“That's a good girl; ma gragal that you! war—good-by, acushla,” and he immediately! returned to his own room, after having observed that Connor went down to the kitchen.

“Now, Mr. Malcomson,” said he, “there is a good fire before you. I ax your pardon—just sit in the light of it for a minute or so; I want this candle.”

“'Am sayin', Andy, gin ye haud awa to the kitchen, it wadna be a crime to send up anither tankard o' that yill.”

To this the other made no reply, but walked out of the room, and very deliberately proceeded to that of Helen. The door was open, the bed unslept upon, the window-curtains undrawn; in fact, the room was tenantless, Connor a liar and an accomplice, and the suspicions of himself and Malcomson well founded. He then followed Connor to the kitchen; but she too had disappeared, or at least hid herself from him. He then desired the other female servants to ascertain whether Miss Folliard was within or not, giving it as his opinion that she had eloped with Willy Reilly. The uproar then commenced, the house was searched, but no Cooleen Bawn was found. Cummiskey himself remained comparatively tranquil, but his tranquillity was neither more nor less than an inexpressible sorrow for what he knew the affectionate old man must suffer for the idol of his heart, upon whom he doted with such unexampled tenderness and affection. On ascertaining that she was not in the house, he went upstairs to his master's bedroom, having the candlestick in his hand, and tapped at the door. There was no reply from within, and on his entering he found the old man asleep. The case, however, was one that admitted of no delay; but he felt that to communicate the melancholy tidings was a fearful task, and he scarcely knew in what words to shape the event which had occurred. At length he stirred him gently, and the old man, half asleep, exclaimed:

“Good-night, Helen—good-night, darling! I am not well; I had something to tell you about the discovery of—but I will let you know it to-morrow at breakfast. For your sake I shall let him escape: there now, go to bed, my love.”

“Sir,” said Cummiskey, “I hope you'll excuse me for disturbing you.”

“What? who? who's there? I thought it was my daughter.”

“No, sir, I wish it was; I'm come to tell you that Miss Folliard can't be found: we have searched every nook and corner of the house to no purpose: wherever she is, she's not undher this roof. I came to tell you, and to bid you get up, that we may see what's to be done.”

“What,” he exclaimed, starting up, “my child!—my child—my child gone! God of heaven! God of heaven, support me!—my darling! my treasure! my delight!—Oh, Cummiskey!—but it can't be—to desert me!—to leave me in misery and sorrow, brokenhearted, distracted!—she that was the prop of my age, that loved me as never child loved a, father! Begone, Cummiskey, it is not so, it can't be, I say: search again; she is somewhere in the house; you don't know, sirra, how she loved me: why, it was only this night that, on taking her good-night kiss, she—ha—what? what?—she wept, she wept bitterly, and bade me farewell! and said—Here, Cummiskey, assist me to dress. Oh, I see it, Cummiskey, I see it! she is gone! she is gone! yes, she bade me farewell; but I was unsteady and unsettled after too much drink, and did not comprehend her meaning.”

It is impossible to describe the almost frantic distraction of that loving father, who, as he said, had no prop to lean upon but his Cooleen Bawn, for he himself often loved to call her by that appellation.