The Yarn of Old Harbour Town

by William Clark Russell

"Yes, sir."

"What proof have they given you that they were mad?"

"A-tearin' up of their clothes and a-goin' about without shame. He was a man called Micky Cruppin, sir. Another 'ud stop at every pool to wash his feet. I knowed a man who wouldn't attend sarvice 'cos he said that the devil always came in, and took a seat beside him. There was old Mother Compton, who'd spit at a dog if he barked at her, who used to do her washin' on the Sabbath, sayin' that she was too good to go to church, and that the parson ought to be 'anged for having committed a forgery where he last lived. And this she'd say of a new parson just as she would of t'other who had gone afore him."

"Do you think Miss Acton mad?" said Mr Lawrence, speaking with an effort, but determined to have an independent opinion and willing to believe that the wretch who stood humped, pallid, and terrified before him might be able to distinguish clearly what was obscured by his own prejudices, wishes, and dread.

"Yes, sir, I do," was the answer, swiftly delivered, as is the characteristic of conviction.

Without further speech Mr Lawrence passed into his cabin.

Till midnight he was frequently up and down. The mate in charge rounding upon his heel would see the figure of the Captain, who might not have long before gone below, rising and falling against the stars as he stood grasping a back-stay, watching the darkling ship as she crushed the phantom lights of the deep out of the black coil of surge with its trembling lading of stars of the sea-glow, and ever and anon sending the eye of a man, who has been used to looking out for ships of the enemy, around the gloom of the horizon. But the mate of the watch did not know that Mr Lawrence varied this routine of vigilance by often standing in his own cabin with his ear pressed to the bulkhead that separated Lucy's berth from his, with the idea of catching any noises that might be made within.

Shortly after midnight he softly turned the key in Lucy's door and looked in, and deeming that she lay asleep he passed in, closing the door behind him, that the roll of the ship might not slam the door and awaken the sleeper. The light was dim, but sufficiently clear for eyes that had come out of the gloom or darkness. A mattress lay upon the deck close against the bedstead, which was emptied of its furniture, and upon this mattress was stretched the figure of Lucy Acton. She was fully dressed as in the day, save that she had removed her jockey-shaped hat. The bolster from the bedstead supported her head. Some of her dark hair had become disengaged and lay loosely about her cheek, giving the purity of marble to her brow in that light, and her sleep was so deep that she lay as though dead. On the deck close beside her grasp was a common table knife.

Mr Lawrence made a step and quickly picked up the knife and drew back again, conscious that the fixed gaze will often awake a slumberer even from deep repose. He stood close to the door viewing this picture of a sleeping girl in a ship's little cabin irradiated by a dim light, whose motions, with the rolling and the pitching of the ship, filled the darkling interior with a hundred dancing spectres. His marine ear would take no heed of the voices of the ship in that cabin, the groans and murmurs, the low whistlings and rusty strainings. This was a concert which his seasoned sense of hearing must miss or overlook in his perception of the picture he viewed.

He gazed at the sleeping figure for two or three minutes and then left, again locking the door. He entered his own cabin and stretched his form along the lower bunk; but used as he was to sleep well in an hour betwixt one scene of slaughter, of belching broadsides, of fierce and murderous boarding and another scene scarred by the cannon flame, terrible with its thunder of guns whose muzzles yawned close to the muzzles of the foe, slumber was not to be his.