“Neal,” said the schoolmaster, meekly, “I won't fight; I have been too often subdued ever to presume on the hope of a single victory. My spirit is long since evaporated: I am like one, of your own shreds, a mere selvage. Do you not know how much my habiliments have shrunk in, even within the last five years? Hear me, Neal; and venerate my words as if they proceeded from the lips of a prophet. If you wish to taste the luxury of being subdued—if you are, as you say, blue-moulded for want of a beating, and sick at heart of a peaceful existence—why, marry a wife. Neal, send my breeches home with all haste, for they are wanted, you understand. Farewell!”

Mr. O'Connor, having thus expressed himself, departed, and Neal stood, with the cudgel in his hand, looking at the door out of which he passed, with an expression of fierceness, contempt, and reflection, strongly blended on the ruins of his once heroic visage.

Many a man has happiness within his reach if he but knew it. The tailor had been, hitherto, miserable because he pursued a wrong object. The schoolmaster, however, suggested a train of thought upon which Neal now fastened with all the ardor of a chivalrous temperament. Nay, he wondered that the family spirit should have so completely seized upon the fighting side of his heart, as to preclude all thoughts of matrimony; for he could not but remember that his relations were as ready for marriage as for fighting. To doubt this, would have been to throw a blot upon his own escutcheon. He, therefore, very prudently asked himself, to whom, if he did not marry, should he transmit his courage. He was a single man, and, dying as such, he would be the sole depository of his own valor, which, like Junius's secret, must perish with, him. If he could have left it, as a legacy, to such of his friends as were most remarkable for cowardice, why, the case would be altered; but this was impossible—and he had now no other means of preserving it to posterity than by creating a posterity to inherit it. He saw, too, that the world was likely to become convulsed. Wars, as everybody knew, were certainly to break out; and would it not be an excellent opportunity for being father to a colonel, or, perhaps, a general, that might astonish the world.

The change visible in Neal, after the schoolmaster's last visit, absolutely thunder-struck all who knew him. The clothes, which he had rashly taken in to fit his shrivelled limbs, were once more let out. The tailor expanded with a new spirit; his joints ceased to be supple, as in the days of his valor; his eye became less fiery, but more brilliant. From being martial, he got desperately gallant; but, somehow, he could not afford to act the hero and lover both at the same time. This, perhaps, would be too much to expect from a tailor. His policy was better. He resolved to bring all his available energy to bear upon the charms of whatever fair nymph he should select for the honor of matrimony; to waste his spirit in fighting would, therefore, be a deduction from the single purpose in view.

The transition from war to love is by no means so remarkable as we might at first imagine. We quote Jack Falstaff in proof of this, or, if the reader be disposed to reject our authority, then we quote Ancient Pistol himself—both of whom we consider as the most finished specimens of heroism that ever carried a safe skin. Acres would have been a hero had he won gloves to prevent the courage from oozing out at his palms, or not felt such an unlucky antipathy to the “snug lying in the Abbey;” and as for Captain Bobadil, he never had an opportunity of putting his plan, for vanquishing an army, into practice. We fear, indeed, that neither his character, nor Ben Jonson's knowledge of human nature, is properly understood; for it certainly could not be expected that a man, whose spirit glowed to encounter a whole host, could, without tarnishing his dignity, if closely pressed, condescend to fight an individual. But as these remarks on courage may be felt by the reader as an invidious introduction of a subject disagreeable to him, we beg to hush it for the present and return to the tailor.

No sooner had Neal begun to feel an inclination to matrimony, than his friends knew that his principles had veered, by the change now visible in his person and deportment. They saw he had ratted from courage, and joined love. Heretofore his life had been all winter, darkened by storm and hurricane. The fiercer virtues had played the devil with him; every word was thunder, every look lightning; but now all that had passed away;—before, he was the Jortiter in re, at present he was the suaviter in modo. His existence was perfect spring—beautifully vernal. All the amiable and softer qualities began to bud about his heart; a genial warmth was diffused over him; his soul got green within him; every day was serene; and if a cloud happened to be come visible, there was a roguish rainbow astride of it, on which sat a beautiful Iris that laughed down at him, and seemed to say, “why the dickens, Neal, don't you marry a wife?”

Neal could not resist the afflatus which descended on him; an ethereal light dwelled, he thought, upon the face of nature; the color of the cloth, which he cut out from day to day, was to his enraptured eye like the color of Cupid's wings—all purple; his visions were worth their weight in gold; his dreams, a credit to the bed he slept on; and his feelings, like blind puppies, young and alive to the milk of love and kindness which they drew from his heart. Most of this delight escaped the observation of the world, for Neal, like your true lover, became shy and mysterious. It is difficult to say what he resembled; no dark lantern ever had more light shut up within itself, than Neal had in his soul, although his friends were not aware of it. They knew, indeed, that he had turned his back upon valor; but beyond this their knowledge did not extend.

Neal was shrewd enough to know that what he felt must be love;—nothing else could distend him with happiness, until his soul felt light and bladder-like, but love. As an oyster opens, when expecting the tide, so did his soul expand at the contemplation of matrimony. Labor ceased to be a trouble to him; he sang and sewed from morning to night; his hot goose no longer burned him, for his heart was as hot as his goose; the vibrations of his head, at each successive stitch, were no longer sad and melancholy. There was a buoyant shake of exultation in them which showed that his soul was placid and happy within him.

Endless honor be to Neal Malone for the originality with which he managed the tender sentiment! He did not, like your commonplace lovers, first discover a pretty girl, and afterwards become enamored of her. No such thing, he had the passion prepared beforehand—cut out and made up as it were, ready for any girl whom it might fit. This was falling in love in the abstract, and let no man condemn it without a trial; for many a long-winded argument could be urged in its defence. It is always wrong to commence business without capital, and Neal had a good stock to begin with. All we beg is, that the reader will not confound it with Platonism, which never marries; but he is at full liberty to call it Socratism, which takes unto itself a wife, and suffers accordingly.

Let no one suppose that Neal forgot the schoolmaster's kindness, or failed to be duly grateful for it. Mr. O'Connor was the first person whom he consulted touching his passion. With a cheerful soul—he waited on that melancholy and gentleman-like man, and in the very luxury of his heart told him that he was in love.