A Hero and Some Other Folks

by William A. Quayle

And you can recapitulate American history in its most salient details from a reading of our geography. Great names stay, and will not be gone. As moss clings to the rock, so do great memories cling to localities. Nature conspires to keep illustrious men from death. Witness such names as follows: Lincoln (General Lincoln of Revolutionary fame), Madison, Pulaski (the brave Pole who fought for our freedom), Webster, Sumner, Henry (Patrick), Jackson (doughty general and President), Breckinridge, Hancock (signer of the Declaration of Independence), Lafayette, Clay, Pocahontas, Calhoun, Randolph, Monroe, Franklin, Jefferson, Clark (the explorer), Douglas (the "Little Giant"), Adams, Whitman (the Presbyterian missionary, who saved to the United States Washington and Oregon, by a heroic episode which deserves the perpetual gratitude of those States), Custer (the general slain in Indian warfare), Union (to commemorate the preservation of our Union), Benton (Thomas H., of Missouri, whose daughter was wife of General John C. Fremont), Lewis and Clark (discoverers), Garfield, Kane (Arctic explorer), Lincoln (the emancipator), Polk, Houston, Lee (General Robert E.), Tyler, Van Buren, Scott (General Winfield, of the Mexican War), Pike (the discoverer of Pike's Peak), Marshall (Chief-Justice), Berkely, Hamilton (Alexander, our first lord of the Treasury), Gadsden (he of "the Gadsden Purchase"), Marion, Sumter (both of Revolutionary fame), Carteret, Columbus, Stanton, Colfax, Greeley, Chase, Sherman, Seward, Fillmore, Harlan (Senator), Butler (Ben), Johnson (obstreperous "Andy"), Grant (our chiefest military hero), Polk (General), Brown (John Brown, of Ossawatomie), Thomas (General), Sheridan, Wallace (General), St. John (Prohibitionist, Republican governor of Kansas), Lane (Jim Lane, of Kansas), McPherson and Sedgewick (both Union generals), Case, Dallas, Boone, DeKalb, McDonough, Schuyler, DeWitt, Putnam, Kossuth, Hancock, Palo Alto, Cerro Gordo (reminders of the Mexican War), Clayton (of the Clayton-Bulwer Treaty), Emmet, Fremont, Taylor (President), Warren (General), Clinton (DeWitt), Audubon, Story (Chief-Justice), Buchanan, St. Clair, Montcalm, Kosciusko, Steuben, Tippecanoe,—to be acquainted with these names is to possess knowledge of the virtual makers of America in the range of statesmanship and military achievement.

One other item completes this tabulation. The aborigine of America, the Indian, has left "his mark" across and through this Nation. He never, in any true sense, owned this continent. He hunted and fought across it. He swept by, like gusts of winter wind. He staid here, he did not live here. Possession implies more than occupancy; it implies improvement, industry, habitations, cities, destiny, as worked out by sweat of toil. But this American Indian, who, in honor, never possessed the territory, and has left no ruins of cities built by his cunning and perseverance, nor codes, nor literature, has left us names of lake, and stream, and mountain, and city. This stolid Indian, though you would scarcely think it of him, had, in common with other nomad and untutored peoples, poetic instincts. Their names, like those of the Hebrews, had meanings, and were picturesque and beautiful, sometimes, oftentimes, bewitchingly so. Some words have a music, liquid as the whip-poor-will's notes heard in woodlands climbing a mountain side. Minnehaha, "laughing water"—does not the word seem laughing, like a falling stream? I once heard a distinguished philologist say that, of all the rhythmic words he had hit upon in any tongue, Winona was most exquisite. Surely it is not musical, but music. See the pomp of names, like an Indian war march begun: Athabasca, Wyoming, Tahoe, Niobrara, Mohawk, Sioux City, Nemaha, Hiawatha, Seneca, Chippewa, Chicago, Saskatchewan, Pepacton ("meeting of waters"), Winnepeg, Cheyenne, Manitoba, Penobscot, Narragansett, Chicopee, Manhattan, and a host besides, a numberless procession. Indian names cling with peculiar tenacity to lakes and rivers; for those hunters knew all waters, and hunted beside all streams and lakes. They were not seamen, and have left scant memorials of themselves in names that fringe the sea; but to lakes they cling with tireless tenacity.

Let these words suffice. As one who journeys in circles finds no end of journeying, so I. This theme runs on, nor stops to catch breath. I make an end, therefore, not because the subject is exhausted, but because it is dismissed. But this study in geography is journeying among dead peoples as certainly as it the land were crowded with obelisk and tomb. To those who were and are not, say, Vale! Vale!

"Ye who love the haunts of Nature,
Love the sunshine of the meadow,
Love the shadow of the forest,
Love the wind among the branches,
And the rain-shower and the snowstorm,
And the rushing of great rivers
Through their palisades of pine-trees,
And the thunder in the mountains,
Whose innumerable echoes
Flap like eagles in their eyries,—
Listen to these wild traditions.
Ye who love a nation's legends,
Love the ballads of a people,
That like voices from afar off
Call to us to pause and listen,
Speak in tones so plain and childlike,
Scarcely can the ear distinguish
Whether they are sung or spoken,—
Listen to this Indian Legend.
Ye whose hearts are fresh and simple,
Who have faith in God and nature,
Who believe that in all ages
Every human heart is human,
That in even savage bosoms
There are longings, yearnings, strivings,
For the good they comprehend not,
That the feeble hands and helpless,
Groping blindly in the darkness,
Touch God's right hand in that darkness,
And are lifted up and strengthened,—
Listen to this simple story.
Ye, who sometimes, in your rambles
Through the green lanes of the country,
Where the tangled barberry-bushes
Hang their tufts of crimson berries
Over stone walls gray with mosses,
Pause by some neglected graveyard,
For awhile to muse, and ponder
On a half-effaced inscription,
Written with little skill of song-craft,
Homely phrases, but each letter
Full of hope and yet of heart-break,
Full of all the tender pathos
Of the Here and the Hereafter,—
Stay, and read this rude inscription."

Only saying, Read not the "Song of Hiawatha," but the story of dead peoples by the ashes of their campfires,—these names they have left, clinging to places like blue to distant hills.

VI

Iconoclasm in Nineteenth Century Literature.

That history repeats itself is an apothegm which has descended to us from a dateless antiquity. It has been made to serve so often as to become trite; and yet its use is a necessity, inasmuch as it embodies a verity, which to ignore were ignorance and folly linked together; and as we stand on our eminence and scan the way humanity has worn with its multitudinous feet, as the events of the world pass in review before us, some so closely resemble others as that the one seems the echo of the other; and there appears reason for that fascinating generalization of the ancient philosopher, that the epochs and events of the physical realm and history were a fixed and limited quantity, which, revolving in a vast cycle, would bring from time to time the reiteration of the facts or doings of an ancient era. There was no new thing thinkable, only a reintroduction of the old. To illustrate this fact in brief, we have but to note the history of philosophy. You read the names of those who figure as founders of philosophical systems, and those systems seem many. Read the systems as founded, and you find an old-time philosophy, rejuvenated with some little addition of cap or bell better to adapt it to the modern time. The much-lauded Hegelian philosophy is the system of Democritus, with the addition of a little more absurdity in the assertion of the identity of contradictories. The multitudinous philosophies may thus be reduced to a single quaternion, and the reputed inaugurator of a new philosophy is like to be a charlatan. So history seems but a plagiarist.

There is an epoch in ecclesiastical history known as the War of the Iconoclast; but that was only an embodiment of what had transpired before, and what has occurred often since. Iconoclasm is a bias of humanity. It grows out of the constitution of man. He is by heredity a breaker of images. If this view be not fictitious, we must not be surprised if there are developments of this spirit in our era or any era. It is a perennial reappearance. Whether it come in religion, statecraft, economic science, or literature, can be of little moment. The fact is the matter of paramount importance. Christianity was the iconoclast which broke in pieces the images of decrepit polytheism, and hewed out a way where progress might march to fulfill her splendid destiny. Luther was the iconoclast whose giant strokes demolished the castle doors of Romish superstition, and broke to fragments the images of Mariolatry. The practical induction of Bacon, Earl of Verulam, was the death-warrant of the fruitless deductive philosophy which had culminated in the vagaries of Scholasticism. The Declaration of Independence and the Federation of the States were the iconoclast which slew the phantom of the divine necessity of kings. It is thus evident that iconoclasm abounds, and there will be no marvel if it have a place in literature.

Innovation is a practical synonym of iconoclasm; for an innovation is putting the new in the place of the old. In ancient literature and literatures, prose was an innovation as regards poetry; and later, rhyme was an innovation in the domain of poesy, and an innovation of such a sort that against it the master-poet, Milton, lifted up his voice in solemn protest, and the solitary epic in English literature is a perpetual protestation against the custom. Shakespeare was an innovator of the laws of the drama when he violated unities of time and place; and in a sense the drama was an innovation on narrative poetry, and the novel an iconoclast in its attitude to the drama.