We knew, however, what that trace of smoke indicated behind the dark trees. By and by, as soon as the gig had got to the land, there was a procession along the solitary shore—in the wan twilight—and up the rough path—and through the scattered patches of birch and fir. And were you startled, Madam, by the apparition of people who were so inconsiderate as to knock at your door in the middle of dinner, and whose eyes, grown accustomed to the shadows of the valleys of Mull, must have looked bewildered enough on meeting the glare of the lamps? And what did you think of a particular pair of eyes—very soft and gentle in their dark lustre—appealing, timid, friendly eyes, that had nevertheless a quiet happiness and humour in them? It was at all events most kind of you to tell the young lady that her notion of throwing up her holiday and setting out for London was mere midsummer madness. How could you—or any one else—guess at the origin of so strange a wish?
CHAPTER VIII.
BEFORE BREAKFAST.
Who is this who slips through the saloon, while as yet all on board are asleep—who noiselessly ascends the companion-way, and then finds herself alone on deck? And all the world around her is asleep too, though the gold and rose of the new day is shining along the eastern heavens. There is not a sound in this silent little loch: the shores and the woods are as still as the far peaks of the mountains, where the mists are touched here and there with a dusky fire.
She is not afraid to be alone in this silent world. There is a bright and contented look on her face. Carefully and quietly, so as not to disturb the people below, she gets a couple of deck stools, and puts down the large sketch-book from under her arm, and opens out a certain leather case. But do not think she is going to attack that blaze of colour in the east, with the reflected glare on the water, and the bar of dark land between. She knows better. She has a wholesome fear of chromo-lithographs. She turns rather to those great mountain masses, with their mysteriously moving clouds, and their shoulders touched here and there with a sombre red, and their deep and silent glens a cold, intense green in shadow. There is more workable material.
And after all there is no ambitious effort to trouble her. It is only a rough jotting of form and colour, for future use. It is a pleasant occupation for this still, cool, beautiful morning; and perhaps she is fairly well satisfied with it, for one listening intently might catch snatches of songs and airs—of a somewhat incoherent and inappropriate character. For what have the praises of Bonny Black Bess to do with sunrise in Loch Speliv? Or the saucy Arethusa either? But all the same the work goes quietly and dexterously on—no wild dashes and searchings for theatrical effect, but a patient mosaic of touches precisely reaching their end. She does not want to bewilder the world. She wants to have trustworthy records for her own use. And she seems content with the progress she is making.
Here's a health to the girls that we loved long ago,
this is the last air into which she has wandered—half humming and half whistling—
Where the Shannon, and Liffey, and Blackwater flow.
—when she suddenly stops her work to listen. Can any one be up already? The noise is not repeated; and she proceeds with her work.