Peculiarities of American Cities

by Willard W. Glazier

The Farallones de los Frayles are six islets lifting up their jagged peaks in picturesque masses out in the ocean, twenty-three and one-half miles westward of the Golden Gate. The largest Farallon extends for nearly a mile east and west, and is three hundred and forty feet high. On its highest summit the government has placed a lighthouse, and there the light-keepers live, sometimes cut off for weeks from the shore, surrounded by barrenness and desolation, but within sight of the busy life which ebbs and flows through the narrow strait which leads to San Francisco. These islands are composed of broken and water-worn rocks, forming numerous sharp peaks, and containing many caves. One of these caves has been utilized as a fog-trumpet, or whistle, blown by the force of the waves. The mouth-piece of a trumpet has been fixed against the aperture of the rock, and the waves dashing against it with force enough to crush a ship to pieces, blows the whistle. This fog whistle ceases entirely at low water, and its loudness at all times depends upon the force of the waves. The Farallones are the homes of innumerable sea birds, gulls, mures, shags and sea-parrots, the eggs of the first two being regularly collected by eggers, who make a profitable business of gathering them at certain seasons of the year. In 1853 one thousand dozen of these eggs, the result of a three days' trip, were sold at a dollar a dozen. Gathering the eggs is difficult and not unattended by danger, as precipices must be scaled, and the birds sometimes show themselves formidable enemies. The larger island is also populated by immense numbers of rabbits, all descended from a few pairs brought there many years ago. Occasionally these creatures, becoming too numerous for the resources of the island, die by hundreds, of starvation. Though their progenitors were white, they have reverted to the original color of the wild race. The cliffs of these islands are alive with seals, or sea-lions, as they are called, which congregate upon their sunny slopes, play, bark, fight and roar. Some of them are as large as an ox and seemingly as clumsy; but they disport themselves in the surf, which is strong enough to dash them in pieces, with the utmost ease, allowing the waves to send them almost against the rocks, and then by a sudden, dextrous movement, gliding out of danger.

The Cliff House has also its sea-lions, on Seal Rock, not far from the hotel, and the visitors are never tired of watching them as they wriggle over the rocks, barking so noisily as to be heard above the breakers. Formerly numbers of them were shot by wanton sportsmen, but they are now protected by law. "Ben. Butler" and "General Grant" are two seals of unusual size, which appear to hold the remainder of the seal colony in subjection. If two begin to fight and squabble about a position which each wants, either "Ben" or the "General" quickly settles the dispute by flopping the malcontents overboard. The higher these creatures can wriggle up the rocks the happier they appear to be; and when a huge beast has attained a solitary peak, by dint of much squirming, he manifests his satisfaction by raising his small pointed head and complacently looking about him. As soon as another spies him, and can reach the spot, a squabble ensues, howls are heard, teeth enter into the contest, the stronger secures the eminence, and the weaker is ignominiously sent to the humbler and lower regions.

An early drive to and a breakfast at the Cliff House, with a return to the city before the sea-breeze begins, is the favorite excursion of the San Franciscan. The road passes beyond this hotel to a broad, beautiful beach, on which, at low tide, one can drive to the Ocean House, at its extreme end, and then return to the city by the old Mission grounds, which still lie in its southwestern limits. The Mission building is of adobe, of the old Spanish style, built in 1778. Adjoining it is the cemetery, with its fantastic monuments, and paths worn by the feet of the Mission fathers and their dusky penitents.

The largest and finest theatre of the city, and one of the finest in the United States, is the Grand Opera House, at the corner of Mission and Third streets. Four other theatres and an Academy of Music, furnish amusements to the residents of the city. Woodward's Gardens, on Mission street between Thirteenth and Fourteenth streets, contains a museum, an art galley, and a menagerie. There are also two Chinese theatres, one at 618 Jackson street, and the other at 625½ Jackson street.

The Chinese Quarter of San Francisco, which has become famous the world over, occupies portions of Sacramento, Commercial, Dupont, Pacific and Jackson streets. It is a locality which no stranger should fail to see. Here he steps at once into the Celestial Empire. Chinamen throng the streets, dressed in their semi-American, semi-Asiatic costumes, the pig-tail usually depending behind, though sometimes it is rolled up, out of sight, under the hat. The harsh gutturals of the Chinese language, nearly every word ending in ng, are heard on every hand, mingled with the grotesque pigeon English. The signs exhibit Chinese characters, and the stores and bazaars are filled with Chinese merchandise.

Women are scarce in this quarter, and only of the courtezan class; but here and there one meets you, dressed usually in Chinese gown and trowsers, with hair arranged in the indescribable Chinese chignon, and carrying a fan—for all the world as though she had stepped off a fan or a saucer—and not more immodest in demeanor than the same class in our eastern cities. There are few or no Chinese wives in San Francisco. Chinese immigration takes the form of an immense bow, beginning at China, stretching to the Pacific coast of America, and retiring again to its starting point; for every Chinaman expects to return to his native land, either alive or dead. He does not take root in American soil. He comes here to make a little money, leaving his family behind him, and, satisfied with a very modest competence, returns as he came. If he dies here, his bones are carried back, that they may find a resting-place with those of his ancestors. Therefore the women imported are for the basest purposes.

But to return to this Chinese Quarter. Here is the old St. Giles of London, the old Five Points of New York magnified and intensified. Here congregate the roughest and rudest elements, and here stand, shamelessly revealed, crime and bestiality too vile to name. In one cellar is a gambling-hell, for John Chinaman's besetting weakness is his love of gambling. The mode of gambling is very simple, involving no skill, and the stakes are small; but many a Celestial loses there, at night, his earnings of the day. Near by is an opium cellar, fitted up with benches or shelves, on each of which will be found a couple of Chinamen lying, with a wooden box for a pillow. While one is preparing his opium and smoking, the other is enjoying its full effects, in a half stupor. The Chinese tenement houses are crowded and filthy beyond description, and the breeding places of disease and crime. They are scattered thickly throughout the quarter. Their theatres, of which there are two, already referred to, have only male performers, who personate both sexes, and give what seems to be passable acting, accompanied by the clash and clang of cymbals, the beating of gongs, the sounding of trumpets, and other disagreeable noises regarded by the Chinese as music. The entire audience are smoking, either tobacco or opium.

The Joss houses, or temples of the Chinese, are more in the nature of club houses and employment bureaus, than of religious houses. The first floor contains the business room, smoking or lounging room, dining room, kitchen, and other offices, which are used by the Emigration Company to which the building belongs. The second floor contains a moderate-sized hall, devoted to religious rites. Its walls are decorated with moral maxims from Confucius and other writers, in which the devotees are exhorted to fidelity, integrity, and the other virtues. The Joss or Josh is an image of a Chinaman, before whom the Chinese residents of San Francisco are expected to come once a year and burn slips of paper. Praying is also done, but as this is by means of putting printed prayers into a machine run by clockwork, there is no great exhaustion among the worshipers.

The Chinese have no Sunday, and are ready to work every day of the week, if they can get paid for it. Their only holiday is at New Year, which occurs with them usually in February, but is a movable feast, when they require an entire week to settle their affairs, square up their religious and secular accounts, and make a new start in life. The Chinese have one saving virtue. They pay their debts on every New Year's day. If they have not enough to settle all claims against them they hand over their assets to their creditors, old scores are wiped out, and they commence anew.