When he had followed up the first parable with a pungent application regarding the abuse of riches, “the Pharisees, also, who were covetous, heard all these things, and they derided him.” To them, in reply to their jesting, he spoke the words verses 14–18, and then resumed, in verse 19th, “There was a certain rich man,” &c.[93]
At the beginning of the chapter, addressing his own disciples particularly, although some of the Pharisees were present, he had taught them from the case of the prudent steward to use the possessions of this world with a view to their bearing on the next; and now, to complete the lesson, he will teach them, by a terrible example, the consequences of neglecting that rule.
But before we proceed to examine the parable in detail, it is important to determine generally regarding its nature whether it is an allegory in which spiritual things are represented by sensible objects, or simply an instructive example, historic or poetic, charged like other examples with moral warning and reproof. The parable of the sower is an allegory: the sower represents not a sower, but a preacher; the seed represents not seed, but the Gospel: whereas in the inner substance, as well as the outward form of the lesson, the good Samaritan is simply a good Samaritan, and the wounded traveller is simply a wounded traveller. The parable of the rich man and Lazarus is not allegory; it belongs to the class of the Samaritan, and not to that of the sower. It is not like a type, which a man cannot read until it is turned; but like a manuscript, which delivers its sense directly and at first hand.[94]
The description of the rich man is short, but full. He “was clothed in purple and fine linen, and fared sumptuously every day.” He maintained a royal state and a prodigal expenditure. This excess of luxury was not confined to great occasions; it was the habit of every day.
Here, as in other cognate parables, great wisdom is displayed in bringing the whole force of the rebuke to bear on one point. It is not intimated that this man made free with other people’s money, or that he had gained his fortune in a dishonest way. All other charges are removed, that the weight lying all on one point may more effectually imprint the intended lesson. To have represented him as dishonest or drunken, would have blunted the weapon’s edge. Here is an affluent citizen, on whose fair fame the breath of scandal can affix no blot. He had a large portion in this world, and did not seek—did not desire any other. He spent his wealth in pleasing himself, and did not lay it out in serving God or helping man. It is not of essential importance whether such a man miserably hoard his money, or voluptuously spend it in feasts and fine clothing. Some men take more pleasure in wealth accumulated, and others more in wealth as the means of obtaining luxuries. These are two branches from one root; the difference is superficial and accidental: the essence of the evil is the same in both—a life of self-pleasing—“without God in the world.”
By a transition, purposely made very abrupt, we learn next that a beggar named Lazarus[95] was laid at this rich man’s gate, full of sores. Whether the position was chosen by the man himself, or by his friends for him, the motive is obvious—it was expected that where so much was expended, perhaps also wasted, some crumbs might come the beggar’s way.
“The dogs came and licked his sores;” perhaps the dogs, always plentiful in eastern cities, that had no master; perhaps the dogs that belonged to the rich man, and had turned aside to lick the beggar’s sores when their master rode past on the other side, and hid from the sight of misery within the drapery of his stately mansion. The act attributed to the dogs accords, as is well known, with their instincts and habits. It is soothing to the sufferer in the sensations of the moment, and healthful in its effects. When the beggar’s fortunate brother took no notice of his distress, the dumb brutes did what they could to show their sympathy. The stroke, though it wears all the simplicity of nature, is in the parable due to consummate art; the kindness of the brute brings out in deep relief the inhumanity of man.
“And it came to pass that the beggar died.” Towards this point the narrative hastens. Here on the border is the hinge on which the lesson turns. The whole parable is constructed and spoken in order to show how this life bears on eternity; and to make eternity, thus unveiled, bear reciprocally on the present life. The death of Lazarus happened in the ordinary course of things: his sufferings came to an end. Not a word of his dust, whether it was buried, or how. Of design, and with deep meaning, the body is left unnoticed, and the history of his soul is continued beyond the boundary of life, as the real and uninterrupted history of the man: in the same breath and in the same sentence that intimates his death, we are informed that he was carried by angels into Abraham’s bosom. The dying and the entrance into the rest that remaineth are expressed in one sentence, the two clauses connected by a copulative conjunction: the Lord means manifestly to teach us, as he afterwards taught the repenting malefactor on the cross, that there is no interval to his people between departing from the body and being with Christ.
Nor did Jesus then reveal the immortality of the soul: the doctrine was already accepted, and he assumed it in his discourse as a truth known and acknowledged. Even the resurrection of the body was a commonplace among the immediate disciples of Jesus during the period of his ministry: “Thy brother shall rise again,” said the Lord to Martha. “I know that he shall rise again,” she replied, “in the resurrection at the last day:” this was a belief that she previously possessed.
Abraham’s bosom, we may assume, was already an expression employed by the Jews to designate the place of the blessed beyond the grave. It accords much better with the Lord’s purpose and method to suppose that this phrase and the term paradise, which he afterwards employed to express the same idea, were adopted by him from the current custom, than that they were then first introduced.