"For one, there is Lord Musselburgh," she said, but indifferently, as if no hope lay that way. "And there is Mr. Carmichael, who owns an Edinburgh paper—the Chronicle."
"Very well," said he, promptly. "What is to hinder my explaining to them that circumstances have occurred to prevent Mr. Bethune bringing out the volume he had projected; and that he begs to return them the money they had been good enough to advance?"
She shook her head again and sighed.
"No. It is very kind of you: You are always kind. But I could not accept it. I must try some way myself—though I am rather helpless: it is so difficult to get my grandfather to see things. I told you before: he lives in a world of imagination, and he can persuade himself that everything is well, no matter how we are situated. But it was shameful of them," she said, with her indignation returning, and her lips becoming at once proud and tremulous, "to cheat an old man out of so poor and small a thing! Why, they all knew he was going to write this book—all the writers themselves—they were known to himself personally—and glad enough they were to send him their verses. Well, perhaps they are not to blame. Perhaps they may have been told that he had given up the idea—that is quite likely. At all events, I don't envy the miserable creature who has gone and taken advantage of my grandfather's absence—"
She could say no more just then, for there was a sound below of the door being opened and shut; and the next minute they could hear old George Bethune coming with his active step up the flight of stairs, while he sang aloud, in fine bravura fashion, "'Tis the march—'tis the march—'tis the march of the Cameron men!"
The little dinner in the restaurant that evening was altogether unlike those that had preceded it. The simple and innocent gaiety—the sense of snugness and good-comradeship—appeared to have fled, leaving behind it a certain awkwardness and restraint. Vincent was entirely perplexed. The story he had heard from America was in no way to be reconciled with Maisrie's interpretation of her grandfather's position; but it was possible that the old man had concealed from her certain material facts; or perhaps had been able to blind himself to them. But what troubled the young man most of all was to notice that the old look of pensive resignation had returned to Maisrie's face. For a time a brighter life had shone there; the natural animation and colour of youth had appeared in her cheeks; and her eyes had laughter in them, and smiles, and kindness and gratitude; but all that had gone now—quite suddenly, as it seemed—and there had come back that strange sadness, that look of unresisting and hopeless acquiescence. Alone of the little party of three George Bethune retained his usual equanimity; nay, on this particular evening he appeared to be in especial high spirits; and in his careless and garrulous good-humour he took little heed of the silence and constraint of the two younger folk. They made all the better audience; and he could enforce and adorn his main argument with all the illustrations he could muster; he was allowed to have everything his own way.
And perhaps Vincent, thinking of Maisrie, and her tears, and the hopelessness and solitariness of her position, may have been inclined to resent what he could not but regard as a callous and culpable indifference. At all events, he took the first opportunity that presented itself of saying—
"I hope I am not the bearer of ill-news, Mr. Bethune; but I have just heard from New York that someone over there has taken up your subject, and that a volume on the Scotch poets in America is just about ready, and will be published immediately."
Maisrie glanced timidly at her grandfather; but there was nothing to fear on his account; he was not one to quail.
"Oh, indeed, indeed," said he, with a lofty magnanimity. "Well, I hope it will be properly and satisfactorily done: I hope it will be done in a way worthy of the subject. Maisrie, pass the French mustard, if you please. A grand subject: for surely these natural and simple expressions of the human heart are as deeply interesting as the more finished, the more literary, productions of the professional poet. A single verse, rough and rugged as you like—and the living man stands revealed. Ay, ay, so the book is coming out. Well, I hope the public will be lenient; I hope the public will understand that these men are not professional poets, who have studied and written in leisure all their lives; it is but a homely lilt they offer; but it is genuine; it is from the heart—and it speaks to the heart——"