While on ane Farstein they fyld a bill, [135]

And he was fugitive that fled."

About the same period the game of cards was a common amusement in the south of Ireland. Spenser, in his 'View of the State of Ireland,' written about 1590, speaks of an idle and dissolute class of people called "Carrows," who, he says, "wander up and down to gentlemen's houses, living only upon cards and dice; the which, though they have but little or nothing of their own, yet will they play for much money; which, if they win, they waste most lightly; and if they lose, they pay as slenderly, but make recompense with one stealth or another; whose only hurt is not that they themselves are idle lossels, but that through gaming they draw others to lewdness and idleness." [136]

The counterpart to this picture was to be found in Spain about the same period; and as the intercourse between the two countries was frequent, and the favorite game in both was "One-and-Thirty," it is not unlikely that the Irish obtained their knowledge of cards from the Spaniards. In Cervantes' 'Comical History of Rinconete and Cortadillo,' a young Spanish vagabond gives the following account of his skill at cards: "I took along with me what I thought most necessary, and amongst the rest this pack of cards, (and now I called to mind the old saying, 'He carries his All on his back,') for with these I have gained my living at all the publick houses and inns between Madrid and this place, playing at One-and-Thirty; and though they are dirty and torn, they are of wonderful service to those who understand them, for they shall never cut without leaving an ace at bottom, which is one good point towards eleven, with which advantage, thirty-one being the game, he sweeps all the money into his pocket: besides this, I know some slight tricks at Cards and Hazard; so that though you are very dexterous and a thorough master of the art of cutting buskins, I am every bit as expert in the science of cheating people, and therefore I am in no fear of starving; for though I come but to a small cottage, there are always some who have a mind to pass away time by playing a little; [137] and of this we may now try the experiment ourselves: Let us spread the nets, and see if none of these birds, the carriers, will fall into them; which is as much as to say that you and I will play together at One-and-Thirty, as if it was in earnest; perhaps somebody may make the third, and he shall be sure to be the first to leave his money behind him."

At what period cards were first used in Europe for the purposes of divination or fortune-telling has not been ascertained. In the 'Magasin Pittoresque' for 1842, page 324, there is a cut entitled "Philippe-le-Bon consultant une tireuse de cartes," copied from a painting ascribed to John Van Eyck. Though it has been denied that this picture is really by Van Eyck, it is yet admitted that the costume is that of the reign of Charles VIII, between 1483 and 1498. [138] Supposing then that the picture belongs to the latter period, we have thus evidence of cards being used for the purposes of fortune-telling before the close of the fifteenth century. The gypsies, who are unquestionably of Asiatic origin, appear to have long used them for this purpose; and if they brought cards with them in their earliest immigration into Europe, as Breitkopf supposes, they are just as likely to have brought with them their occult science of cards as to have acquired it subsequently from Europeans. The earliest work, expressly treating of the subject appears to be 'Le Sorti,' written or compiled by Francesco Marcolini, printed at Venice in 1540. In the prologue, the author professes to explain the mode of applying what he calls his pleasant invention—"piacevole inventione;" but beyond the fact that certain cards are to be used, I have not been able to make out his meaning. The only cards to be employed were the King, Knight, Knave, ten, [139] nine, eight, seven, deuce, and ace of the suit Danari or Money. Besides the small cuts of cards, of which the following are specimens, the work contains a number of wood-engravings, some of which are designed in a spirited manner. A work similar to Marcolini's, entitled 'Triompho di Fortuna,' by Sigismond Fanti, professing to teach the art of solving questions relating to future events, but without using cards, was printed at Venice in 1527.

Juggling and fortune-telling by means of cards, whenever introduced, appear to have had many professors in the latter half of the sixteenth century. A trick performed with cards by a juggler, appears to have excited the inquisitive genius of Lord Bacon when a boy; and his biographer, Basil Montagu, thinks that from this circumstance his attention was first directed to an inquiry into the nature of the imagination. [140] Reginald Scott, in his Discovery of Witchcraft, first published in 1584, has a chapter "Of Cards, with good cautions how to avoid cousenage therein; special rules to convey and handle the cards; and the manner and order how to accomplish all difficult and strange things wrought with cards."

"Having now," says he, "bestowed some waste money among you, I will set you to cards; by which kind of witchcraft a great number of people have juggled away not only their money, but also their lands, their health, their time, and their honesty. I dare not (as I could) show the lewd juggling that cheaters practice, lest it minister some offence to the well-disposed, to the simple hurt and losses, and to the wicked occasion of evil doing. But I would wish all gamesters to beware, not only with what cards and dice they play, but especially with whom, and where they exercise gaming. And to let dice pass, (as whereby a man may be inevitably cousened,) one that is skilful to make and use Bumcards may undo a hundred wealthy men, that are not given to gaming; but if he have a confederate present, either of the players or standers-by, the mischief cannot be avoided. If you play among strangers, beware of him that seems simple or drunken; for under their habit the most special couseners are presented; and while you think by their simplicity and imperfections to beguile them, (and thereof, perchance, are persuaded by their confederates, your very friends as you think,) you yourself will be most of all over-taken. Beware also of the betters by and lookers on, and namely of them that bet on your side; for whilst they look on your game without suspicion, they discover it by signs to your adversaries, with whom they bet and yet are their confederates."