Let it not be supposed, however, that the elimination of poetry from the sea-life by the pounding steam engine and the swift voyage is deplorable on no further grounds than these which I have named. The utilitarian aspect is not the only one. There was romance and lustre outside those mere conditions of poetic seamanship which enabled the mariner to direct the wind by a knot, to control the tempest by a candle, to put the pirate to flight by an invocation. Emerge with me from the darkness of remote times into the light of the last—yes, and of the beginning of the present—century. Ladies were then going to sea, as they had in remoter times, dressed as men. They do so no longer. Who ever hears now of some youthful mariner with blooming cheeks and long eyelashes exciting the suspicions of his mahogany-cheeked mates by the shortness of his steps, or the smallness of his hands and feet, or a certain unboyish luxuriance of cropped hair? No, the blushing Pollies and Susans of the East End, resolved by love, by betrayal, or by the press-gang, into the shipping of breeks have had their day. No longer do we read of pretty ship-boys standing confessed as girls. I mourn this departed romantic forecastle feature. Even in fiction how the imagination is captivated by the clever insinuations of the author in his treatment of the youth whose sex he springs upon us presently to our glad surprise! The Edwins whom the Angelinas followed were not indeed very engaging people; but even attentive consideration of their rascalities will not neutralize the pleasant poetic bouquet that haunts the old tales of fine-eyed women going to sea for love or vengeance, living among the sailors, eating the bitter bad provisions of the forecastle, fighting the guns, doing the seamen’s work, and remaining for months undetected.
Again, whither has vanished a feature of the old sea-life even yet more romantically interesting than the nautical masquerading of black-eyed Susans and yellow-haired Molls—the flirtation of the long ocean passage? What we call flirtation now at sea is a mere shadow of a shadow as compared with the robust and solid reality of a period when it took a ship four months to sail to Bombay or Calcutta. There is no time allowed in this age for love-making. Before you can fairly consider yourself acquainted with a girl some wretch on the forecastle is singing out “land-ho!” I took particular notice of this matter on board the Union steamer in which I made the passage home from Cape Town. It must certainly have ended in a proposal in the case of one couple had the propeller dropped off or a boiler burst and the ship been delayed. They only wanted another week. But the steamer was impertinently punctual, about eight hours before her time: the people went ashore at Plymouth, and, for all I can tell, the young man, in the excitement of landing and meeting his friends and seeing plenty of pretty women about, may have abandoned his intention and ended for the girl a chance that would have been a certainty in the old romantic poetical sea-days. Why, we all know how the British matron used to ship her darlings off in the East Indiamen for husbands in the country with which those vessels trafficked, and how scores and scores of these unsophisticated young ladies would land engaged, having affianced themselves to gentlemen on board in calms on the Equator or in the tail of the south-east Trades, or in a small swell with a moderate breeze off Agulhas, some possibly hesitating as far as the Madagascar parallels. How many marriages originate at sea in these times of thirteen knots an hour, I wonder? Out of the several millions of passengers who are annually sea-borne, how many pledge their vows on board ship, how many fall in love there, how many become husband and wife in consequence of meeting on ship board? But a few, I’ll warrant. But only think of the old East Indiaman; four months for Captain Thunder and Miss Spooner to be together to start with; four months, and perhaps longer, with possibly Lieutenant Griffin to give a swift maturity to emotion by importing a neat and useful element of jealousy. Oh, if moonlight and music and feeling are one ashore, what are they at sea, on the deck of a sleeping fabric lifting visionary wings to the lovely stars, when the sea-fire flashes like sheet lightning to the soft surge of the ship’s bows or counter upon the light fold of the invisible swell, when the westering moon, crimsoning as she sinks, wastes her heart’s blood in the deep for love of what she is painfully and ruefully leaving, when the dew upon the bulwarks sparkles like some diamond encrustations to the starlight, when the peace of the richly clad night presses like a sensible benediction upon the breathless, enchanted, listening ship, subduing all sounds of gear-creaking in blocks, of chains clanking to the stirring of the rudder, to a tender music in sweetest harmony with the fountain-like murmur at the bows as the vessel quietly lifts to the long-drawn heave there—think of it! was there ever a bower by Bendemeer’s stream comparable as a corner for the delicate whispers of passion, for the coy reception of kisses, with some quiet nook on the white quarter-deck, shadowed from the stars and protected from the dew by the awning? If you thrill now it is because the whole ship shakes with the whirling and thrashing of those mighty beams of steel below. Emotion must be blatant or it cannot be heard. Not yet has a generation that knows I am speaking the truth in all this passed away. Confirm me, ye scores of elderly master-mariners enjoying your well-earned repose in spots hard by that ocean ye loved and sailed for years! Confirm me too, ye many survivors of a sea-going time, when the most blissful hours of your long and respectable lives were passed under the shadow of the cross-jack-yard!
I lament the decay of the old nautical costumes. There was a poetry in the dress of the people who had the handling of the big Indian ships which you will not get out of the brass buttons and twopenny cuff-rings of the contemporary skipper and mate. Nowadays it is almost impossible to tell the difference between the rigs of the mercantile captain, the dock master, the Customs man, and the harbour master. But what do you say to a blue coat, black velvet lappels, cuffs and collar with a bright gold embroidery, waistcoat and breeches of deep buff, the buttons of yellow gilt, cocked hats, side arms, and so forth? What dress has done for romance ashore we know. Pull off the feathered hats and high boots, the magnificent doublets and diamond buckles of many of those gentlemen of olden times, who show very stately in history, and button them up in the plain frock-coat of to-day, and who knows but that you might not be diverted with a procession of rather insignificant objects? In the poetical days of the sea-profession the ships very honestly deserved the dignity they got from the gilded and velveted figures that sparkled on their quarter-decks. Over no nobler fabrics of wood did the red ensign ever fly. They went manned like a line-of-battle ship. Observe this resolution arrived at by the Court of Directors (Hon. E.I.C.) held the 19th of October, 1791:—“That a ship of 900 tons do carry 110 men; 1000 ditto, 120; 1100 ditto, 125; 1200 ditto, 130.”
Were not those fine times for Jack? How many of a crew goes to the manning of a 1200-ton ship nowadays? And it is proper to note that of these 130 men there were only ten servants, i.e. a captain’s steward, ship’s steward, and men to attend to the mate, surgeon, boatswain, gunner, and carpenter. Contrast these with the number of waiters who swell the ship’s company of our 5000-ton mail boats. Those vessels went armed too, as befitted the majesty of the bunting under which old Dance had gloriously licked Johnny Crapeau.[[1]] The bigger among them carried thirty-eight eighteen pounders; they were all furnished with boarding-nettings half-mast high and close round the quarters. The chaps in the tops were armed with swivels, musquetoons, and pole-axes. In those romantic times the merchantman saw to himself. There were no laminated plates formed of iron one remove only from the ore betwixt him and the bottom of the ocean; he sailed in hearts-of-oak, and the naval page of his day resounds with his thunder. The spirit of that romantic period penetrated the ladies who were passengers. Relations of this kind in the contemporary annals are common enough:
[1]. It is interesting to know that Sir John Franklin was in that particular fight, and worked the signals for the Commodore.
“Mrs. Macdowall and Miss Mary Harley, who lately distinguished themselves so much in the gallant defence of the ship Planter, of Liverpool, against an enemy of very superior force off Dover, are now at Whitehaven. These ladies were remarkable, not only for their solicitude and tenderness for the wounded, but also for their contempt of personal danger, serving the seamen with ammunition, and encouraging them by their presence.”
Again: “I cannot omit mentioning that a lady (a sister of Captain Skinner), who, with her maid, were the only female passengers, were both employed in the bread-room during the action making up papers for cartridges; for we had not a single four-pound cartridge remaining when the action ceased.”[[2]]
[2]. Many similar notices may be found in the Annual Register, the Naval Chronicle, and other publications of the kind.
The glory and the dream are gone. No doubt there are plenty of ladies living who would manufacture cartridges during a sea-fight with pleasure, and animate the crew by their example and presence. But the heroine’s chance in this direction is dead and over. As dead and over as the armed passenger ship, the privateer, the pirate, and the plate-galleon. Would it interest anybody to know that the Acapulco ship was once more on her way from Manila with a full hold? Dampier and Shelvocke are dead, Anson’s tome is rarely looked into, the cutlass is sheathed, the last of the slugs was fired out of yonder crazy old blunderbuss ages ago; how should it concern us then to hear that the castellated galleon, loaded with precious ore minted and in ingots, with silk, tea, and gems of prodigious value, is under weigh again? Candish took her in 1587, Rogers in 1709, Anson in 1742. Supposing her something more substantial than a phantom, where lives the corsair that should take her now? The extinction of that ship dealt a heavy wound to marine romance. She was a vessel of about two thousand tons burden, and was despatched every year from the port of Manila. She sailed in July and the voyage lasted six months—six months of golden opportunity to the gentlemen who styled themselves buccaneers! The long passage, says the Abbé Raynal, “was due to the vessel being overstocked with men and merchandise, and to all those on board being a set of timid navigators, who never make but little way during the night time, and often, though without necessity, make none at all.” Anson took 1,313,843 pieces of eight and 35,682 oz. of virgin silver out of his galleon, raising the value of his cruise to about £400,000 independent of the ships and merchandise. They knew how to fillibuster in those days. How is it now? It has been attempted of late and found a glorious termination in a police court.
The buccaneer has made his exit and so has his fierce brother, the pirate. That dreadful flag has long been hauled down and stowed away by Davy Jones in one of his lockers. “The pirates,” says Commodore Roggewein in 1721, “observing this disposition, immediately put themselves in a fighting posture; and began by striking their red, and hoisting a black flag, with a Death’s Head in the centre, a powder-horn over it, and two bones across underneath.” Alas! even the sentiment of Execution Deck has vanished with the disappearance of this romantic flag, and there are no more skeletons of pirates slowly revolving in the midnight breeze and emitting a dismal clanking sound to the stirring of the damp black gusts from which to borrow a highly moving and fascinating sort of marine poetry.