Come on board now, boys, and swing up the gig to the davits! Twelve fathoms of chain?—away with her then!—and there is a roar in the silence of the lonely little bay. And thereafter silence; and the sweet fragrance of the peat in the night air, and the appearance, above the black hills, of a clear, shining, golden planet that sends a quivering line of light across the water to us. And, once more, good-night and pleasant dreams!

But what is this in the morning? There have been no pleasant dreams for John of Skye and his merry men during the last night; for here we are already between Mingary Bay and Ru-na-Gaul Lighthouse; and before us is the open Atlantic, blue under the fair skies of the morning. And here is Dr. Sutherland, at the tiller, with a suspiciously negligent look about his hair and shirt-collar.

"I have been up since four," says he, with a laugh. "I heard them getting under way, and did not wish to miss anything. You know these places are not so familiar to me as they are to you."

"Is there going to be any wind to-day, John?"

"No mich," says John of Skye, looking at the cloudless blue vault above the glassy sweeps of the sea.

Nevertheless, as the morning goes by, we get as much of a breeze as enables us to draw away from the mainland—round Ardnamurchan ("the headland of the great sea") and out into the open—with Muick Island, and the sharp Scuir of Eigg, and the peaks of Rum lying over there on the still Atlantic, and far away in the north the vast and spectral mountains of Skye.

And now the work of the day begins. Mary Avon, for mere shame's sake, is at last compelled to produce one of her blank canvases and open her box of tubes. And now it would appear that Angus Sutherland—though deprived of the authority of the sick-room—is beginning to lose his fear of the English young lady. He makes himself useful—not with the elaborate and patronising courtesy of the Laird, but in a sort of submissive, matter-of-fact shifty fashion. He sheathes the spikes of her easel with cork so that they shall not mark the deck. He rigs up, to counterbalance that lack of stability, a piece of cord with a heavy weight. Then, with the easel fixed, he fetches her a deck-chair to sit in, and a deck-stool for her colours, and these and her he places under the lee of the foresail, to be out of the glare of the sun. Thus our artist is started; she is going to make a sketch of the after-part of the yacht with Hector of Moidart at the tiller: beyond, the calm blue seas, and a faint promontory of land.

Then the Laird—having confidentially remarked to Miss Avon that Tom Galbraith, than whom there is no greater authority living, invariably moistens the fresh canvas with megilp before beginning work—has turned to the last report of the Semple case.

"No, no," says he to our sovereign lady, who is engaged in some mysterious work in wool, "it does not look well for the Presbytery to go over every one of the charges in the major proposeetion—supported by the averments in the minor—only to find them irrelevant; and then bring home to him the part of the libel that deals with tendency. No, no; that shows a lamentable want of purpose. In view of the great danger to be apprehended from these secret assaults on the inspiration of the Scriptures, they should have stuck to each charge with tenahcity. Now, I will just show ye where Dr. Carnegie, in defending Secundo—illustrated as it was with the extracts and averments in the minor—let the whole thing slip through his fingers."

But if any one were disposed to be absolutely idle on this calm, shining, beautiful day—far away from the cares and labours of the land? Out on the taffrail, under shadow of the mizen, there is a seat that is gratefully cool. The Mare of the sea no longer bewilders the eyes; one can watch with a lazy enjoyment the teeming life of the open Atlantic. The great skarts go whizzing by, long-necked, rapid of flight. The gannets poise in the air, and then there is a sudden dart downwards, and a spout of water flashes up where the bird has dived. The guillemots fill the silence with their soft kurrooing—and here they are on all sides of us—Kirroo! Kurroo!—dipping their bills in the water, hastening away from the vessel, and then rising on the surface to flap their wings. But this is a strange thing: they are all in pairs—obviously mother and child—and the mother calls Kurroo! Kurroo!—and the young one unable as yet to dive or swim, answers Pe-yoo-it! Pe-yoo-it! and flutters and paddles after her. But where is the father? And has the guillemot only one of a family? Over that one, at all events, she exercises a valiant protection. Even though the stem of the yacht seems likely to run both of them down, she will neither dive nor fly until she has piloted the young one out of danger.