his advocacy of Coster’s pretensions, [160];
ascribes the introduction of cross-hatching to M. Wolgemuth, [239];
and the designs of the cuts in the Hypnerotomachia to Benedetto Montagna, [220].
Outline, in wood engraving, the difference between the white and the true, [587];
engravings in, [590].
Overlaying wood-cuts, mode of, [613], [645].
Ovid’s Metamorphoses, printed at Venice, 1497, [217].
Ovingham, the parsonage at, [473];
the church, [512].
Oxford Sausage, with wood-cuts, 1764, [470].