I remember purchasing many years ago at a suburban book stall, a perfect copy of Moxon's Mechanic Exercises, now a scarce work. The volumes were uncut, and had the original marble covers. They looked so attractive in their old fashioned dress, that I at once determined to preserve it. My binder soon made for them a neat wooden box in the shape of a book, with morocco back properly lettered, where I trust the originals will be preserved from dust and injury for many a long year.
Old covers, whether boards or paper, should always be retained if in any state approaching decency. A case, which can be embellished to any extent looks every whit as well upon the shelf! and gives even greater protection than binding. It has also this great advantage: it does not deprive your descendants of the opportunity of seeing for themselves exactly in what dress the book buyers of four centuries ago received their volumes.
CHAPTER IX. COLLECTORS.
AFTER all, two-legged depredators, who ought to have known better, have perhaps done as much real damage in libraries as any other enemy. I do not refer to thieves, who, if they injure the owners, do no harm to the books themselves by merely transferring them from one set of bookshelves to another. Nor do I refer to certain readers who frequent our public libraries, and, to save themselves the trouble of copying, will cut out whole articles from magazines or encyclopaedias. Such depredations are not frequent, and only occur with books easily replaced, and do not therefore call for more than a passing mention; but it is a serious matter when Nature produces such a wicked old biblioclast as John Bagford, one of the founders of the Society of Antiquaries, who, in the beginning of the last century, went about the country, from library to library, tearing away title pages from rare books of all sizes. These he sorted out into nationalities and towns, and so, with a lot of hand-bills, manuscript notes, and miscellaneous collections of all kinds, formed over a hundred folio volumes, now preserved in the British Museum. That they are of service as materials in compiling a general history of printing cannot be denied, but the destruction of many rare books was the result, and more than counter-balanced any benefit bibliographers will ever receive from them. When here and there throughout those volumes you meet with titles of books now either unknown entirely, or of the greatest rarity; when you find the Colophon from the end, or the "insigne typographi" from the first leaf of a rare "fifteener," pasted down with dozens of others, varying in value, you cannot bless the memory of the antiquarian shoemaker, John Bagford. His portrait, a half-length, painted by Howard, was engraved by Vertue, and re-engraved for the Bibliographical Decameron.
A bad example often finds imitators, and every season there crop up for public sale one or two such collections, formed by bibliomaniacs, who, although calling themselves bibliophiles, ought really to be ranked among the worst enemies of books.
The following is copied from a trade catalogue, dated April, 1880, and affords a fair idea of the extent to which these heartless destroyers will go:—
"MISSAL ILLUMINATIONS.
FIFTY DIFFERENT CAPITAL LETTERS on VELLUM; all in rich Gold and Colours. Many 3 inches square: the floral decorations are of great beauty, ranging from the XIIth to XVth century. Mounted on stout card-board. IN NICE PRESERVATION, L6 6s.
These beautiful letters have been cut from precious
MSS., and as specimens of early art are extremely
valuable, many of them being worth 15s. each."