“Manly never knew where he crossed,” Blackie said. “He tried to tell about it 40 years afterward and all he did was to start an argument that’s going on yet. That’s why I say you can write the known facts about Death Valley history on a postage stamp with the end of your thumb.”
The tongue oil loosened Calico Bill’s story of Indian George and his trained mountain sheep. “George had the right idea about gold. Find it, then take it out as needed. One time an artist came to George’s ranch and made a picture of the ram. When he had finished it he stepped behind his easel and was watching George eat a raw gopher snake when the goat came up. Rams are jealous and mistaking the picture for a rival, he charged like a thunderbolt.
“It didn’t hurt the picture, but knocked the painter and George through both walls of George’s shanty. George picked himself up. ‘Heap good picture. Me want.’ The fellow gave it to him and for months George would tease that goat with the picture. One day he left it on a boulder while he went for his horse. When he got back, the boulder was split wide open and the picture was on top of a tree 50 feet away.
“Somebody told George about a steer in the Chicago packing house which led other steers to the slaughter pen and it gave George an idea. One day I found him and his goat in a Panamint canyon and asked why he brought the goat along. ‘Me broke. Need gold.’ Since he didn’t have pick, shovel, or dynamite, I asked how he expected to get gold.
“‘Pick, shovel heap work,’ George said. ‘Dynamite maybe kill. Sheep better. Me show you.’ He told me to move to a safe place and after scattering some grain around for the goat, George scaled the boulder. It was big as a house. A moment later I saw him unroll the picture and with strings attached, let it rest on one corner of the big rock. Then holding the strings, he disappeared into his blind higher up. Suddenly he made a hissing noise. The Big Horn stiffened, saw the picture, lowered his head and never in my life have I seen such a crash. Dust filled the air and fragments fell for 10 minutes. When I went over George was gathering nuggets big as goose eggs. ‘White man heap dam’ fool,’ he grunted. ‘Wants too much gold all same time. Maybe lose. Maybe somebody steal. No can steal boulder.’”
The “tongue oil” had been disposed of when Blackie suggested that we step over to his place, a short distance around the point of a hill. “Plenty more there.”
Bill had told me that as a penniless youngster Blackie had walked up Odessa Canyon one afternoon. Within three days he was rated as a millionaire. Within three months he was broke again. Later Blackie told me, “That’s somebody’s dream. I got about $200,000 and decided I belonged up in the Big Banker group. They welcomed me and skinned me out of my money in no time.”
It was Blackie who proved to my satisfaction that money has only a minor relation to happiness. His house was part dobe, part white tufa blocks. On his table was a student’s lamp, a pipe, and can of tobacco. A book held open by a hand axe. Other books were shelved along the wall. He had an incongruous walnut cabinet with leaded glass doors. Inside, a well-filled decanter and a dozen whiskey glasses and a pleasant aroma of bourbon came from a keg covered with a gunny sack and set on a stool in the corner.
“This country’s hard on the throat,” he explained.
Blackie’s kingdom seemed to have extended from the morning star to the setting sun. He had been in the Yukon, in New Zealand, South Africa, and the Argentine. Gold, hemp, sugar, and ships had tossed fortunes at him which were promptly lost or spent.