A NEW ARRIVAL.

Very early one Sunday morning, while as yet all the world seemed asleep, a young lady stole out from the little hotel at Lairg, and wandered down by herself to the silent and beautiful shores of Loch Shin. The middle of March it was now, and yet the scene around her was quite summer-like; and she was a stranger from very far climes indeed, who had ventured into the Highlands at this ordinarily untoward time of the year; so that there was wonder as well as joy in her heart as she regarded the fairyland before her, for it was certainly not what she had been taught to expect. There was not a ripple on the glassy surface of the lake; every feature of the sleeping and faintly sunlit world was reflected accurately on the perfect mirror: the browns and yellows of the lower moorland; the faint purple of the birch-woods; the aerial blues of the distant hills, with here and there a patch of snow; and the fleecy white masses of the motionless clouds. It was a kind of dream-world—soft-toned and placid and still, the only sharp bit of colour being the scarlet-painted lines of a boat that floated double on that sea of glass. There was not a sound anywhere but the twittering of small birds; nor any movement but the slow rising into the air of a tiny column of blue smoke from a distant cottage; summer seemed to be here already, as the first light airs of the morning—fresh and clear and sweet—came stealing along the silver surface of the water, and only troubling the magic picture here and there in long trembling swathes.

The young lady was of middle height, but looked taller than that by reason of her slight and graceful form; she was pale, almost sallow, of face, with fine features and a pretty smile; her hair was of a lustrous black; and so, too, were her eyes—which were large and soft and attractive. Very foreign she looked as she stood by the shores of this Highland loch; her figure and complexion and beautiful opaque soft dark eyes perhaps suggesting more than anything else the Spanish type of the Southern American woman; but there was nothing foreign about her attire; she had taken care about that; and if her jet-black hair and pale cheek had prompted her to choose unusual tones of colour, at all events the articles of her costume were all correct—the warm and serviceable ulster of some roughish yellow and gray material, the buff-coloured, gauntleted gloves, and the orange-hued Tam o' Shanter which she wore quite as one to the manner born. For the rest, one could easily see that she was of a cheerful temperament; pleased with herself; not over shy, perhaps; and very straightforward in her look.

However, the best description of this young lady was the invention of an ingenious youth dwelling on the southern shores of Lake Michigan.—'Carry Hodson,' he observed on one occasion, 'is just a real good fellow, that's what she is.' It was a happy phrase, and it soon became popular among the young gentlemen who wore English hats and vied with each other in driving phantom vehicles behind long-stepping horses. 'Carry Hodson?—she's just the best fellow going,' they would assure you. And how better can one describe her? There was a kind of frank camaraderie about her; and she liked amusement, and was easily amused; and she laboured under no desire at all of showing herself 'bright'—which chiefly reveals itself in impertinence; but, above all, there was in her composition not a trace of alarm over her relations, however frank and friendly, with the other sex; she could talk to any man—old or young, married or single—positively without wondering when he was about to begin to make love to her. For one thing, she was quite capable of looking after herself; for another, the very charm of her manner—the delightful openness and straightforwardness of it—seemed to drive flirtation and sham sentiment forthwith out of court. And if, when those young gentlemen in Chicago called Miss Carry Hodson 'a real good fellow,' they could not help remembering at the same time that she was an exceedingly pretty girl, perhaps they appreciated so highly the privilege of being on good-comrade terms with her that they were content to remain there rather than risk everything by seeking for more. However, that need not be discussed further here. People did say, indeed, that Mr. John C. Huysen, the editor of the Chicago Citizen, was more than likely to carry off the pretty heiress; if there was any truth in the rumour, at all events Miss Carry Hodson remained just as frank and free and agreeable with everybody—especially with young men who could propose expeditions and amusements.

Now there was only one subject capable of entirely upsetting this young lady's equanimity; and it is almost a pity to have to introduce it here; for the confession must be made that, on this one subject, she was in the habit of using very reprehensible language. Where, indeed, she had picked up so much steamboat and backwoods slang—unless through the reading of Texas Siftings—it is impossible to say; but her father, who was about the sole recipient of these outbursts, could object with but little show of authority, for he was himself exceedingly fond, not exactly of slang, but of those odd phrases, sometimes half-humorous, that the Americans invent from day to day to vary the monotony of ordinary speech. These phrases are like getting off the car and running alongside a little bit; you reach your journey's end—the meaning of the sentence—all the same. However, the chief bugbear and grievance of Miss Carry Hodson's life was the Boston girl as displayed to us in fiction; and so violent became her detestation of that remarkable young person that it was very nearly interfering with her coming to Europe.

'But, pappa, dear,' she would say, regarding the book before her with some amazement, 'will the people in Europe think I am like that?'

'They won't think anything about you,' he would say roughly.

'What a shame—what a shame—to say American girls are like that!' she would continue vehemently. 'The self-conscious little beasts—with their chatter about tone, and touch, and culture! And the men—my gracious, pappa, do the people in England think that our young fellows talk like that? "Analyse me; formulate me!" he cries to the girl; "can't you imagine my environment by the aid of your own intuitions?"—I'd analyse him if he came to me; I'd analyse him fast enough: Nine different sorts of a born fool; and the rest imitation English prig. I'd formulate him if he came to me with his pretentious idiotcy; I'd show him the kind of chipmunk I am.'

'You are improving, Miss Carry,' her father would say resignedly. 'You are certainly acquiring force in your language; and sooner or later you will be coming out with some of it when you least expect it; and then whether it's you or the other people that will get fits I don't know. You'll make them jump.'

'No, no, pappa, dear,' she would answer good-naturedly; for her vehemence was never of long duration. 'I have my company manners when it is necessary. Don't I know what I am? Oh yes, I do. I'm a real high-toned North Side society lady; and can behave as sich—when there's anybody present. But when it's only you and me, pappa, I like to wave the banner a little—that's all.'