Twilight coming on, this beautiful spot swarmed with people, sitting in circles upon the grass, refreshing themselves with cooling liquors or lounging upon the bank beneath the towers. They looked so free and happy that I longed to be acquainted with them; and by the interposition of a polite Venetian (who, though a perfect stranger, showed me the most engaging marks of attention), was introduced to a group of the principal inhabitants. Our conversation ended in a promise to meet the next evening at a country house about a league from Bassano, and then to return together and sing to the praise of Pacchierotti, their idol, as well as mine.

You can have no idea what pleasure we mutually found in being of the same faith, and believing in one singer; nor can you imagine what effects that musical divinity produced at Padua, where he performed a few years ago, and threw his audience into such raptures, that it was some time before they recovered. One in particular, a lady of distinction, fainted away the instant she caught the pathetic accents of his voice, and was near dying a martyr to its melody. La Contessa Roberti, who sings in the truest taste, gave me a detail of the whole affair. “Egli ha fatto veramente un fanatismo a Padua,” was her expression. I assured her we were not without idolatry in England, upon his account; but that in this, as well as in other articles of belief, there were many abominable heretics.

August 1st.—The whole morning not a soul stirred who could avoid it. Those who were so active and lively the night before, were now stretched languidly upon their couches. Being to the full as idly disposed, I sat down and wrote some of this dreaming epistle; then feasted upon figs and melons; then got under the shade of the cypress, and slumbered till evening, only waking to dine, and take some ice.

The sun declining apace, I hastened to my engagement at Mosolente (for so is the villa called), placed on a verdant hill encircled by others as lovely, and consisting of three light pavilions connected by porticos: just such as we admire in the fairy scenes of an opera. A vast flight of steps leads to the summit, where Signora Roberti and her friends received me with a grace and politeness that can never want a place in my memory. We rambled over all the apartments of this agreeable edifice, characterised by airiness and simplicity. The pavement incrusted with a composition as cool and polished as marble; the windows, doors, and balconies adorned with silvered, iron work, commanding scenes of meads and woodlands that extend to the shores of the Adriatic; spires and cypresses rising above the levels; and the hazy mountains beyond Padua, diversifying the expanse, form altogether a landscape which the elegant imagination of Horizonti never exceeded. Beyond the villa, a tumble of hillocks present themselves in a variety of forms, with dips and hollows between, scattered over with leafy trees and vines dangling in continued garlands.

I gazed on this rural view till it faded in the dusk; then returning to Bassano, repaired to an illuminated hall, and had the felicity of hearing La Signora Roberti sing the very air which had excited such transport at Padua. As soon as she had ended, and that I could hear no more those affecting sounds, which had held me silent and almost breathless for several moments, a band of various instruments stationed in the open street began a lively symphony, which would have delighted me at any other time; but now, I wished them a thousand leagues away, so melancholy an impression did the air I had been listening to leave on my mind.

At midnight I took leave of my obliging hosts, who were just setting out for Padua. They gave me a thousand kind invitations, and I hope some future day to accept them.

August 2nd.—Our route to Venice lay winding about the variegated plains I had surveyed from Mosolente; and after dining at Treviso we came in two hours and a half to Mestre, between grand villas and gardens peopled with statues. Embarking our baggage at the last-mentioned place, we stepped into a gondola, whose even motion was very agreeable after the jolts of a chaise. Stretched beneath the awning, I enjoyed at my ease the freshness of the gales, and the sight of the waters. We were soon out of the canal of Mestre, terminated by an isle which contains a cell dedicated to the Holy Virgin, peeping out of a thicket from whence spire up two tall cypresses. Its bells tingled as we passed along and dropped some paolis into a net tied at the end of a pole stretched out to us for that purpose.

As soon as we had doubled the cape of this diminutive island, an azure expanse of sea opened to our view, the domes and towers of Venice rising from its bosom. Now we began to distinguish Murano, St. Michele, St. Giorgio in Alga, and several other islands, detached from the grand cluster, which I hailed as old acquaintances; innumerable prints and drawings having long since made their shapes familiar. Still gliding forward, the sun casting his last gleams across the waves, and reddening the different towers, we every moment distinguished some new church or palace in the city, suffused with the evening rays, and reflected with all their glow of colouring from the surface of the waters.

The air was still; the sky cloudless; a faint wind just breathing upon the deep, lightly bore its surface against the steps of a chapel in the island of Saint Secondo, and waved the veil before its portal, as we rowed by and coasted the walls of its garden, overhung with fig-trees and topped with Italian pines. The convent discovers itself through their branches, built in a style somewhat morisco, and level with the sea, except where the garden intervenes.

Here, meditation may indulge her reveries in the midst of the surges, and walk in cloisters, alone vocal with the whispers of the pine. I passed this consecrated spot soon after sunset, when daylight was expiring in the west, and when the distant woods of Fusina were lost in the haze of the horizon.