“Father,” he asked, addressing the old man, who was rubbing his chilled hands over the fire, “what is death?” The old man spoke, slowly. He ran his fingers through his 162beard and then addressing the youth who had spoken rather than the child, replied:

“Death? Death?” and looked puzzled, as if searching for his words. “Death is the low archway in the journey of life, where we all–high and low, weak and strong, poor and rich, must bow into the dust, remove our earthly trappings, wealth and power and pleasure, before we rise to go upon the next stage of our journey into wider vistas and greener fields.”

The child nodded his head as one who has just appraised and approved a universe, replying sagely, “Oh,” then after a moment he added: “Yes.” And said no more.

But when the sun was up, and the wheels scraped on the gravel walk before the Adams home, and the silvery, infectious laugh of a young mother waked the echoes of the home, as she bundled up Kenyon for his daily journey, the old man and the young man heard the child ask: “Aunty Laura–what is death?” The woman with her own child near in the very midst of life, only laughed and laughed again, and Kenyon laughed and Lila laughed and they all laughed.


163CHAPTER XVI
GRANT ADAMS IS SOLD INTO BONDAGE AND MARGARET FENN RECEIVES A SHOCK

Perhaps the sound of their laughter drowned the mournful voices of the bells in Grant Adams’s heart. But the bells of the New Year left within him some stirring of their eternal question. For as the light of day sniffed out, Grant in a cage full of miners, with Dick Bowman and one of his boys standing beside him, going down to the second level of the mine, asked himself the question that had puzzled him: Why did not these men get as much out of life as their fellows on the same pay in the town who work in stores and offices? He could see no particular difference in the intelligence of the men in Harvey and the workers in South Harvey; yet there they were in poorer clothes, with, faces not so quick, clearly not so well kept from a purely animal standpoint, and even if they were sturdier and physically more powerful, yet to the young man working with them in the mine, it seemed that they were a different sort from the white-handed, keen-faced, smooth-shaven, well-groomed clerks of Market Street, and that the clerks were getting the better of life. And Grant cried in his heart: “Why–why–why?”

Then Dick Bowman said: “Red–penny for your thoughts?” The men near by turned to Grant and he said: “Hello, Dick–” Then to the boy: “Well, Mugs, how are you?” He spoke to the others, Casper and Barney and Evans and Hugh and Bill and Dan and Tom and Lew and Gomer and Mike and Dick–excepting Casper Herdicker, mostly Welsh and Irish, and they passed around some more or less ribald greetings. Then they all stepped upon the soft ground and stood in the light of the flickering oil torches that hung suspended from timbers.

164Stretching down long avenues these flickering torches blocked out the alleys of the mine in either direction from the room, perhaps fifty by forty feet, six or seven feet high, where they were standing. A car of coal drawn by forlorn mules and pushed by a grinning boy, came creaking around a distant corner, and drew nearer to the cage. A score of men ending their shift were coming into the passageways from each end, shuffling along, tired and silent. They met the men going to work with a nod or a word and in a moment the room at the main bottom was empty and silent, save for the groaning car and the various language spoken by the grinning boy to the unhappy mule. Grant Adams turned off the main passage to an air course, where from the fans above cold air was rushing along a narrow and scarcely lighted runway about six feet wide and lower than the main passage. Down this passage the new mule barn was building. Grant went to his work, and just outside the barn, snuffed a sputtering torch that was dripping burning oil into a small oily puddle on the damp floor. The room was cold. Three men were with him and he was directing them, while he worked briskly with them. Occasionally he left the barn to oversee the carpenters who were timbering up a new shaft in a lower level that was not yet ready for operation. Fifty miners and carpenters were working on the third level, clearing away passages, making shaft openings, putting in timbers, constructing air courses and getting the level ready for real work. On the second level, in the little rooms, off the long, gloomy passages lighted with the flaring torches hanging from the damp timbers that stretched away into long vistas wherein the torches at the ends of the passage glimmered like fireflies, men were working–two hundred men pegging and digging and prying and sweating and talking to their “buddies,” the Welsh in monosyllables and the Irish in a confusion of tongues. The cars came jangling along the passageways empty and went back loaded and groaning. Occasionally the piping voice of a boy and the melancholy bray of a mule broke the deep silence of the place.

For sound traveled slowly through the gloom, as though the torches sapped it up and burned it out in faint, trembling 165light to confuse the men who sometimes came plodding down the galleries to and from the main bottom. At nine o’clock Grant Adams had been twice over the mine, on the three levels and had thirty men hammering away for dear life. He sent a car of lumber down to the mule barn, while he went to the third level to direct the division of an air shaft into an emergency escape. On one side of this air shaft the air came down and there was a temporary hoist for the men on the third level and on the other side a wooden stairway was to be built up seventy feet toward the second level.