Lyonet.—The first piece of structural work after Swammerdam's to which we must give attention is that of Lyonet, who produced in the middle of the eighteenth century one of the most noteworthy monographs in the field of minute anatomy. This was a work like that of Malpighi, upon the anatomy of a single form, but it was carried out in much greater detail. The 137 figures on the 18 plates are models of close observation and fine execution of drawings.
Fig. 22.—Lyonet, 1707-1789.
Lyonet (also written Lyonnet) was a Hollander, born in The Hague in 1707. He was a man of varied talents, a painter, a sculptor, an engraver, and a very gifted linguist. It is said that he was skilled in at least eight languages; and at one time he was the cipher secretary and confidential translator for the United Provinces of Holland. He was educated as a lawyer, but, from interest in the subject, devoted most of his time to engraving objects of natural history. Among his earliest published drawings were the figures for Lesser's Theology of Insects (1742) and for Trembley's famous treatise on Hydra (1744).
His Great Monograph.—Finally Lyonet decided to branch out for himself, and produce a monograph on insect anatomy. After some preliminary work on the sheep-tick, he settled upon the caterpillar of the goat moth, which lives upon the willow-tree. His work, first published in 1750, bore the title Traité Anatomique de la Chenille qui ronge le bois de Saule. In exploring the anatomy of the form chosen, he displayed not only patience, but great skill as a dissector, while his superiority as a draughtsman was continually shown in his sketches. He engraved his own figures on copper. The drawings are very remarkable for the amount of detail that they show. He dissected this form with the same thoroughness with which medical men have dissected the human body. The superficial muscles were carefully drawn and were then cut away in order to expose the next underlying layer which, in turn, was sketched and then removed. The amount of detail involved in this work may be in part realized from the circumstance that he distinguished 4,041 separate muscles. His sketches show these muscles accurately drawn, and the principal ones are lettered. When he came to expose the nerves, he followed the minute branches to individual small muscles and sketched them, not in a diagrammatic way, but as accurate drawings from the natural object. The breathing-tubes were followed in the same manner, and the other organs of the body were all dissected and drawn with remarkable thoroughness. Lyonet was not trained in anatomy like Malpighi and Swammerdam, but being a man of unusual patience and manual dexterity, he accomplished notable results. His great quarto volume is, however, merely a description of the figures, and lacks the insight of a trained anatomist. His skill as a dissector is far ahead of his knowledge of anatomy, and he becomes lost in the details of his subject.
Extraordinary Quality of the Drawings.—A few figures will serve to illustrate the character of his work, but the reduced reproductions which follow can not do justice to the copper plates of the original. Fig. 23 gives a view of the external appearance of the caterpillar which was dissected. When the skin was removed from the outside the muscles came into view, as shown in Fig. 24. This is a view from the ventral side of the animal. On the left side the more superficial muscles show, and on the right the next deeper layer.
Fig. 25 shows his dissection of the nerves. In this figure the muscles are indicated in outline, and the distribution of nerves to particular muscles is shown.
