The National Library was founded by act of Congress in 1800, and the following year, after the report of John Randolph, of Roanoke, had been submitted, setting forth the necessity for further legislation on the subject, a second act was passed, which placed it on a permanent basis. The number of volumes first contained in the library was three thousand, but appropriations were annually made by Congress to increase the number. In 1814 the Capitol was burned by the British, and the library destroyed; a few months later, Thomas Jefferson offered the Government his private collection of 6,700 volumes, among which were many rare and valuable works obtained in Europe, and these were purchased for the sum of $23,950. In 1866 the Smithsonian Library, containing forty thousand volumes, was added, and a year later, the Peter Force collection was purchased by Congress, for $100,000; constant additions have increased the number, until the library now contains nearly four hundred thousand bound volumes, and one hundred thousand pamphlets. It is enriched also by journals, manuscripts, and maps relating to the history and topography of the country; in respect to the latter, being only approached by the library in the British Museum. The Library halls occupy the principal floor of the entire west projection of the Capitol.
In the Vice President's Room hangs the original painting of Washington, taken from life by Rembrandt Peale, and purchased by the Government in 1832, for the sum of two thousand dollars.
The Senate Reception Room is a beautiful and brilliant apartment, about sixty feet in length, with its vaulted and arched ceiling, divided into four sections, adorned with allegorical frescoes of Prudence, Justice, Temperance and Strength, executed by Brumidi, in 1856. The ceiling is heavily gilded throughout; the walls finished in stucco and gilt, with a base of Scagliola, imitating the marbles of Potomac and Tennessee. A finely executed fresco, in oil, by Brumidi, adorns the south wall, representing Washington in consultation with Jefferson and Hamilton, his Secretaries of State and Treasury.
The President's Boom is an equally magnificent apartment, with groined arches embellished with numerous allegorical figures in fresco, the decoration, by Brumidi, being, in general design, the same as in the private audience chamber of the Vatican at Rome. The work throughout is very fine, being richly decorated with arabesques on a groundwork of gilt; the luxurious furniture of the apartment is entirely in keeping with this high order of artistic finish.
The old Hall of the House of Representatives is a magnificent apartment, designed and planned after the theatre at Athens, with fourteen Corinthian columns of variegated marble, forming a circular colonnade on the north. The bases of these columns are of freestone, the capitals of Carrara marble, designed and executed in Italy, after those in the temple of Jupiter Stator, at Rome; the paneled dome overhead is similar to that of the Pantheon. This venerable apartment was occupied by the House of Representatives for thirty-two years; its atmosphere must, in consequence, ever continue redolent with historic associations. On its walls, in the old days, hung the full-length portraits of Washington and Lafayette, presented by the latter on his last visit to this country; and the exact spot is pointed out where stood the desk of the venerable Ex-President, John Quincy Adams, when that aged patriot and senator was stricken by death. When, on the completion of the new, the old Hall was abandoned, in 1857, it was set apart, by Congress, as a National Statuary Gallery, and the President authorized to invite the different States to contribute statues, in bronze or marble, of such among their distinguished citizens as they might especially desire to honor, the number being limited to two from each State. These contributions have been coming in slowly from year to year, besides which, many valuable statues and paintings have been purchased and added, by the Government.
The new Hall of Representatives is said to be the finest in the world; its length being one hundred and thirty-nine feet, width ninety-three, and height thirty-six feet, while the galleries will seat twenty-five hundred persons. The ceiling is of cast-iron, with panels gilded and filled with stained-glass centres, on which are represented the coat-of-arms of each of the different States. The walls are adorned with valuable historical paintings and frescoes.
The Supreme Court Room, formerly the old United States Senate Chamber, is a semicircular apartment, seventy-five feet in diameter; its height and greatest width being forty-five feet. The ceiling is formed by a flattened dome, ornamented with square caissons in stucco, with apertures for the admission of light. Supporting a gallery back of the Judges' seats extends a row of Ionic columns of Potomac marble, with capitals of white Italian marble, modeled after those in the Temple of Minerva. Along the western wall are marble brackets, each supporting the bust of a deceased Chief Justice.
When occupied by the Senate, the Hall contained desks for sixty-four Senators. It was in this chamber that the Nation's purest and most profound statesmen assembled, and the great "Immortal Trio," Clay, Webster and Calhoun, made those wonderful forensic efforts which gave their names forever to fame and the admiration of posterity.
The New Senate Chamber, first occupied in 1859, is a magnificent apartment, belonging to the new extension of the Capitol, one hundred and thirteen feet in length by eighty feet in width, and thirty-six feet high. The Senators' desks are constructed of mahogany, and arranged in concentric semicircles around the apartment. The galleries rise and recede in tiers to the corridors of the second floor, and are capable of seating twelve thousand people.
Immense iron girders and transverse pieces compose the ceiling, forming deep panels, each glazed with a symbolic centre piece; the walls are richly painted, the doors elaborately finished with bronze ornaments. From the lobby we pass into the Senate Retiring Room, handsomely furnished, and said to be the finest apartment of the kind in the world. The ceiling is composed of massive blocks of polished white marble, which form deep panels, resting upon four Corinthian columns, also of white Italian marble. Highly polished Tennessee marble lines the entire walls, in the panels of which are placed immense plate glass mirrors, enhancing the brilliancy and already striking effect of the whole.