To the credit of the monastic scribes, “very few instances of bad writing,” says the late Mr. Fosbroke, “have occurred during my researches.” In one manuscript, indeed, there was a shocking scrawl, which he took to be the writing of a nun, the lines being irregular, the letters of various size, and of rude make. Writing, after the Norman invasion, was neglected by the Anglo-Saxons. A neat running epistolary hand is quite modern, except among papers written by lawyers. Hamlet says—
“I once did hold it, as our statists do,
A baseness to write fair.”
The Gilbertine rule prohibited the employment of hired writers—more probably, as Mr. Fosbroke thinks, limners. “At St. Alban’s, however, such limners, or writers, had commons from the alms of the monks and cellarer, that they might not be interrupted in their work by going out to buy food.” These had the too frequent drunken habits of artisans, who (‘because every man,’ says Johnson, ‘is discontented with his avocation, from the obligation to pursue it at all times, whatever be the state of his mind’) too often abuse relaxation. Barclay, without knowing that stimulants—however injurious, in a prudential and medical view, and never a good means—prevent, by the providential extraction of good from evil, much hypochondriacal influence and tedium, which might end in madness or suicide, says—
“But if thou begin for drinke to call and crave,
Thou for thy calling such good rewarde shalt have,
That men shall call thee malapert or dronke,
Or an abbey loune, or limner of a monke.”—Eclogue 2.[151]
Printing.—This invention occasioned the following results: The scribes having less employment, there were few good artists of this kind, and writing lost much of its former beauty. About the year 1546, when all the religious houses had been dissolved, limners and scribes were reduced to great distress for want of employment; for, besides printing, engraving, “invented about 1460, superseded the illumination of initials and margins. The last specimen was the sectionary of Cardinal Wolsey at Oxford. Besides the rule, it was inquired whether the monks had made, taken, and received the king’s age and succession, according to act of parliament; for they were obliged to record these, and the births of the royal family, as well as other public events.”
Bookbinding was generally very gorgeous; gold, relics, silver plate, ivory, velvet, and other expensive adornments, were bestowed upon the books relating to the church service—hence the vast amount of plunder derived from this source alone at the Dissolution, when the Vandal emissaries, hired for the work of destruction, stripped the sacred books of their gold, silver, and jewels, and sold them to the highest bidder. These ornaments, however, were not confined to the books of the Altar; for we hear of a book of Poems, finely ornamented, bound in velvet, and decorated with silver-gilt clasps and studs, intended for a present to the king.
Books were written on purple vellum, in order to exhibit gold or silver letters, and adorned with ivory tablets. The most common binding was a rough white sheepskin, lapping over the leaves sometimes, with or without immense bosses of brass, pasted upon a wooden board; and sometimes the covers were of plain wood, carved in scroll and similar work. There were formerly leaden books with leaden covers, and books with wooden leaves.[152]
Music-schools, says Davies, were built within the church. Great pains were taken with the pupils, who were instructed in the musical service of the altar.[153] Music, says Giraldus, was so prevalent in the middle age, that even whistling became a fashion and amusement, from being asked for by an archbishop. In his own time, as Erasmus informs us, “they introduced into the church a certain elaborate theatrical species of music, accompanied with a tumultuous diversity of voices. All,” says he, “is full of trumpets, cornets, pipes, fiddles, and singing. We now come to church as to a playhouse; and for this purpose ample salaries are expended on organists, and societies of boys, whose whole time is wasted in learning to sing,—not to mention the great revenues which the church squanders away on the stipends of singing men, who are commonly great drunkards, buffoons, and chosen from the lowest of the people. These fooleries,” he adds, “are so agreeable to the monks, especially in England, that youths, boys, &c., every morning, sing to the organ, the Mass of the Virgin Mary, with the most harmonious modulations of voice; and the bishops are obliged to keep choirs of this sort in their families.”
Libraries.—Mr. Nichols has made the following excellent remarks upon the library of Leicester Abbey:—From the catalogue it seems rather doubtful whether, in the library of this religious house, there might be any one complete collection of all the Holy Scriptures. Supposing Biblie, in the first article, to have included both the Old and the New Testaments, it was a tome defective and worn. The second consisted of each book of the Old Testament only; and the third contained the Gospels, without any mention of the Acts of the Apostles, of the Epistles, or of the Apocalypse. There is, however, a second mention of “Actus Aplor’ gloss’, Apocalyps’ gloss’, Eple Pauli [but of no other apostle] gloss’, Eple Canonice;” and among the last occurs the “Canticus Canticorum.” Perhaps, he adds, there might be some of those Augustine monks, to whom the divine oracles in the learned languages would have been of little use; and yet to these was not indulged a translation in English, there being in the Consistorial Acts at Rochester, the minutes of a rigid process against the Precentor of the priory of that cathedral, for retaining an English Testament, [154]
in disobedience to the general injunction of Cardinal Wolsey, to deliver up these prohibited books to the bishops of the respective dioceses.[155]