arts, [335].
• Ode aux Fleurs (d’après Anacréon), [126].
• Œuvre, L’, [134].
• Olivier, [34].
• Olympia, [74]-75, [79], [195], [335].
• Opus II (Schönberg), [332].
• Orage, A. R., [341].
• Orphism (Orphists), [239], [262], [275], [290], [291].
• Ortolano, [191].
• Ottmann, [324].
• Our Lord’s Prayer, [217].
  
• Padovanino, [23].
• Pannueaux, decorative (Renoir), [117].
• Panneaux (tambourine player and dancer), (Renoir), [126].
• Parisiennes Habillées en Algériennes, [111], [112].
• Pater, [34], [121].
• Paul, Hermann, [221].
• Paysage de la Martinique, [194].
• Peckstein, [324].
• Persian art, [64], [190], [230], [231], [236].
• Petitjean, [175].
• Petit Peintre, Le, [126].
• Peupliers, Les, [100].
• Philip IV, [24].
• Picabia, Francis, [257], [258]-259, [323].
• Picasso, [9], [22], [121], [234], [236], [240], [243], [246], [247], [251], [252], [255]-256, [158], [259], [262], [274], [284], [308], [323], [331];
  • Femme à la Mandoline, [251].
• Pièta, [41].
• Piot, [322].
• Pisanello, [28].
• Pissarro, [47], [48], [69], [82], [89], [90], [95]-96, [99], [104], [107], [114], [131], [135], [136], [165], [166], [180], [182], [192], [194], [199], [208], [212], [280];
  • Sydenham Road, [99].
• Pissarro, Lucien, [165].
• Plume, La, [338].
• Poe, Edgar Allan, [53].
• Poe, tales of Edgar Allan, [219].
• Pointillism (Pointillists), see Neo-Impressionism.
• Polaire, portrait of, [216].
• Pollaiuolo, [203].
• Pont-Aven school, [187]-206, [319].
• Port de Bordeaux, Le, [80].
• Port, Le, [258].
• Portrait de Dame, [114].
• Portrait d’Homme, [184]-185.
• Portrait of a Canon, [217].
• Post-Impressionism (Post-Impressionists), [234].
  • See also Matisse.
• Poussin, [19], [21], [22], [40], [97], [129], [320].
• Praxiteles, [218].
• Prendergast, [321]-322.
• Prévost, [216].
• Puget, [108].
• Putz, Leo, [202].
• Puy, Jean, [321].
  
• Radeau de la Méduse, [35], [55].
• Raeburn, [89].
• Rafaelli, [188].
• Rain, Steam and Speed, [47], [50].
• Raphael, [19], [21], [22], [165], [255].
• Ratapoil, [62].
• Ray, Louis, [197].
• Rembrandt, [22], [25], [41], [44], [45], [51], [56], [61], [62], [66], [99], [108], [280], [284];
  • etchings, [59].
• Redon, [165], [187].
• Regnault, [21], [34].
• Remberg, Baron, [53].
• Renaissance, the, [26], [29], [39], [51], [92], [128], [223], [227], [255], [306], [322].
• Rénaude et Angélique, [62].
• Rendez-vous de Chats, [77], [80].
• Renoir, [21], [22], [25], [26], [52], [56], [70], [77], [106], [107]-128, [136], [154], [155], [156], [163], [166], [181], [197], [205], [207], [208], [213], [135], [237], [238], [244], [234], [302], [306], [308], [316], [324], [330], [336], [337];
  • Au Piano, [123].
  • Baigneuse (1884), [120], [122].
  • Baigneuse (1888), [122], [123].
  • La Baigneuse au Griffon, [112].
  • La Baigneuse Brune, [123].
  • Baigneuses (1835), [121], [125].
  • Baigneuses (1902), [125], [126], [157].
  • La Balançoire, [115].
  • Le Cabaret de la Mère Anthony, [109].
  • La Chevelure, [114].
  • Coco, heads of, [126].
  • Coco et les Deux Servantes, [126].
  • Le Croquet, [123].
  • La Danseuse, [114].
  • Les Deux Sæurs, [123].
  • Diane Chasseresse, [109].
  • Les Enfants en Rose et Bleu, [120].
  • La Femme à la Perruche, [112].
  • La Femme au Miroir, [127].
  • Les Filles de Catulle Mendès, [123].
  • La Fillette à la Gerbe, [123].
  • La Fillette Attentive, [114].
  • La Fillet et l’Orange, [26].
  • Ingénue, [115].
  • Le Jardin d’Essoyes, [126].
  • La Loge, [114].
  • Lise, [109], [109]-110, [111].
  • Madame T. et Son Fils, [26].
  • Mère et Enfant, [123].
  • Le Ménage Sisley, [109], [110]-111, [112].
  • Mlle. Durand-Ruel, [113], [114].
  • Le Moulin de la Galette, [26], [114], [115].
  • La Musique aux Tuileries, [109].
  • La Natte, [123].
  • Nu à l’Étoffe Vert et Jaune, [123].
  • Ode aux Fleurs (d’après Anacréon), [126].
  • Panneaux, decorative, [117].
  • Panneaux (tambourine player and dancer), [126].
  • Parisiennes Habillées en Algériennes, [111], [112].
  • Le Petit Peintre, [126].
  • Portrait de Dame, [114].
  • La Rose dans les Cheveux, [126].
  • La Source, [114].
  • Tête de Jeune Fille, [120].
  • La Toilette de la Baigneuse, [125].
• Repos, [42].
• Repos des Saltimbanques, Le, [60].
• Repos, Le, (Manet), [76].
• République--1848, La, [61].
• Resurrection of Christ, The, [24].
• Retour de Christophe Colomb, [40], [51].
• Reynolds, Joshua, [21], [61].
• Ribera, [21], [51], [108], [187];
  • The Martyrdom of Saint Bartholomew, [55].
• Rigaud, [79].
• Rimbaud, Arthur, [266].
• Rin Teikei, [315].
• Ririomin; Head of a Chinese Lady, [127].
• Roberts, W., [323].
• Robinson, Boardman, [221].
• Robusti, [79].
• Rodin, [62].
• Roll, [101].
• Romanelli, [223].
• Romney, [116].
• Rondinelli, [79].
• Rood, [31], [165], [168], [180], [285].
• Rose dans les Cheveux, La, [127].
• Rossetti, [116], [221].
• Rotonchamp, Jean de, [190].
• Roubille, [221].
• Rousseau, [68], [89], [108], [205], [321]-322.
• Roussell, K.-X., [315], [318], [318]-319.
• Route de Laon, [251].
• Rubens, [9], [20], [21], [22], [26], [28], [36], [40], [41], [44], [45], [51], [52], [71], [81], [82], [87], [97], [108], [121], [125], [126], [127], [138], [158], [163], [165], [187], [203], [205], [220], [245], [254], [273], [277], [283], [300], [306], [308], [329];
  • The Adoration of the Wise Men of the East, [40].
  • The Earl and Countess of Arundel, [24].
• Rude, [273].
• Ruperupe, [195].
• Rural Concert, [69].
• Ruskin, [46], [47];
  • Modern Painters, [47].
• Russell, Morgan, [283], [283]-284, [285], [286], [286]-287, [288], [289], [292], [293], [294], [296], [297], [298], [299], [300], [302], [303];
  • Synchromie, [299].
  • Synchromie en Bleu-Violacé, [299].
  • Synchromie en Vert, [288]-289, [297].
• Russolo, Luigi, [276].
  
• Saint Peter Baptising the Pagans, [24].
• Salmon, André, [338].
• Salon d’Automne, [224], [257].
• Salon des Artistes Indépendents, [167], [224], [262], [288], [297], [299].
• Salon des Refusés, [69].
• Salon des Réprouvés, [69].
• Santerre, [121].
• S. Vitale, mosaics in, [150], [204].
• Sargent, [18], [98].
• Scarsellino, [203].
• Schönberg; Opus II, [332].
• Schuffenecker, [165], [197].
• Scott, Walter, [43].
• Scriabine, Alexander, [266], [311].
• Seguin, [197].
• Sérusier, [197].
• Setting Sun, [100].
• Seurat, [165], [165]-166, [167], [176], [177], [178], [180], [180]-181, [181], [182], [183], [184], [203], [226], [243], [264], [265], [310], [319];
  • La Baignade, [203].
  • Le Chahut, [180].
  • Le Cirque, [180].
  • Un Dimanche à la Grande-Jatte, [180], [203].
• Severini, [22], [276].
• Shannon, [98].
• Shaw, George Bernard, [52].
• Sheeler, Jr., C. R., [323].
• Shiubun; Setting Sun, [100].
• Sibelius, [52].
• Sickert, Walter, [219].
• Signac, [165], [166], [167], [169], [170], [174], [181], [182], [184], [224], [264];
  • D’Eugène Delacroix au Néo-Impressionnisme, [169].
• Signorelli, Luca, [137].
• Silène, [63].
• Silvestre, Théophile, [44].
• Simon, [18].
• Simultaneism, [262], [276].
• Sisley, [49], [89], [96], [99], [102]-103, [104], [280].
• Slaves, [21], [290], [299], [338].
• Sodoma, [218].
• Soirées de Paris, Les, [341].
• Sonneurs de Cloches, [62].
• Sorolla, [18], [52], [187].
• Sortie du Bain, La, [212].
• Source, La (Ingres), [69].
• Source, La (Renoir), [114].
• Spanish art, [62], [97], [111].
• Spiro, [322].
• Stein, Leo, [284].
• Steinlen, [62], [246], [255].
• Stendhal, [43].
• Stern, Maurice, [323].
• Stevens, Alfred, [209].
• Stieglitz, Alfred, [341].
• Stradivarius, [121].
• Strauss, Richard, [25], [52].
• Stratonice, [210].
• Sun of Venice Going to Sea, The, [49].
• Superville, [165].
• Swift, [191].
• Swinburne, [82].
• Sydenham Road, [99].
• Symphonietta, [332].
• Synchromie, [299].
• Synchromie en Bleu, [297].
• Synchromie en Bleu-Violacè, [299].
• Synchromie en Vert, [288]-289, [297].
• Synchromism (Synchromists), [32], [97], [115], [275], [277]-304, [324], [325], [331], [332], [335], [336], [338], [339].
• Synthesists, see Pont-Aven school.
  
• Table au Moulin-Rouge, Une, [215].
• Tahïtiennes, [195].
• Taine, [32].
• Tanagra figurines, [218].
• Tête de Jeune Fille, [120].
• Thétis et Jupiter, [79].
• Thiers, [36].
• Tiepolo, [87], [218], [244].
• Tillot, [165].
• Tintoretto, [21], [22], [51], [66], [137], [271], [329];
  • Minerva Expelling Mars [57].
  • The Miracle of Saint Mark, [24].
• Titian, [21], [36], [42], [44], [66], [72], [74], [75], [97], [108], [127], [189], [320];
  • Emperor Charles V, [24].
  • Venus Reclining, [75].
• Toba Sojo, [218].
• Tobeen, [324].
• Toilette, La, [212].
• Toilette de la Baigneuse, La, [125].
• Toits, Les, [256].
• Tokaido, series of the, [100].
• Torse de Femme S’Essuyant, [212].
• Toulouse-Lautrec, [62], [213], [214]-218, [220], [221], [242], [246], [255], [318], [321];
  • Une Table au Moulin-Rouge, [215].
  • Portraits of Loie Fuller, Sarah Bernhardt, Mounet-Sully, Yahne, Anna Held, [216].
• Tours, Les, [261].
• Trattato della Pittura, [148].
• Trois Danseuses, [212].
• Trovatore, Il, [42].
• Troyon, [67].
• Tudor-Hart, [168].
• Turner, [17], [43], [46]-50, [58], [63], [88], [89], [91], [97], [99], [103], [175], [205], [277], [302], [329];
  • The Devil’s Bridge, [50].
  • The Fighting Téméraire, [47].
  • Rain, Steam and Speed, [47], [50].
  • The Sun of Venice Going to Sea, [49].
  • Ulysses Deriding Polyphemus, [47].
    
• Ulysses Deriding Polyphemus, [47].
• Utamaro, [100].
• Utrillo, [324].
  
• Vague, La, [101].
• Vaïraoumati Téi Oa, [196].
• Valensi, [324].
• Vallotton, [321]-322, [322].
• Van de Velde, [175].
• Van Dongen, Kees, [321].
• Van Dyke, [50].
• Van Gogh, [46], [62], [150], [182]-186, [187], [192], [193], [196], [199], [215], [234], [314];
  • Portrait d’Homme, [184]-185.
• Van Rysselberghe, [174], [175].
• Van Vranken, see Macdonald-Wright, S.
• Vaudeville, the, [193].
• Velazquez, [19], [51], [66], [67], [70], [82], [89], [110], [212], [282], [284];
  • Philip IV, [24].
• Venetians, [39], [43], [44], [62], [70], [135], [162].
• Venice series (Monet), [102].
• Vénus Accroupie, [226].
• Venus Reclining, [75].
• Verdi; Il Trovatore, [42].
• Verkade, [197].
• Verlaine, [193].
• Veronese, [36], [38], [40], [44], [137], [282], [329].
• Véron, Eugène, [44].
• Vien, [34].
• Vierge à l’Écuelle, La, [62].
• Views of Fuji, [100].
• Vignon, [165].
• Ville de Paris, [259]-260, [260].
• Virgil, [134].
• Vlaminck, Maurice de, [320]-321.
• Vollard, Ambroise, [145].
• Vollard collection, [125].
• Vorticism (Vorticists), [325].
• Vuillard, [315], [318], [318]-319.
  
• Wagner, [42], [53], [266].
• Walkowitz, [325].
• Watteau, [22], [34], [97], [112], [113], [121].
• Whistler, [21], [47], [52], [69], [98], [134], [187], [209], [212], [244], [258], [318].
• William of Orange, [50].
• Wolff, Albert, [336].
• Wright, S. Macdonald. See Macdonald-Wright, S.
  
• Yahne, portrait of, [216].
• Young, Thomas, [84].
  
• Zak, [205], [321]-322.
• Zanchi, [23].
• Zawadowsky, [324].
• Zola, [52], [73], [131], [133], [134];
  • L’Assommoir, [73].
  • Fécondité, [73].
  • L’Œuvre, [134].
• Zorn, [52].
• Zuloaga, [21], [98].
• Zurbarán, [50].

---

OTHER BOOKS BY WILLARD HUNTINGTON WRIGHT

---

WHAT NIETZSCHE TAUGHT

A comprehensive exposition of Nietzsche’s philosophy, book by book, with, a complete biographical sketch and a frontispiece of Professor Karl Donndorf’s bust of Nietzsche.

The best book of its sort I have ever seen.—James Huneker.

We know of no other book just like Mr. Wright’s, nor anyone that, on the whole, we can recommend more heartily.—The Nation.

As a presentation in compact form of biographical data and certain extracts from the philosopher’s writings, the book is admirable.—Review of Reviews.