In a work relating to the authorship of Junius's Letters, [213] the following account is given of the volume of caricatures in question. It is not, however, correct in every point; for though it may be true that the earlier plates were at first privately distributed, it is certain that subsequently they were publicly sold. The first collection of them, published in a volume, consisted only of the caricatures for 1756-7; and appears to have been enlarged from time to time, by the addition of such plates as had been published separately in the preceding year. The edition of the first volume which I have consulted, containing the plates from 1756 to 1760, is the fifth,—a proof that latterly those caricatures were not privately distributed, whatever they might have been at the commencement. Though Lord George Townshend might have supplied the publisher with sketches or hints, [214] for some of the subjects, and even have suggested the publication of the series, it would be absurd to conclude that he was the designer of the whole. There are only four subjects in the volume relating to Lord George Sackville; and they are among the most worthless of the series, both with respect to conception and design.
"Soon after the unfortunate misunderstanding at Minden, Lord George Townshend (who had formerly been on friendly terms with Lord George Sackville, particularly at the battle of Dettingen) joined with the court party in publicly censuring his conduct. He had an ingenious turn for drawing, and he even went so far as to caricature Lord George flying from Minden, which, with many others, he privately circulated among his friends. This book of caricatures, bearing date from 1756 to 1762, is extremely curious. As they were privately distributed, they are, of course, seldom to be met with. I never saw but one complete set, now in the possession of W. Little, Esq., of Richmond, who has obligingly allowed me to copy the one in question, which is submitted to the reader's inspection. We have Lord Orford's testimony to prove that this book was the production of Lord George Townshend. Lord Orford has described the first of the series, vol. ii, p. 68, 'A new species of this manufacture now first appeared, invented by Lord George Townshend; they were caricatures on cards. The original one, which had amazing vent, was of Newcastle and Fox, looking at each other, and crying with Peachum, in the Beggar's Opera, 'Brother, brother, we are both in the wrong.' On the Royal Exchange a paper was affixed, advertising 'Three kingdoms to be let: inquire of Andrew Stone, broker, in Lincoln's Inn Fields.'—The whole series forms a curious collection. Those on Lord George Sackville were very severe."
The example set by the club at White's appears to have been much more influential in promoting gaming than the denunciation of an Act of Parliament to have been effective in repressing it: the letter of the act was, indeed, killing, but the spirit of the legislators, as displayed at White's, kept the game alive. New clubs of the same kind,—on the principle of mutual insurance against informers,—were established in the metropolis; and even in the provinces, country gentlemen and tradesmen, becoming aware of the advantages of the social compact, formed themselves into little clubs for the purpose of indulging in a quiet game at cards or dice. Card-playing about the same time, or a little later, was greatly promoted by the establishment of assembly-rooms in country towns, where cock-fighting squires, after attending the pit in the morning, might enjoy in the evening the more refined amusements of dancing and cards. [215] The example set by the higher classes was followed by the lower; and at a "merry night" in a Cumberland village, some fifty years since, cards were as indispensable as at an assize ball in the county town: with the exception of the dress of the company and the arrangement of the rooms, the one assembly, at the commencement at least, seems to have displayed all the essentials of the other.
"Ay, lad, see a murry-neet we've had at Bleckell!
The sound o' the fiddle yet rings i' my ear;
Aw reet clipt and heeled were the lads and the lasses,
And monnie a clever lish hussey was there:
The bettermer sort sat snug i' the parlour;
I' th' pantry the sweethearters cuttered sae soft;
The dancers they kicked up a stour i' the kitchen;