When their big black hulks heaved slowly upward, it brought to my mind the huge glistening backs of elephants bathing in Indian streams; and this resemblance is not wholly fantastic. Not far from the oldest Egyptian ruins, excavations have brought to light ruins millions of years more ancient—the fossil bones of great creatures as strange as any that live in the realm of fairyland or fiction. Among them was revealed the ancestry of elephants, which was also that of manatees. Far back in geological times the tapir-like Moeritherium, which wandered through Eocene swamps, had within itself the prophecy of two diverse lines. One would gain great tusks and a long, mobile trunk and live its life in distant tropical jungles; and another branch was to sink still deeper into the swamp-water, where its hind-legs would weaken and vanish as it touched dry land less and less. And here to-day we watched a quartette of these manatees, living contented lives and breeding in the gardens of Georgetown.
The mist again drifted its skeins around leaf and branch, gray things became grayer, drops formed in mid-air and slipped slowly through other slower forming drops, and a moment later rain was falling gently. We went away, and to our mind's eye the manatees behind that gray curtain still munch bamboos, the spur-wings stretch their colorful wings cloudward, and the bubble-eyed crocodiles float intermittently between two watery zones.
To say that these are beautiful botanical gardens is like the statement that sunsets are admirable events. It is better to think of them as a setting, focusing about the greatest water-lily in the world, or, as we have seen, the strangest mammal; or as an exhibit of roots—roots as varied and as exquisite as a hall of famous sculpture; or as a wilderness of tapestry foliage, in texture from cobweb to burlap; or as a heaven-roofed, sun-furnaced greenhouse of blossoms, from the tiniest of dull-green orchids to the fifty-foot spike of taliput bloom. With this foundation of vegetation recall that the Demerara coast is a paradise for herons, egrets, bitterns, gallinules, jacanas, and hawks, and think of these trees and foliage, islands and marsh, as a nesting and roosting focus for hundreds of such birds. Thus, considering the gardens indirectly, one comes gradually to the realization of their wonderful character.
The Victoria Regia has one thing in common with a volcano—no amount of description or of colored plates prepares one for the plant itself. In analysis we recall its dimensions, colors, and form. Standing by a trench filled with its leaves and flowers, we discard the records of memory, and cleansing the senses of pre-impressions, begin anew. The marvel is for each of us, individually, an exception to evolution; it is a special creation, like all the rainbows seen in one's life—a thing to be reverently absorbed by sight, by scent, by touch, absorbed and realized without precedent or limit. Only ultimately do we find it necessary to adulterate this fine perception with definitive words and phrases, and so attempt to register it for ourselves or others.
I have seen many wonderful sights from an automobile,—such as my first Boche barrage and the tree ferns of Martinique,—but none to compare with the joys of vision from prehistoric tikka gharries, ancient victorias, and aged hacks. It was from the low curves of these equine rickshaws that I first learned to love Paris and Calcutta and the water-lilies of Georgetown. One of the first rites which I perform upon returning to New York is to go to the Lafayette and, after dinner, brush aside the taxi men and hail a victoria. The last time I did this, my driver was so old that two fellow drivers, younger than he and yet grandfatherly, assisted him, one holding the horse and the other helping him to his seat. Slowly ascending Fifth Avenue close to the curb and on through Central Park is like no other experience. The vehicle is so low and open that all resemblance to bus or taxi is lost. Everything is seen from a new angle. One learns incidentally that there is a guild of cab-drivers—proud, restrained, jealous. A hundred cars rush by without notice. Suddenly we see the whip brought up in salute to the dingy green top-hat, and across the avenue we perceive another victoria. And we are thrilled at the discovery, as if we had unearthed a new codex of some ancient ritual.
And so, initiated by such precedent, I have found it a worthy thing to spend hours in decrepit cabs loitering along side roads in the Botanical Gardens, watching herons and crocodiles, lilies and manatees, from the rusty leather seats. At first the driver looked at me in astonishment as I photographed or watched or wrote; but later he attended to his horse, whispering strange things into its ears, and finally deserted me. My writing was punctuated by graceful flourishes, resulting from an occasional lurch of the vehicle as the horse stepped from one to another patch of luscious grass.
Like Fujiyama, the Victoria Regia changes from hour to hour, color-shifted, wind-swung, and the mechanism of the blossoms never ceasing. In northern greenhouses it is nursed by skilled gardeners, kept in indifferent vitality by artificial heat and ventilation, with gaged light and selected water; here it was a rank growth, in its natural home, and here we knew of its antiquity from birds whose toes had been molded through scores of centuries to tread its great leaves.
In the cool fragrance of early morning, with the sun low across the water, the leaves appeared like huge, milky-white platters, with now and then little dancing silhouettes running over them. In another slant of light they seemed atolls scattered thickly through a dark, quiet sea, with new-blown flowers filling the whole air with slow-drifting perfume. Best of all, in late afternoon, the true colors came to the eye—six-foot circles of smooth emerald, with up-turned hem of rich wine-color. Each had a tell-tale cable lying along the surface, a score of leaves radiating from one deep hidden root.
Up through mud and black trench-water came the leaf, like a tiny fist of wrinkles, and day by day spread and uncurled, looking like the unwieldy paw of a kitten or cub. The keels and ribs covering the under-side increased in size and strength, and finally the great leaf was ironed out by the warm sun into a mighty sheet of smooth, emerald chlorophyll. Then, for a time,—no one has ever taken the trouble to find out how long,—it was at its best, swinging back and forth at its moorings with deep upright rim, a notch at one side revealing the almost invisible seam of the great lobes, and serving, also, as drainage outlet for excess of rain.
A young leaf occasionally came to grief by reaching the surface amid several large ones floating close together. Such a leaf expanded, as usual, but, like a beached boat, was gradually forced high and dry, hardening into a distorted shape and sinking only with the decay of the underlying leaves.