“No, darlin',” she replied; “not a curse—but my father and mother both died, and did not give me their blessin'; but now, Atty, don't ask me anything more about that, bekase I can't tell you.” This she added from a feeling of delicacy to her unhappy husband, whom, through all his faults and vices, she constantly held up to her children as an object of respect, affection, and obedience.
Again the little ones were getting importunate for food, and their cries were enough to touch any heart, much less that of a tender and loving mother. Margaret herself felt that some unusual delay must have occurred, or the messenger she sent to her sister must have long since returned; just then a foot was heard outside the door, and there was an impatient cessation of the cries, in the hope that it was the return of Nanny Hart—the door opened, and Toal Finnigan entered this wretched abode of sorrow and destitution.
There was something peculiarly hateful about this man, but in the eyes of Margaret there was something intensely so. She knew right well that he had been the worst and most demoralizing companion her husband ever associated with, and she had, besides, every reason to believe that, were it not for his evil influence over the vain and wretched man, he might have overcome his fatal propensity to tipple. She had often told Art this; but little Toal's tongue was too sweet, when aided by his dupe's vanity. Many a time had she observed a devilish leer of satanic triumph in the misshapen little scoundrel's eye, when bringing home her husband in a state of beastly intoxication, and for this reason, independently of her knowledge of his vile and heartless disposition, and infamous character, she detested him. After entering, he looked about him, and even with the taint light of the rush she could mark that his unnatural and revolting features were lit up with a hellish triumph.
“Well, Margaret Murray,” said he, “I believe you are now nearly as badly off as you can be; your husband's past hope, and you are as low as a human bein' ever was. I'm now satisfied; you refused to marry me—you made a May-game of me—a laughin' stock of me, and your father tould my father that I had legs like reapin' hooks! Now, from the day you refused to marry me, I swore I'd never die till I'd have my revinge, and I have it; who has the laugh now, Margaret Murray?”
“You say,” she replied calmly, “that I am as low as a human bein' can be, but that's false, Toal Finnigan, for I thank God I have committed no crime, and my name is pure and good, which is more than any one can say for you; begone from my place.”
“I will,” he replied, “but before I go jist let me tell you, that I have the satisfaction to know that, if I'm not much mistaken, it was I that was the principal means of leavin' you as you are, and your respectable husband as he is; so my blessin' be wid you, an that's more than your father left you. Raipin' hooks, indeed!”
The little vile Brownie then disappeared.
Margaret, the moment he was gone, immediately turned round, and going to her knees, leaned, with her half-cold infant still in her arms, against a creaking chair, and prayed with as much earnestness as a distracted heart permitted her. The little ones, at her desire, also knelt, and in a few minutes afterwards, when her drunken husband came home, he found his miserable family, grouped as they were in their misery, worshipping God in their own simple and touching manner. His entrance disturbed them, for Margaret knew she must go through the usual ordeal to which his nightly return was certain to expose her.
“I want something to ait,” said he.
“Art, dear,” she replied—and this was the worst word she ever uttered against him—“Art, dear, I have nothing for you till by an' by; but I will then.”