“Poor Rose O'Hallaghan!—or, as she was designated—Rose Galh, or Fair Rose, and sometimes simply, Rose Hallaghan, because the detention of the big O often produces an afflatus in the pronunciation, that is sometimes mighty inconvenient to such as do not understand oratory—besides, that the Irish are rather fond of sending the liquids in a gutthural direction—Poor Rose! that faction fight, was a black day to her, the sweet innocent—when it was well known that there wasn't a man, woman, or child, on either side that wouldn't lay their hands under her feet. However, in order to insense the reader better into her character, I will commence a small sub-narration, which will afterwards emerge into the parent stream of the story.
“The chapel of Knockimdowny is a slated house, without any ornament, except a set of wooden cuts, painted red and blue, that are placed seriatum around the square of the building in the internal side. Fourteen* of these suspind at equal distances on the walls, each set in a painted frame; these constitute a certain species of country devotion. It is usual, on Sundays, for such of the congregation as are most inclined to piety, to genuflect at the first of these pictures, and commence a certain number of prayers to it after the repetition of which, they travel on their knees along the bare earth to the second, where they repate another prayer peculiar to that, and so on, till they finish the grand tower of the interior. Such, however as are not especially addictated to this kind, of locomotive prayer, collect together in various knots through the chapel, and amuse themselves by auditing or narrating anecdotes, discussing policy, or detraction; and in case it be summer, and the day of a fine texture, they scatter themselves into little crowds on the chapel-green, or lie at their length upon the grass in listless groups, giving way to chat and laughter.
* These are called the “Fourteen Stations of the Cross.”
“In this mode, laired on the sunny side of the ditches and hedges, or collected in rings round that respectable character, the Academician of the village, or some other well-known Senachie, or story-teller, they amuse themselves till the priest's arrival. Perhaps, too, some walking geographer of a pilgrim may happen to be present; and if there be, he is sure to draw a crowd about him, in spite of all the efforts of the learned Academician to the contrary. It is no unusual thing to see such a vagrant, in all the vanity of conscious sanctimony, standing in the middle of the attentive peasants, like the nave and felloes of a cart-wheel—if I may be permitted the loan of an apt similitude—repeating some piece of unfathomable and labyrinthine devotion, or perhaps warbling, from Stentorian lungs, some melodia sacra, in an untranslatable tongue; or, it may be, exhibiting the mysterious power of an amber bade fastened as a Decade to his paudareens* lifting a chaff or light bit of straw by the force of its attraction. This is an exploit which causes many an eye to turn from the bades to his own bearded face, with a hope, as it were, of being able to catch a glimpse of the lurking sanctimony by which the knave hoaxes them in the miraculous.
* Pilgrims and other impostors pass these things upon the
people as miracles upon a small scale.
“The amusements of the females are also nearly such as I have drafted out. Nosegays of the darlings might be seen sated on green banks, or sauntering about with a sly intention of coming in compact with their sweethearts, or, like bachelors' buttons in smiling rows, criticising the young men as they pass. Others of them might be seen screened behind a hedge, with their backs to the spectators taking the papers off their curls before small bit of looking-glass placed against the ditch; or perhaps putting on their shoes and stockings—which phrase can be used only by the authority of the figure heusteron proteron—inasmuch as if they put on the shoes first, you persave, it would be a scientific job to get on the stockings after; but it's an idiomatioal expression, and therefore justifiable. However, it's a general custom in the country, which I dare to say has not yet spread into large cities, for the young women to walk bare-footed to the chapel, or within a short distance of it, that they may exhibit their bleached thread stockings and well-greased slippers to the best advantage, not pretermitting a well-turned ankle and neat leg, which, I may fearlessly assert, my fair country-women can show against any other nation, living or dead.
“One sunny Sabbath, the congregation of Knockimdowny were thus assimilated, amusing themselves in the manner I have just outlined; a series of country girls sat on a little green mount, called the Rabbit Bank, from the circumstance of its having been formerly an open burrow, though of late years it has been closed. It was near twelve o'clock, the hour at which Father Luke O'Shaughran was generally seen topping the rise of the hill at Larry Mulligan's public-house, jogging on his bay hack at something between a walk and a trot—that is to say, his horse moved his fore and hind legs on the off side at one motion, and the fore and hind legs of the near side in another, going at a kind of dog's trot, like the pace of an idiot with sore feet in a shower—a pace, indeed, to which the animal had been set for the last sixteen years, but beyond which, no force, or entreaty, or science, or power, either divine or human, of his Reverence could drive him. As yet, however, he had not become apparent; and the girls already mentioned were discussing the pretensions which several of their acquaintances had to dress or beauty.
“'Peggy,' said Katy Carroll to her companion, Peggy Donohue, 'were you out* last Sunday?'
* Out.—This expression in remote parts of the country is
understood to mean being at mass.
“'No, in troth, Katty, I was disappointed in getting my shoes from Paddy Mellon, though I left him the measure for my foot three weeks agone, and gave him a thousand warnings to make them duck-nebs; but, instead of that,' said she, holding out a very purty foot, 'he has made them as sharp in the toe as a pick-axe, and a full mile too short for me. But why do ye ax was I out, Katty?'