LETTER XI.
Mysterious cabinets.—Relics of Martyrs.—A feather from the Archangel Gabriel’s wing.—Labyrinth of gloomy cloisters.—Sepulchral cave.—River of death.—The regal sarcophagi.
My lord the prior, not favouring a prolonged survey, I reluctantly left this beautiful court, and was led into a low gallery, roofed and wainscoted with cedar, lined on both sides by ranges of small doors of different-coloured Brazil-wood, looking in appearance, at least, as solid as marble. Four sacristans, and as many lay-brothers, with large lighted flambeaux of yellow wax in their hands, and who, by the by, never quitted us more the remainder of our peregrinations, stood silent as death, ready to unlock those mysterious entrances.
The first they opened exhibited a buffet, or credence, three stories high, set out with many a row of grinning skulls, looking as pretty as gold and diamonds could make them; the second, every possible and impossible variety of odds and ends, culled from the carcasses of martyrs; the third, enormous ebony presses, the secrets of which I begged for pity’s sake might not be intruded upon for my recreation, as I began to be heartily wearied of sightseeing; but when my conductors opened the fourth mysterious door, I absolutely shrank back, almost sickened by a perfume of musk and ambergris.
A spacious vault was now disclosed to me—one noble arch, richly panelled: had the pavement of this strange-looking chamber been strewn with saffron, I should have thought myself transported to the enchanted courser’s forbidden stable we read of in the tale of the Three Calenders.
The prior, who is not easily pleased, seemed to have suspicions that the seriousness of my demeanour was not entirely orthodox; I overheard him saying to Roxas, “Shall I show him the Angel’s feather? you know we do not display this our most-valued, incomparable relic to everybody, nor unless upon special occasions.”—“The occasion is sufficiently special,” answered my partial friend; “the letters I brought to you are your warrant, and I beseech your reverence to let us look at this gift of heaven, which I am extremely anxious myself to adore and venerate.”
Forth stalked the prior, and drawing out from a remarkably large cabinet an equally capacious sliding shelf—(the source, I conjecture, of the potent odour I complained of)—displayed lying stretched out upon a quilted silken mattress, the most glorious specimen of plumage ever beheld in terrestrial regions—a feather from the wing of the Archangel Gabriel, full three feet long, and of a blushing hue more soft and delicate than that of the loveliest rose. I longed to ask at what precise moment this treasure beyond price had been dropped—whether from the air—on the open ground, or within the walls of the humble tenement at Nazareth; but I repressed all questions of an indiscreet tendency—the why and wherefore, the when and how, for what and to whom such a palpable manifestation of archangelic beauty and wingedness had been vouchsafed.
We all knelt in silence, and when we rose up after the holy feather had been again deposited in its perfumed lurking-place, I fancied the prior looked doubly suspicious, and uttered a sort of humph very doggedly; nor did his ill-humour evaporate upon my desiring to be conducted to the library. “It is too late for you to see the precious books and miniatures by daylight,” replied the crusty old monk, “and you would not surely have me run the risk of dropping wax upon them. No, no, another time, another time, when you come earlier. For the present, let us visit the tomb of the catholic kings; there, our flambeaux will be of service without doing injury.”
He led the way through a labyrinth of cloisters, gloomy as the grave; till ordering a grated door to be thrown open, the light of our flambeaux fell upon a flight of most beautiful marble steps, polished as a mirror, leading down between walls of the rarest jaspers to a portal of no great size, but enriched with balusters of rich bronze, sculptured architraves, and tablets of inscriptions, in a style of the greatest magnificence.
As I descended the steps, a gurgling sound, like that of a rivulet, caught my ear. “What means this?” said I. “It means,” answered the monk, “that the sepulchral cave on the left of the stairs, where repose the bodies of many of our queens and infantas, is properly ventilated, running water being excellent for that purpose.” I went on, not lulled by these rippling murmurs, but chilled when I reflected through what precincts flows this river of death.