"Aporniakinatit!" (Do not hurt thy head!) Presumably this is a warning against the upper part of the low doorway.

The Eskimo's idea of hospitality sometimes extends to lengths which are somewhat appalling and occasionally it requires not a little diplomacy to refuse them without giving offense. When one gets caught in an Eskimo village and has to spend the night there it is the commonest of occurrences for the man of the house to offer him not only the freedom of his home but his wife as well! Among the natives the interchange of wives is common.

And this brings us to that most discussed of all questions,—the morality (or the lack of it) of the native peoples of the earth. No matter to what far corner of the world one may journey he will find this problem the same in all of them. The Eskimo is no exception. Before the coming of the white man he was utterly godless. He had no religion, no form of worship, no imagery, no idea of any "happy hunting ground" hereafter. In many sections this is still true, although they have been brought under the influence of the church in some localities.

In St. Michael the natives are not permitted to live in the village, but their tents dot the hillsides around and during the summer months the streets are alive with them. Often they come from great distances with their furs, carved ivory, etc., which they have for sale. Their winter dwelling, the igloo, is a pit in the ground, roofed over with logs and sometimes, not always, a window made of fish skin or the entrail of a walrus. The hut is entered by a kind of ante-chamber in the top of which is a hole large enough to admit a man. If he chances to be a large man he sometimes has difficulty in getting through! He must descend a ladder to a narrow passage or tunnel which leads to the principal room, often fifteen or twenty feet from the entrance. The sole furniture of a native residence is a seal-oil lamp which is used for both heating and cooking. It is lighted in the autumn and burns incessantly until spring.

The igloo is usually from six to eight feet high and about thirty feet in circumference. Often it houses from ten to twenty persons. During the cold and stormy weather every aperture is closed. How they endure the odor and the vitiated air is something no white man can understand. The summer dwellings were formerly constructed above ground and consisted of light poles roofed over with skins. Now, however, these have given way to the ordinary tent which is not only cheaper but preferable for many reasons.

In almost every village, or native settlement, the visitor will find the council-house, a much larger hut than the others. It is called a kashga, and is used also as a sort of club where the youths and the unmarried men of the village congregate. Here matters of importance are discussed and guests from a distance lodged. The hut is usually about twenty feet square and ten feet high.

It was in one of these kashgas that I had what was perhaps the most interesting experience in connection with the native races that I have had during the years that I have lived in Alaska. I have come in touch with the ceremonies of the natives of many corners of the earth, but this one was unique,—even more so than the celebrated Snake Dance of the Hopi, of Arizona. I had once been able to befriend a young Eskimo. In gratitude for the favor he invited me to attend a native festival to which (he gave me to understand) no white man had ever been admitted. Whether this meant that no white man had ever been admitted or that none had seen the ceremony as indulged in by this particular tribe I am unable to say. Nevertheless I understood that he was attempting to honor me. I confess that it was with some misgivings that I went, but I have never been sorry.

This particular ceremony was known as The Ten Year Festival. Some tribe from another locality is asked to visit the home tribe and the ceremony is held during the visit. The visitors this year came from Unalakleet, bringing large quantities of gifts and many of them going back empty-handed at the end of the festival. "Potlatching," or trading, is the favorite occupation of the Eskimos and many a time have I been a victim. But I usually hastened to "potlatch" whatever I happened to draw off onto some one else at the earliest possible opportunity!

In some respects the Ten Year Festival is not unlike the ceremonies of the American Indians. In the kashga, heated to suffocation, the natives and their visitors foregather. A square hole is cut in the floor and a sort of shelf, or bench, runs around the sides of the room. On this bench sit the principal personages of the tribe, their feet dangling and not infrequently kicking those below them in the face. The "orchestra" with their tom-toms begin their monotonous drumming. The medicine man is heard below chanting a weird tribal song and presently his head appears through the hole in the floor. He comes up, dancing and singing, both song and chant increasing in intensity as he appears. The other members of the tribe join the dance and the song. Their motions become more and more violent. A perspiration which is largely grease, due to the oil which exudes from their skin, rolls from their naked bodies as they writhe and lash themselves into a perfect frenzy. The women join the dance, cavorting about unclothed, just as the men do.

The final episode of the ceremony occurs when the medicine man breaks from the kashga and runs outside in the bitter cold. Of course, everything is frozen tight, but a hole is cut in the Bay and into the ice-cold water he plunges, returning to the kashga dripping wet. He then tells them that he has been in consultation with the Great Spirit, or whatever it is that they call their ruling power, and that he has been instructed to tell them that the crops will be good, the furs plentiful, that they will be successful in catching the walrus and the seal.