"If," echoed Epstein.

"If he doesn't get swelled head, as I said before. That's the trouble with a lot of the promising ones," he added, as he walked away.

"He may get swelled head," said Epstein to himself, as William joined the waiting group, "but it won't last long, I'm sure of that." He greeted William affectionately. "You'll do, boy," he said kindly, "you'll do. There are some things about your part I'd like to discuss with you, but I'm proud of you, William."

The little supper for William and "the bunch," arranged by Tommy Watson, was a rather gloomy affair. Pa and Ma Turnpike were not used to such affairs; the younger Turnpikes were timid. William was silent, and all were under the depressing spell of the knowledge that they would soon part with him.

The morning papers the next day were very kindly in their criticism of the play and of the company, but only one of them, that for which the dean of critics wrote, had any special mention of William. "His part was a small one: until the fourth act he had no real chance, and then he made the most of it. There is rare promise in the youth, but there are many pitfalls for those who go on the stage. The next few years will be a time of testing for him: if he emerges successfully there is no reason to doubt that he will win his way to the front rank as a comedian." Epstein's eyes were tear-dimmed as he read the words: William cut them out of his own copy of the paper and kept them stowed away with other precious belongings that he carried on his travels for years.

The company left Toronto on a Sunday morning for a five months' tour. Pa and Ma Turnpike and William did not go to bed after he reached home from the theatre on the Saturday night. There was no trunk packing to do; that had been attended to hours before. But there was much to be said between those three, and none could say it without tears and broken voices. And so at last they sat together, Pa Turnpike on one side and William on the other side of Ma's easy chair. She held one of William's hands tightly in her own, and when she could, she talked to him the mother talk that so many have heard and heeded not, and would give all they have to hear again. And William made promises to keep his feet dry; to watch his throat; to be careful of the food he ate; to take all the sleep he could, and then, fifty times at least, to leave liquor alone, and to write home as often as he could. Pa Turnpike backed his wife strongly on the liquor question. "Leave it alone, boy," he said, "leave it alone: it never was, and never will be, any good." And William nodded assuringly. "Don't be afraid of that," he said confidently, "I've got no use for it."

At eight o'clock in the morning there was a hurried call to the bedrooms occupied by the younger Turnpikes, and William kissed them gently, for all but Pete were fast asleep. Pete jumped out of bed and dressed hurriedly. "I'm going to the station with 'Mister Actor Man,'" he announced, and a few minutes later William, Pete, and Pa Turnpike, in one of the latter's express wagons, with one trunk containing William's stock of clothes, proceeded briskly down the street. William's mother stood at the door answering with her own the waving of William's handkerchief until the wagon turned a corner.… Then she went back to weep.

Inside the Union Station—that horror of horrors that still appals the train-borne visitors to a great city—William and his escorts were met by Lucien, Whimple, and Epstein. There was much affected gaiety, but the hopes for William's future were almost overwhelmed in the deep regret at his departure. Tommy Watson was an absentee, and William felt this keenly, although he said nothing of it. Pa Turnpike made a shrewd guess at the cause of his boy's furtive glances around the station, and murmured to Epstein, "I thought Mr. Watson would have been down."

"So did I," answered the old comedian, a little apologetically, "but perhaps——" and then he looked around sharply as the music of a brass band echoed along the vaulted roof of the station. And what think you the band was playing? "Will ye no come back again." Yes, and playing it well, too. As the band came into view from one of the arched crossings, the faces of the group around William lit up with smiles, for, marching proudly in front, and carrying an enormous bunch of roses, was Tommy Watson, his head erect, his shoulders well back, his face aglow. To his signal the band aligned in front of the little group, and broke into a new tune, a lilting march, written around a then popular song, now almost forgotten, "Bill, our Bill." Perhaps there are some who still remember the chorus:—

"Bill, our Bill, see him smile,
On fair days and dull days,
Oh, it's well worth while,
To watch him at work,
To see him at his play;
Bill, our Bill; see him smile."