He rose and began pacing the piazza as he continued speaking. “It’s always been so with me–as early as my boyhood it was so. I often wake in the lonely nights and think of them all over again–the days and nights, the girls and women who have flashed bright and radiant into my life. Over and over again, I repeat to my soul their names, over and over I live the hours we have spent together, the dangers, the delights, the cruel misery of it all and then at the turn of the street, at the corner of a room, in the winking of an eye I see another face, it looks a challenge at me and I am out 235on the high road of another romance. I’ve got to go! It’s part of my life; it’s the pulse of my blood.”

He stood excited with his deep, beady, black eyes burning and his proud, vain face flushed and his hands a-tremble. The Doctor saw that he was in the midst of a physical and mental turmoil that could not be checked.

Van Dorn went on: “And then you and my friends ask me to quit. Laura, God help her–she naturally–” he exclaimed. “But is the moon to be blotted out for me? Are the night winds to be muffled and mean no more than the scraping of a dead twig against a rusty wire? Are flowers to lose their scent, and grass and trees and birds to be blurred and turned drab in my eyes? How do you think I live, man? How do you think I can go before juries and audiences and make them thrill and clench their fists and cry like children and breathe with my emotions, if I am to be stone dead? Do you think a wooden man can do that? Try Joe Calvin with a jury–what does he accomplish with all his virtue? He hasn’t had an emotion in twenty years. A pretty woman looking at Joe in a crowd wouldn’t say anything to him with her eyes and dilating nostrils and the swish of her body. And when he gets before a jury he talks the law to them, and the facts to them, and the justice of the case to them. But when I used to stand up before them, they knew I was weak, human mud. They had heard all the stories on me. They knew me, and some of them despised me, and all of them were watching out for me, but when I reached down in my heart and brought up the common clay of which we all are made and molded it into a man or an event before their eyes, then–by God they came to me. And yet you’ve been sitting there for years, Doctor Jim Nesbit and saying ‘Tom–Tom, why don’t you quit?’”

He was seated now, talking in a low, tense voice, looking the Doctor deeply in the eyes, and as he paused, the perspiration stood out upon his scarred forehead, and pink splotches appeared there and the veins of his temples were big and blue. The Doctor turned away his eyes and said coldly: “There’s Laura–Tom–Laura and little Lila.”

“Yes,” he groaned, rising. “There are Laura and Lila.”

He thrust his hands deeply into his pockets and looked 236down at the Doctor and sneered. “There’s the trap that snapped and took a paw, and I’m supposed to lick it and love it and to cherish it.”

He shuddered, and continued: “For once I’ll speak and tell it all. I’ll not be a hypocrite in this hour, though ever after I may lie and cringe. There are Laura and Lila and here am I. And out beyond is the wind in the elms and the sunshine upon the grass and the moving odor of flowers–flowers that are blushing with the joy of nature in her great perennial romance–and there’s Laura and Lila and here am I.”

His passion was ebbing; his face was hardening into its wonted vain, artificial contour, his eyes were losing their dilation, and he was sitting rather limply in his chair, staring into space. The Doctor came at him.

“You’re a fool. You had your fling; you’re along in your thirties, nearly forty now and it’s time to stop.” The younger man could not regain the height, but he could hide under his crust. So he parried back suavely, with insolence in his voice:

“Why stop at thirty–or even forty? Why stop at all?”