In Our Town

by William Allen White

"Well, kid," said the most worshipful one in his teasingest voice, "What's the latest news at the general offices to-day?"

The Young Prince turned his head on one side like a little dog looking up at a big dog, and replied:

"Well, if you must know it, you're going to get the can, though we ain't printing it till you've got a chance to land somewhere else."

The longer the Prince worked the more clothes he bought. One of his most effective creations was a blue serge coat and vest, and a pair of white duck trousers linked by emotional red socks to patent-leather shoes. This confection, crowned with a wide, saw-edged straw hat with a blue band, made him the brightest bit of colour on the sombre streets of our dull town. He wore his collars so high that he had to order them of a drummer, and as he came down street from the depot, riding magnificently with the 'bus-driver, after the train had gone, the clerks used to cry: "Look out for your horses; the steam-piano is coming!"

But it didn't affect the Young Prince. If he happened to have time and was feeling like it, he would climb down over the rear end of the 'bus and chase his tormentor into the back of the store where he worked, but generally the Young Prince took no heed of the jibes of the envious. He was conscious that he was cutting a figure, and this consciousness made him proud. But his pride did not cut down the stack of copy that he laid on the table every morning and every noon. He couldn't spell and he was innocent of grammar, and every line he wrote had to be edited, but he got the news. He was every where. He rushed down the streets after an item, dodging in and out of stores and offices like a streak of chain lightning having a fit. But it was beneath his dignity to run to fires. When the fire-bell rang, he waited nonchalantly on the corner near the fire-department house, and as the crowds parted to let the horses dash by on the dead run, he would walk calmly to the middle of the street, put his notebook in his pocket, and, as the fire-team plunged by, he would ostentatiously throw out a stiff leg behind him like the tail of a comet, and "flip" onto the end of the fire-waggon. Then he would turn slowly around, raise a hand, and wiggle his fingers patronisingly at the girls in front of the Racket Store as he flew past, swaying his body with the motion of the rolling, staggering cart.

Other reporters who have been on the paper—the good ones as well as the bad—have had to run the gauntlet of the town jokers who delight to give green reporters bogus news, or start them out hunting impossible items. But the man who soberly told the Young Prince that O. F. C. Taylor was visiting at the home of the town drunkard, or that W. H. McBreyer had accepted a position in a town drug-store, only got a wink and a grin from the boy. Neither did the town wags fool him by giving him a birth announcement from the wrong family, nor a wedding where there was none. He was wise as a serpent. Where he got his wisdom, no one knows. He had the town catalogued in a sort of rogues' directory—the liars and the honest men set apart from one another, and it was a classification that would not have tallied with the church directories nor with the town blue-book nor with the commercial agency's reports. The sheep and the goats in the Young Prince's record would have been strangers to one another if they could have been assembled as he imagined them. But he was generally right in his estimates of men. He had a sixth sense for sham.

The Young Prince had the sense to know the truth and the courage to write it. This is the essence of the genius that is required to make a good newspaper man. No paper has trouble getting reporters who can hand in copy that records events from the outside. Any blockhead can go to a public meeting and bring in a report that has the words "as follows" scattered here and there down the columns. But the reporter who can go and bring back the soul of the meeting, the real truth about it—what the inside fights meant that lay under the parliamentary politenesses of the occasion; who can see the wires that reach back of the speakers, and see the man who is moving the wires and can know why he is moving them; who can translate the tall talking into history—he is a real reporter. And the Young Prince was that kind of a youth. He went to the core of everything; and if we didn't dare print the truth—as sometimes we did not—he grumbled for a week about his luck. As passionately as he loved his clothes, he was always ready to get them dirty in the interests of his business.

For three years his nimble feet pounded the sidewalks of the town. He knew no business hours, and ate and slept with his work. He never ceased to be a reporter—never took off his make-up, never let down from his exalted part. One day he fell sick of a fever, and for three weeks fretted and fumed in delirium. In his dreams he wrote pay locals, and made trains, and described funerals, got lists of names for the society column, and grumbled because his stuff was cut or left over till the next day. When he awoke he was weak and wan, and they felt that they must tell him the truth.

The doctor took the boy's hands and told him very simply what they feared. He looked at the man for a moment in dumb wonder, and sighed a long, tired sigh. Then he said: "Well, if I must, here goes"—and turned his face to the wall and closed his eyes without a tremor.

And thus the Young Prince went home.