The next day little boys followed Henry Fenn about the streets laughing; Henry Fenn, drunken and debased, whose heart was bleeding. It was late in the afternoon when he appeared in the Amen Corner. His shooting stars were all exploded from their rocket and he was fading into the charred papier-mâche of the reaction that comes from over exhilaration. So he sat on the walnut bench, back of the newspaper counter with his hands on his knees and his eyes staring at the floor while traffic flowed through the establishment oblivious to his presence. Mr. Brotherton watched Fenn but did not try to make him talk. There came a time when trade was slack that Fenn looked for a minute fixedly at Mr. Brotherton, and finally said, shaking his head sadly:
“She says I’ve got to quit!” A pause and another sigh, then: “She says if I ever get drunk again, she’ll quit me like a dog.” Another inspection of the floor; more lugubrious head-shaking followed, after which the eyes closed and the dead voice spoke:
“Well, here’s her chance. Say, George,” he tried to smile, but the light only flickered in his leaden eyes. “I guess I’m orey-eyed enough now to furnish a correct imitation of a gentleman in his cups?”
Fenn got up, took Brotherton back among the books at the rear of the store. The drunken man took from his pocket a fountain pen incased in a silver mounting. He held the silver trinket up and said:
“Let me see it–whose is it, Henry?” asked Brotherton. Fenn answered, “That’s my business.” He paused; then added “and his business.” Another undecided moment, and then Fenn concluded: “And none of your business.”
Suddenly he took his hands off the big man, and said, “I’m going home. If she means business, here’s her chance.”
Brotherton tried to stop him, but Fenn was insistent. Customers were coming in, and so Brotherton let the man go. But all the evening he was worried about his friend. Absentmindedly he went over his stock, straightening up Puck and Judge and Truth and Life, and putting the magazines in their places, sorting the new books into their shelf, putting the standard pirated editions of English authors in their proper place and squaring up the long rows of “The Bonnie Brier Bush” and “A Hazard of New Fortunes” where they would catch the buyers’ eyes upon the counter, in freshly jostled ranks, even and inviting, after the day’s havoc in Harvey’s literary circles. But always Fenn’s face was in Brotherton’s mind. The chatter of the evening passed without Brotherton realizing what it was all about. As for instance, between Grant Adams and Captain Morton over a sprocket which the Captain had invented and Henry Fenn had patented for the Captain. Grant on the other hand kept trying to tell the Captain about his unions organizing in the Valley, and neither was interested in what the other said, yet each was bursting with the importance of what he was saying. But even that comic dialogue could not take Mr. Brotherton’s mind from the search of the sinister connection it was trying to discover, between the fountain pen and Henry Fenn.
So Brotherton, worried with the affairs of Fenn, was not interested and the Captain peddled his dream in other marts. With Fenn’s ugly face on his mind, Brotherton saw young Judge Van Dorn swing in lightly, go through his daily pantomime, all so smoothly, so well oiled, so polished and polite, so courtly and affable, that for the moment Brotherton laid aside his fears and abandoned his suspicions. Then Van Dorn, after playing with his cigar, went to the 215stationery counter and remarked casually, “By the by, George, do you keep fountain pens?”
Mr. Brotherton kept fountain pens, and Judge Van Dorn said: “There–that one over by the ink eraser–yes, that one–the one in the silver casing–I seem to have mislaid mine. Yale men gave it to me at the reunion in ’91, as president of the class–had my initials on it–ten years–yes,” he looked at the pen offered by the store keeper. “That will do.” Mr. Brotherton watched the Judge as he put the pen in his vest pocket, after it had been filled.