LINNÆUS AND SCIENTIFIC NATURAL HISTORY
We turn now from the purely anatomical side to consider the parallel development of the classification of animals and of plants. Descriptive natural history reached a very low level in the early Christian centuries, and remained there throughout the Middle Ages. The return to the writings of Aristotle was the first influence tending to lift it to the position from which it had fallen. After the decline of ancient civilization there was a period in which the writers of classical antiquity were not read. Not only were the writings of the ancient philosophers neglected, but so also were those of the literary men as well, the poets, the story-tellers, and the historians. As related in Chapter I, there were no observations of animated nature, and the growing tendency of the educated classes to envelop themselves in metaphysical speculations was a feature of intellectual life.
The Physiologus or Sacred Natural History.—During this period of crude fancy, with a fog of mysticism obscuring all phenomena of nature, there existed a peculiar kind of natural history that was produced under theological influence. The manuscripts in which this sacred natural history was embodied exist in various forms and in about a dozen languages of Eastern and Western Europe. The writings are known under the general title of the Physiologus, or the Bestiarius. This served for nearly a thousand years as the principal source of thought regarding natural history. It contains accounts of animals mentioned in the Bible and others of a purely mythical character. These are made to be symbolical of religious beliefs, and are often accompanied by quotations of texts and by moral reflections. The phœnix rising from its ashes typifies the resurrection of Christ. In reference to young lions, the Physiologus says: "The lioness giveth birth to cubs which remain three days without life. Then cometh the lion, breatheth upon them, and bringeth them to life.... Thus it is that Jesus Christ during three days was deprived of life, but God the Father raised him gloriously." (Quoted from White, p. 35.) Besides forty or fifty common animals, the unicorn and the dragon of the Scriptures, and the fabled basilisk and phœnix of secular writings are described, and morals are drawn from the stories about them. Some of the accounts of animals, as the lion, the panther, the serpent, the weasel, etc., etc., are so curious that, if space permitted, it would be interesting to quote them; but that would keep us too long from following the rise of scientific natural history from this basis.
For a long time the religious character of the contemplations of nature was emphasized and the prevalence of theological influence in natural history is shown in various titles, as Lesser's Theology of Insects, Swammerdam's Biblia Naturæ, Spallanzani's Tracts, etc.
The zoölogy of the Physiologus was of a much lower grade than any we know about among the ancients, and it is a curious fact that progress was made by returning to the natural history of fifteen centuries in the past. The translation of Aristotle's writings upon animals, and the disposition to read them, mark this advance. When, in the Middle Ages, the boundaries of interest began to be extended, it came like an entirely new discovery, to find in the writings of the ancients a storehouse of philosophic thought and a higher grade of learning than that of the period. The translation and recopying of the writers of classical antiquity was, therefore, an important step in the revival of learning. These writings were so much above the thought of the time that the belief was naturally created that the ancients had digested all learning, and they were pointed to as unfailing authorities in matters of science.
The Return to the Science of the Ancients.—The return to Aristotle was wholesome, and under its influence men turned their attention once more to real animals. Comments upon Aristotle began to be made, and in course of time independent treatises upon animals began to appear. One of the first to modify Aristotle to any purpose was Edward Wotton, the English physician, who published in 1552 a book on the distinguishing characteristics of animals (De Differentiis Animalium). This was a complete treatise on the zoölogy of the period, including an account of the different races of mankind. It was beautifully printed in Paris, and was dedicated to Edward VI. Although embracing ten books, it was by no means so ponderous as were some of the treatises that followed it. The work was based upon Aristotle, but the author introduced new matter, and also added the group of zoöphytes, or plant-like animals of the sea.
Gesner.—The next to reach a distinctly higher plane was Conrad Gesner (1516-1565), the Swiss, who was a contemporary of Vesalius. He was a practising physician who, in 1553, was made professor of natural history in Zurich. A man of extraordinary talent and learning, he turned out an astonishing quantity of work. Besides accomplishing much in scientific lines, he translated from Greek, Arabic, and Hebrew, and published in twenty volumes a universal catalogue of all works known in Latin, Greek, and Hebrew, either printed or in manuscript form. In the domain of natural history he began to look critically at animals with a view to describing them, and to collect with zealous care new observations upon their habits. His great work on natural history (Historia Animalium) began to appear in 1551, when he was thirty-five years of age, and four of the five volumes were published by 1556. The fifth volume was not published until 1587, twenty-two years after his death. The complete work consists of about "4,500 folio pages," profusely illustrated with good figures. The edition which the writer has before him—that of 1585-1604—embraces 3,200 pages of text and 953 figures.
Brooks says: "One of Gesner's greatest services to natural science is the introduction of good illustrations, which he gives his reader by hundreds." He was so exacting about the quality of his illustrations that his critical supervision of the work of artists and engravers had its influence upon contemporary art. Some of the best woodcuts of the period are found in his work. His friend Albrecht Dürer supplied one of the originals—the drawing of the rhinoceros—and it is interesting to note that it is by no means the best, a circumstance which indicates how effectively Gesner held his engraver and draughtsman up to fine work. He was also careful to mold his writing into graceful form, and this, combined with the illustrations, "made science attractive without sacrificing its dignity, and thus became a great educational influence."
In preparing his work he sifted the writings of about two hundred and fifty authors, and while his book is largely a compilation, it is enriched with many observations of his own. His descriptions are verbose, but discriminating in separating facts and observations from fables and speculations. He could not entirely escape from old traditions. There are retained in his book pictures of the sea-serpent, the mermaids, and a few other fanciful and grotesque sketches, but for the most part the drawings are made from the natural objects. The descriptions are in several parts of his work alphabetically arranged, for convenience of reference, and thus animals that were closely related are often widely separated.