"What?"
"Starch. Hi'm a-thinkin' Hi'll copy my make-up after you next time Hi play 'Amlet to the queen's Ophelia."
Tristram's good-natured laugh was the last thing Robert heard as he sauntered away.
A sculptor, friends called him if pressed for a definition. Yet in truth he had never yet executed a figure of life size, being a modern instance of talent without ambition, dispersing and dividing its strength. He modeled, painted, rhymed, composed—a many-faceted reflector of impressions; but everything he did was done by halves and the most finished of his products were only brilliant sketches. His sister Rosalie's single gift, besides her beauty (which, to be sure, entered into it as a primary element), came to her less by nature than by ardent aspiration. But critics had compared her Rosalind to a perfect rose, blown into a bulb of glass; and she was still a patient learner, standing tiptoe on the vestibule of her art, with an untold future before her.
"'Ow did Hi begin?" said the cracksman, when the confusion had subsided.
Robert was again at the chink, like some penitent whispering through a grating to his father confessor. "Hi never began. Hi was born wicked. Wicked Willie they called me w'en Hi wasn't old enough to toddle halone. And 'ere's 'ow Hi earned it, Bobbs."
"How?"
"You see, my mother, who was a hinnocent woman and a Christian, took me out on 'er harms to see the lord mayor's procession, the lord mayor o' Lunnon wot 'as all the wittles to eat, you know. And w'ile they was all preoccupied admirin' 'is lordship's gold buttons, wot was Wicked Willie a-doin' of but leanin' forward in 'is mamma's harms and pluckin' a hear-ring w'ich ee liked, hout of a grand lady's hear. 'Ow!' says the lady, w'en it 'urt; and Wicked Willie 'ad 'is 'ands slapped, w'ich Hi say ee richly deserved, seein' as 'ow ee bungled the bloomin' job."
"From the cradle up you were a thief," said Robert, sadly.
"Ho, them bantam games don't count."