The father sacristan stood ready on the steps of the portal to grant us admittance; and, throwing open the valves, we entered the chapel and were struck by the justness of its proportions, the simple majesty of the arched roof, and the mild solemn light, equally diffused over every part of the edifice. No tawdry ornaments, no glaring pictures, disgraced the sanctity of the place. The high altar, standing distinct from the walls, which were hung with a rich velvet, was the only object on which many ornaments were lavished, and even there the elegance of the workmanship concealed the glare of the materials, which were silver, solid gold, and the most costly gems. It being Whit-Sunday, this altar was covered with statues of gold, shrines, and candelabra of the stateliest shape and most delicate execution. Four of the latter, of a gigantic size, were placed on the steps; which, together with part of the inlaid floor within the choir, were spread with beautiful carpets.

The illumination of so many tapers striking on the shrines, censers, and pillars of polished jasper, sustaining the canopy of the altar, produced a wonderful effect; and, as the rest of the chapel was visible only by the faint external light admitted from above, the splendour and dignity of the altar was enhanced by contrast. I retired a moment from it, and seating myself in one of the furthermost stalls of the choir, looked towards it, and fancied it had risen like an exhalation.

Here I remained several minutes breathing nothing but incense, and should not have quitted my station soon, had I not been apprehensive of disturbing the devotions of two aged fathers who had just entered, and were prostrating themselves before the steps of the altar. These venerable figures added greatly to the solemnity of the scene; which as the day declined increased every moment in splendour; for the sparkling of several lamps of chased silver that hung from the roofs, and the gleaming of nine huge tapers which I had not before noticed, began to be visible just as I left the chapel.

Passing through the sacristy, where lay several piles of rich embroidered vestments, purposely displayed for our inspection, we regained the cloister which led to our apartment, where the supper was ready prepared. We had scarcely finished it, when the Coadjutor, and the fathers who had accompanied us before, returned, and ranging themselves round the fire, resumed the conversation about St. Bruno.

Finding me very piously disposed by the wonders I had seen in the day to listen to things of a miraculous nature, they began to relate the inspirations they had received from him, and his mysterious apparitions. I was all attention, respect, and credulity. The old Secretary worked himself up to such a pitch of enthusiasm, that I am very much inclined to imagine he believed, in these moments, all the marvellous events he related. The Coadjutor being less violent in his pretensions to St. Bruno’s modern miracles, contented himself with enumerating the noble works he had done in the days of his fathers, and in the old time before them.

It grew rather late before my kind hosts had finished their narrations, and I was not sorry, after all the exercise I had taken, to return to my cell, where everything invited to repose. I was charmed with the neatness and oddity of my little apartment; its cabin-like bed, oratory, and ebony crucifix; in short, everything it contained; not forgetting the aromatic odour of the pine, with which it was roofed, floored, and wainscoted. The night was luckily dark. Had the moon appeared, I could not have prevailed upon myself to have quitted her till very late; but, as it happened, I crept into my cabin, and was by “whispering winds soon lulled asleep.”

Eight o’clock struck next morning before I awoke; when, to my great sorrow, I found the peaks, which rose above the convent, veiled in vapours, and the rain descending with violence.

After we had breakfasted by the light of our fire (for the casements admitted but a very feeble gleam), I sat down to the works of St. Bruno; of all medleys the strangest. Allegories without end: a theologico-natural history of birds, beasts, and fishes: several chapters on paradise; the delights of solitude; the glory of Solomon’s temple; the new Jerusalem; and numberless other wonderful subjects, full of enthusiasm and superstition.

Saint Bruno was certainly a mighty genius; I admire the motives which drew him to this desert; but perhaps before we come to that part of the story, you will like to know what preceded it. My Saint (for Bruno has succeeded Thomas of Canterbury) was of noble descent, and possessed considerable wealth. He was not less remarkable for the qualities of his mind, and his talents gained him the degree of Master of the great sciences in the University of Rheims; here he contracted a friendship with Odo, afterwards Urban the Second. Being always poetic, singular, and visionary, he soon grew disgusted with the world, and began early in life to sigh after retirement. His residence at Grenoble, where he was invited by Hugo, its bishop, determined him to the monastic state.

This venerable prelate imparted to him a vision in which he seemed to behold the desert and mountain beyond his city visible in the dead of night by the streaming of seven lucid stars that hung directly over them. Whilst he was ardently gazing at this wonder, a still voice was heard declaring it the future abode of Bruno—by him to be consecrated as a retirement for holy men desirous of holding converse with their God. No shepherd’s pipe was to be heard within these precincts; no huntsman’s profane feet to tread these silent regions, which were to be dedicated solely to their Creator; no woman was to ascend this mountain, nor violate by her allurements the sacred repose of its inhabitants.