NIGHT MUSIC OF THE SWAMP
To many, a swamp or marsh brings only the very practical thought of whether it can be readily drained. Let us rejoice, however, that many marshes cannot be thus easily wiped out of existence, and hence they remain as isolated bits of primeval wilderness, hedged about by farms and furrows. The water is the life-blood of the marsh,—drain it, and reed and rush, bird and batrachian, perish or disappear. The marsh, to him who enters it in a receptive mood, holds, besides mosquitoes and stagnation,—melody, the mystery of unknown waters, and the sweetness of Nature undisturbed by man.
The ideal marsh is as far as one can go from civilisation. The depths of a wood holds its undiscovered secrets; the mysterious call of the veery lends a wildness that even to-day has not ceased to pervade the old wood. There are spots overgrown with fern and carpeted with velvety wet moss; here also the skunk cabbage and cowslip grow rank among the alders. Surely man cannot live near this place—but the tinkle of a cowbell comes faintly on the gentle stirring breeze—and our illusion is dispelled, the charm is broken.
But even to-day, when we push the punt through the reeds from the clear river into the narrow, tortuous channel of the marsh, we have left civilisation behind us. The great ranks of the cat-tails shut out all view of the outside world; the distant sounds of civilisation serve only to accentuate the isolation. It is the land of the Indian, as it was before the strange white man, brought from afar in great white-sailed ships, came to usurp the land of the wondering natives. At any moment we fancy that we may see an Indian canoe silently round a bend in the channel.
The marsh has remained unchanged since the days when the Mohican Indians speared fish there. We are living in a bygone time. A little green heron flies across the water. How wild he is; nothing has tamed him. He also is the same now as always. He does not nest in orchard or meadow, but holds himself aloof, making no concessions to man and the ever increasing spread of his civilisation. He does not come to his doors for food. He can find food for himself and in abundance; he asks only to be let alone. Nor does he intrude himself. Occasionally we meet him along our little meadow stream, but he makes no advances. As we come suddenly upon him, how indignant he seems at being disturbed in his hunting. Like the Indian, he is jealous of his ancient domain and resents intrusion. He retires, however, throwing back to us a cry of disdain. Here in the marsh is the last stand of primitive nature in the settled country; here is the last stronghold of the untamed. The bulrushes rise in ranks, like the spears of a great army, surrounding and guarding the colony of the marsh.
There seems to be a kinship between the voices of the marsh dwellers. Most of them seem to have a muddy, aquatic note. The boom of the frog sounds like some great stone dropped into the water; the little marsh wren’s song is the “babble and tinkle of water running out of a silver flask.”
The blackbird seems to be the one connecting link between the highlands and the lowlands. Seldom does one see other citizens of the marsh in the upland. How glorious is the flight of a great blue heron from one feeding-ground to another! He does not tarry over the foreign territory, nor does he hurry. With neck and head furled close and legs straight out behind, he pursues his course, swerving neither to the right nor the left.
| “Vainly the fowler’s eye Might mark thy distant flight to do thee wrong, As darkly painted on the crimson sky Thy figure floats along.” |
The blackbirds, however, are more neighbourly. They even forage in the foreign territory, returning at night to sleep.