But there was more to come of it than that. On the following evening Lionel got down to the theatre rather later than usual, and had to set to work at once to get ready, so that he had no opportunity of seeing Miss Burgoyne until he actually met her on the stage. Now, those of the public who had seen this piece before could not have perceived any difference of manner on the part of the coquettish Grace Mainwaring towards the young gentleman who had so unexpectedly fallen in her way—to wit, Harry Thornhill; but Lionel instantly became aware of it; and while he was endeavoring, after the fashion of the young stage gallant, to convey to Miss Grace Mainwaring the knowledge that she had suddenly captured his fancy and made him her slave for life, he was inwardly reflecting that he should have come down earlier to the theatre, and apologized to Miss Burgoyne for the unintentional slight of the previous day. As soon as the scene was over and they were both in the wings, he hastened to her (they had left the stage by opposite sides) and said,

"Oh, Miss Burgoyne, something very awkward happened yesterday—I am so sorry—I want to apologize—"

"I hope you will do nothing of the kind," said she, haughtily, "it is quite unnecessary."

"Oh, but look here, I'm really very sorry," he was endeavoring to say, when she again interrupted him:

"If you choose to go driving through London with chorus-girls,"

said she, in measured and bitter tones, "I suppose your attention must be fully occupied."

And therewith she marched proudly away from him; nor could he follow her to protest or explain, for he was wanted on the stage in about a second. He felt inclined to be angry and resentful; but he was helpless; he had to attend to this immediate scene.

Meanwhile Miss Burgoyne did not long preserve that lofty demeanor of hers; the moment she left him her rage got the better of her, for here was the Italian girl most inopportunely coming along the corridor; and just as poor Nina came up Miss Burgoyne turned to her maid, who was holding open the dressing-room door for her, and said aloud, so that every one could overhear,

"Oh, we don't want foreigners in English opera; why don't they take a barrel-organ through the streets, or a couple of canaries in a cage?"

Nor was that all; for here was Mlle. Girond; and the smart little boy-officer, as she came along the passage, was gayly singing to herself,