Again she laughed gayly: “It’s not for me to open a school for the Direction of Miscalculated Purposes. Still,” this she said seriously, “a strong woman is what he needs.”
“Not omitting the latch-key,” gibed her father, and the talk drifted into another current.
The next Sunday afternoon young Tom Van Dorn appeared with Rossetti added to his Swinburne, and crowded Morty Sands clear out of the hammock so that Morty had to sleep in a porch chair, and woke up frequently and was unhappy. While the gilded youth slept the Woman woke and listened, and Morty was left disconsolate.
The shadows were long and deep when Tom Van Dorn rose from the hammock, closed his book, and stood beside the girl, looking with a gentle tenderness from the burning depths of his black eyes into her eyes. He paused before starting away, and held up a hand so that she could see, wound about it, a flaxen hair, probably drawn from the hammock pillow. He smiled rather sadly, dropped his eyes to the book closed in his hands, and quoted softly:
“‘And around his heart, one strangling golden hair!’”
He did not speak again, but walked off at a great stride down the stone path to the street. The next day Rossetti’s sonnets came to Laura Nesbit in a box of roses.
The Sunday following Laura Nesbit made it a point to go with her parents to spend the day with the Adamses down by the river on their farm. But not until the Nesbits piled into their phaëton to leave did Grant appear. He met the visitors at the gate with a great bouquet of woods flowers, saying, 72“Here, Mrs. Nesbit–I thought you might like them.” But they found Laura’s hands, and he smiled gratefully at her for taking them. As they drove off, leaving him looking eagerly after them, Dr. Nesbit said when they were out of hearing, “I tell you, girls–there’s the makings of a man–a real man!”
That night Laura Nesbit in her room looking at the stars, rose and smelled the woods flowers on her table beside some fading roses.
As her day dreams merged into vague pictures flitting through her drowsy brain, she heard the plaintive, trembling voice of Morty Sands’s mandolin, coming nearer and nearer, and his lower whistle taking the tune while the E string crooned an obligato; he passed the house, went down the street to the Mortons’ and came back and went home again, still trilling his heart out like a bird. As the chirping faded into the night sounds, the girl smiled compassionately and slept.
As she slept young Thomas Van Dorn walked alone under the elm trees that plumed over the sidewalks in those environs with hands clasped behind him, occasionally gazing into the twinkling stars of the summer night, considering rather seriously many things. He had come out to think over his speech to the jury the next day in a murder case pending in the court. But the murderer kept sinking from his consciousness; the speech would not shape itself to please him, and the young lawyer was forever meeting rather squarely and abruptly the vision of Laura Nesbit, who seemed to be asking him disagreeable and conclusive questions, which he did not like to answer. Was she worth it–the sacrifice that marriage would require of him? Was he in love with her? What is love anyway? Wherein did it differ from certain other pleasurable emotions, to which he was not a stranger? And why was the consciousness of her growing larger and larger in his life? He tried to whistle reflectively, but he had no music in his soul and whistling gave him no solace.