Our repast and our council over, we hurried to the Prado, where a brilliant string of equipages was moving along in two files. In the middle paraded the state coaches of the royal family, containing their own precious selves, and their wonted accompaniment of bedchamber lords and ladies, duly bedizened. It was a gay spectacle; the music of the Swiss guards playing, and the evening sun shining bright on their showy uniforms. The botanic garden is separated from the walk by magnificent railings and pilasters, placed at regular distances, crowned with vases of aloes and yuccas. The verdure and fountains of this vast enclosure, terminated by a range of columned conservatories, with an entrance of very majestic architecture, has a delightful and striking effect.
From the Prado I drove to the Portuguese ambassador’s, who is laid up with a sore toe. Three diplomatic animals, two males and one female, were nursing and comforting him. He is most supremely dull, and so are his comforters. One of them in particular, who shall be nameless, quite asinine.
The little sympathy I feel for creatures of this genus, made me shorten my visit as much as I decently could, and return home to take up Roxas, who was waiting to accompany us to the Spanish theatre. They were acting the Barber of Seville, with Paesiello’s music, and singing better than at the opera. The entertainment ended with a sort of intermez, very characteristic of Spanish manners in low life; in which were introduced seguidillas. One of the dancers, a young fellow, smartly dressed as a maxo, so enraptured the audience, that they made him repeat his dance four times over; a French dancing-master would have absolutely shuddered at the manner in which he turned in his knees. The women sit by themselves in a gallery as dingy as limbo, wrapped up in their white mantillas, and looking like spectres. I never heard anything like the vociferation with which the pit called out for the seguidillas, nor the frantic, deafening applause they bestowed on their favourite dancer.
The play ended at eight, and we came back to tea by our fireside.
LETTER X.
Visit to the Escurial.—Imposing site of that regal convent.—Reception by the Mystagogue of the place.—Magnificence of the choir.—Charles the Fifth’s organ.—Crucifix by Cellini.—Gorgeous ceiling painted by Luca Giordano.—Extent and intricacy of the stupendous edifice.
Thursday, Dec. 19th, 1787.
I HATE being roused out of bed by candlelight on a sharp wintry morning; but as I had fixed to-day for visiting the Escurial, and had stationed three relays on the road, in order to perform the journey expeditiously, I thought myself obliged to carry my plan into execution.
The weather was cold and threatening, the sky red and deeply coloured. Roxas was to be of our party, so we drove to his brother, the Marquis of Villanueva’s, to take him up. He is one of the best-natured and most friendly of human beings, and I would not have gone without him upon any account; though in general I abhor turning and twisting about a town in search of any body, let its soul be never so transcendent.
It was past eight before we issued out of the gates of Madrid, and rattled along an avenue on the banks of the Mançanares full gallop, which brought us to the Casa del Campo, one of the king’s palaces, wrapped up in groves and thickets. We continued a mile or two by the wall of this enclosure, and leaving La Sarsuela, another royal villa, surrounded by shrubby hillocks, on the right, traversed three or four leagues of a wild, naked country, and, after ascending several considerable eminences, the sun broke out, the clouds partially rolled away, and we discovered the white buildings of this far-famed monastery, with its dome and towers detaching themselves from the bold back-ground of a lofty, irregular mountain.