November 6th, 1780.
TILL to-day we have had nothing but rains; the sea covered with mists, and Caprea invisible. Would you believe it? I have not yet been able to mount to St. Elmo and the Capo di Monte, in order to take a general view of the town.
At length a bright gleam of sunshine summoned me to the broad terrace of Chiaja, which commands the whole coast of Posilipo. Insensibly I drew towards it, and (you know the pace I run when out upon discoveries) soon reached the entrance of the grotto, which lay in dark shades, whilst the crags that lower over it were brightly illumined. Shrubs and vines grow luxuriantly in the crevices of the rock; and its fresh yellow colours, variegated with ivy, have a beautiful effect. To the right, a grove of pines spring from the highest pinnacles: on the left, bay and chesnut conceal the tomb of Virgil placed on the summit of a cliff which impends over the opening of the grotto, and is fringed with vegetation. Beneath are several wide apertures hollowed in the solid stone, which lead to caverns sixty or seventy feet in depth, where a number of peasants, who were employed in quarrying, made a strange but not absolutely unharmonious din with their tools and their voices.
Walking out of the sunshine, I seated myself on a loose stone immediately beneath the first gloomy arch of the grotto, and looking down the long and solemn perspective terminated by a speck of gray uncertain light, venerated a work which some old chroniclers have imagined as ancient as the Trojan war. It was here the mysterious race of the Cimmerians performed their infernal rites, and it was this excavation perhaps which led to their abode.
The Neapolitans attribute a more modern, though full as problematical an origin to their famous cavern, and most piously believe it to have been formed by the enchantments of Virgil, who, as Addison very justly observes, is better known at Naples in his magical character than as the author of the Æneid. This strange infatuation most probably arose from the vicinity of the tomb in which his ashes are supposed to have been deposited; and which, according to popular tradition, was guarded by those very spirits who assisted in constructing the cave. But whatever may have given rise to these ideas, certain it is they were not confined to the lower ranks alone. King Robert,[9] a wise though far from poetical monarch, conducted his friend Petrarch with great solemnity to the spot; and, pointing to the entrance of the grotto, very gravely asked him, whether he did not adopt the general belief, and conclude this stupendous passage derived its origin from Virgil’s powerful incantations? The answer, I think, may easily be conjectured.
When I had sat for some time, contemplating this dusky avenue, and trying to persuade myself that it was hewn by the Cimmerians, I retreated without proceeding any farther, and followed a narrow path which led me, after some windings and turnings, along the brink of the precipice, across a vineyard, to that retired nook of the rocks which shelters Virgil’s tomb, most venerably mossed over and more than half concealed by bushes and vegetation. The clown who conducted me remained aloof at awful distance, whilst I sat commercing with the manes of my beloved poet, or straggled about the shrubbery which hangs directly above the mouth of the grot.
Advancing to the edge of the rock, I saw crowds of people and carriages, diminished by distance, issuing from the bosom of the mountain and disappearing almost as soon as discovered in the windings of its road. Clambering high above the cavern, I hazarded my neck on the top of one of the pines, and looked contemptuously down on the race of pigmies that were so busily moving to and fro. The sun was fiercer than I could have wished, but the sea-breezes fanned me in my aërial situation, which commanded the grand sweep of the bay, varied by convents, palaces, and gardens mixed with huge masses of rock and crowned by the stately buildings of the Carthusians and fortress of St. Elmo. Add a glittering blue sea to this perspective, with Caprea rising from its bosom and Vesuvius breathing forth a white column of smoke into the æther, and you will then have a scene upon which I gazed with delight, for more than an hour, almost forgetting that I was perched upon the head of a pine with nothing but a frail branch to uphold me. However, I descended alive, as Virgil’s genii, I am resolved to believe, were my protectors.
LETTER XXIII.
A ramble on the shore of Baii.—Local traditions.—Cross the bay.—Fragments of a temple dedicated to Hercules.—Wondrous reservoir constructed for the fleet of Nero.—The Dead Lake.—Wild scene.—Beautiful meadow. Uncouth rocks.—An unfathomable gulph.—Sadness induced by the wild appearance of the place.—Conversation with a recluse.—Her fearful narration.—Melancholy evening.
November 8th, 1780.