Miss Brunel widened her eyes slightly, but said nothing.
"By the way," said Will, with an evident effort, "I gathered together a number of Suabian peasant-songs when I was out there, which I should like to hear you sing. I know you will like them, they are so tender and simple. Dove has tried one or two of them, but her voice is scarcely low and full enough for them——"
"Dove is your sister's name, is it not?"
"Yes."
"And how do you know I can sing at all?" she asked, with a smile.
"As well ask a star if it has light," said he, warmly.
"You have lived too long in the East," she retorted, gently.
When Mrs. Christmas came into the room at that moment, there was a slight constraint visible upon both the young people. Will felt that he had gone a little too far; while Annie Brunel seemed to think that she had rather rudely warned him off such dangerous ground. The danger was not in the words, but in his tone.
Mrs. Christmas had just received an East London local paper, in which some youthful poet had poured forth his rhapsodies over Annie Brunel and her 'Juliet.' There was nothing remarkable in the verses, except that the author hoped to meet Miss Brunel in heaven. This was natural enough. The almost inevitable climax of a commonplace poem is heaven, simply because heaven is the only idealism of commonplace minds. It is almost a matter of necessity, therefore, that hymns should end with "above," or "Eden," or "Paradise;" and that magazine poets should lay down their pen with a sigh of relief when they have left their readers somewhere among the fixed stars.
"It is kind of him to suppose that an actress may get to heaven at all," said Annie Brunel, when Mrs. Christmas had read the verses.