"Unrestrained passion for pleasure," said M. Comte, editor of the French Relèvement Social, writing just before the European war, is bringing a terrible train of evils into modern society. Along with it he put "the hunt for money without regard for means," adding:
"This is the theme which manufacturers, business men, men in the public administration, continually harp on with ever the same conviction and ever the same wealth of proof.
"The note is ever the same, and the conclusion identical: Nous sommes perdus! [We are lost!]"—Quoted in Record of Christian Work, July, 1914.
Many agencies for social and temperance reform are rendering the greatest human service; but for lost humanity the only hope is Christ, the divine Saviour. With an urgency born of the last call, His gospel is sounding to a world on the verge of eternity. Yet with divine love longing to save, the world sweeps on, less and less mindful of eternal interests. Christ's prophecy foretold it as it is:
"As the days of Noe were, so shall also the coming of the Son of man be. For as in the days that were before the flood they were eating and drinking, marrying and giving in marriage, until the day that Noe entered into the ark, and knew not until the flood came, and took them all away; so shall also the coming of the Son of man be." Matt. 24: 37-39.
Who can look out upon mankind today without the conviction that this scripture is being fulfilled? The drift is strong toward the world and away from God; but we are bidden to watch and pray, lest the coming day find us unprepared.
3. Signs in the Industrial World
Industrial conditions today add their contribution to the "distress of nations, with perplexity." Through the word of prophecy the Lord long ago foretold these conditions, with a warning to the careless rich, and a warning to the laborer and the poor, not to be drawn into contention over the things of this world, for the Judge is at the door. The prophecy, it will be seen, refers specifically to latter-day conditions.
"AM I MY BROTHER'S KEEPER?"
A night scene on the Thames embankment, London.