Half quire sketching cartridge for less finished work.
Half quire tinted drawing paper (pearl, light drab, cool and warm greys).
A proportion of all these papers should be cut to the size of the sketch book when purchased; but a few sheets should be kept whole, as a larger drawing may be required.
Two dozen drawing pencils—8 HH., 12 H., and 4 HB. In practice, it will be found HB. is black enough, and it should be used sparingly, as, unless a drawing is fixed immediately, the deep shades are very apt to smear when the backs of other sketches are packed against them.
Two single bladed penknives.
Very compact sketching boxes with assorted colours in cakes, in porcelain pans, or in collapsible tubes, are provided; and the amateur can hardly do better than select one of these with any number of colours from two to twenty-four.
We prefer to use the collapsible tubes, as from them any amount of colour may be placed upon the palette ready for use, without the trouble of grinding from the cake or washing up from the moist pan. Another advantage is that the colour remaining in the tube cannot be spoiled by the admixture of any other—the tubes might be carried loose in the pocket of a white waistcoat without fear of spoiling it. There are, however, a few which do not keep well, as, from their weight, they separate from the medium they are mixed with and become hard. Some of these are seldom used; but, where they are necessary, we should advise that they be taken in cakes.
On tinted paper very nice effective sketches may be made with one tube of sepia and a cake of Chinese white. With these we should advise three brown sable pencils in flat German silver ferrules—Nos. 1, 3, and 6. With the addition to these of the three primitive colours—red, blue, and yellow—a considerable range of subjects may be painted; indeed could we obtain these in perfect purity, we should require no other. But, as this is impossible, we subjoin a list of colours, placing first in order those that we have found most useful (Chinese white and sepia have been already mentioned):—
- Indian yellow,
- Carmine,
- French blue,
- Yellow ochre,
- Light red,
- Prussian blue,
- Gamboge,
- Rose madder (perhaps in cake),
- Cobalt,
- Raw sienna (cake),
- urnt sienna,
- Indigo,
- Yellow lake,
- Mars orange,
- Payne’s grey,
- Vermilion (cake),
- Vandyke brown,
- Emerald green,
- Scarlet lake (cake),
- Crimson lake,
- Purple lake,
- Cadmium yellow (cake),
- Brown madder (cake),
- Purple madder (cake).
With these, the whole set from 1 to 6 of the sables in flat albata will be needed, and we advise two each of 1, 2, and 3, as well as one or two large swans’ quills for washing in the sky or flat tints. A tripod sketching stool folding to the size of a special’s staff would be useful, but the rivet should be strong and well clinched. Let the watercolour box have divisions on the edge of the palette for every colour it contains. If you take an easel, do not trust an india-rubber collar joint; it will not stand tropical heat; let the joint be brass. The tripod easel, folding up like a single rod, is most portable. We have in this said nothing of oil colours; amateurs will hardly need them in a wild country; but when we treat more at length on this subject our own equipment will be given.