It was five o’clock, and the two fagged women were in Mrs. Nesbit’s room. The younger woman was pale and haggard and unable to relax. The mother tried all of a mother’s wiles to bring peace to the over-strung nerves. But the daughter paced the floor silently, or if she spoke it was to 243ask some trivial question about the household–about what arrangements were made for the injured man’s food, about Lila, about Amos Adams and Kenyon. Finally, as she turned to leave the room, her mother asked, “Where are you going?” The daughter answered, “Why, I’m going home.”
“But Laura,” the mother returned, “I believe your father is expecting your help here–to-night. I am sure he will need you.” The daughter looked steadily, but rather vacantly at her mother for a moment, then replied: “Well, Lila and I must go now. I’ll leave her there with the maid and I’ll try to come back.”
Her hand was on the door-knob. “Well,” hesitated her mother, “what about Tom–?”
The eyes of the two women met. “Did father tell you?” asked the daughter’s eyes. The mother’s eyes said “Yes.” Then rose the Spartan mother, and put a kind, firm hand upon the daughter’s arm and asked: “But Laura, my dear, my dear, you are not going back again, to all–all that, are you?”
“I am going home, mother,” the daughter replied.
“But your self-respect, child?” quoted the Spartan, and the daughter made answer simply: “I must go home, mother.”
When Laura Van Dorn entered her home she began the evening’s routine, somewhat from habit, and yet many things she did she grimly forced herself to do. She waited dinner for her husband. She called his office vainly upon the telephone. She and Lila ate alone; often they had eaten alone before. And as the evening grew from twilight to dark, she put the child to bed, left one of the maids in the child’s room, lighted an electric reading lamp in her husband’s room, turned on the hall lamp, instructed the maid to tell the Judge that his wife was with her father helping him with a wounded man, and then she went out through the open, hospitable door.
But all that night, as she sat beside the restless man, who writhed in his pain even under the drug, she went over and over her problem. She recognized that a kind of finality had come into her relations with her husband. In the rush of events that had followed his departure, a period, definite and 244conclusive seemed to have been put after the whole of her life’s adventures with Tom Van Dorn. She did not cry, nor feel the want of tears, yet there were moments when she instinctively put her hands before her face as in a shame. She saw the man in perspective for the first time clearly. She had not let herself take a candid inventory of him before. But that night all her subconscious impressions rose and framed themselves into conscious reflections. And then she knew that his relation with her from the beginning had been a reflex of his view of life–of his material idea of the scheme of things.
As the night wore on, she kept her nurse’s chart and did the things to be done for her patient. For the time her emotions were spent. Her heart was empty. Even for the shattered and suffering body before her, the tousled red head, the half-closed, pain-bleared eyes, the lips that shielded the clenched teeth–she felt none of that tenderness that comes from deep sympathy and moving pity. At dawn she went home with her body worn and weary, and after the sun was up she slept.
Scarcely had the morning stir begun in the Nesbit household, before Morty Sands appeared, clad in the festive raiment of the moment–white ducks and a shirtwaist and a tennis racket, to be exact. He asked for the Doctor and when the Doctor came, Morty cocked his sparrow like head and paused a moment after the greetings of the morning were spoken. After his inquiries for Grant had been satisfied, Morty still lingered and cocked his head.