The Complete Works of Brann, the Iconoclast — Volume 12

by William Cowper Brann

. . .

A great many people imagine that "your Uncle Sam" will frazzle hell's bells out of Spain in one word and two motions, that all of this preparation for threatened conflict with Spain is much ado about little; that the United States will get up early some morning and administer the paternal slipper to the Spanish pantaloon, simply by way of diversion or to get up an appetite for breakfast. The result of the scrap may show that the job had best be undertaken after a square meal.

. . .

As the war is not yet on I rise to remark that it is my sincere wish that those who have lost a scrap may find it —that those who have clamored so hard and so long for hostilities to begin, may find standing room only in the theater of war, and be given positions in the full glare of the footlight, with a corporal's guard behind them, to see that they do not strike a retrograde motion when the curtain rises on the first act.

[This completes the last issue of the ICONOCLAST. The publication of the paper was not continued, though evidently this was intended when the May issue was printed. The following articles were written shortly after the death of Brann but did not appear in the ICONOCLAST.]

THE DEATH OF BRANN.

BY WILLIAM MARION REEDY.

Mr. Brann, who was killed in Waco last Friday, was a much greater man than even his admirers knew. He had many virtues which, in a way, his peculiar tactics in journalism belied. For instance, his paper was read, for the most part, by people who took a delight in his calling a spade a spade, and, in fact, in his seeking out spades to write about. This was not the true Brann at all. The man was clean-minded in his conversation. He thought cleanly. He lived cleanly as a gentleman should, though he did not leave off sack. He was not a brawling, boisterous ruffian, reveling in the slums. He was essentially a family man and a student who "scorned delights and lived laborious days." His regard for the purity of women amounted almost to a monomania, and he lived up to his own preachment on all the various forms of integrity with much more strictness than people who affected to believe he was leper. Furthermore the man was an ascetic in his essential spirit. He had the true taste for the finely done thing in letters and if he did not devote himself to what might be called the more refined literary artistry, it was because he felt that there was danger of drawing too fine the lessons he thought it his duty to impart. There was no use, he said, in writing to the few. One should write so that all might read, running. He maintained that the way to instill principles in the people was to secure their attention first, and he did not hesitate to secure their attention by any device that seemed available. Therefore he felt himself justified in appealing to the lower instincts in men in order that, while they were all unsuspecting, he might inculcate something better. And so there ran through his publication the strangest contrasts of sweetness and salacity, of eloquence and bombast, of purity and pornography, of jewel-phrases and gutter slang, excerpts of enthralling poetry and brothel billingsgate. He pointed his morals with putridity and he adorned his really beautiful style with barbarities and banalities which make one shudder. He set his fine thoughts like jewels in compost. He ravished the classics to mix them up with sentences that stunk of the stews. The man seemed to indulge in special flights of poesy with no other purpose than to achieve a disgusting anti-climax of muckery and mockery. The person who read Brann intelligently was impressed most by this habit of irony in the Waconian. It was of the essence of his iconoclasm. He had something in his effects in this line that was piteous. There was no denying his appreciation of the pure air, of the beautiful in life and nature, of the truth as thinkers see and feel it. It seemed to me that when he had soared up towards the ever vanishing ideal, he reached a point whereat he turned in disgust and hurled himself madly back to the dungiest part of this dungy earth. There was a mighty dissatisfaction, even a despair, in Brann, and a touch of sadness in his writing as in his face. The more I read of his deliberate pandering to the literarily excrementitious appetite, the more I saw, or thought I saw, that he was afflicted with a mighty ennui, and was chiefly trying to escape from his own torture as one who knew not whether solace was to be found either in the spiritual or the earthly nature of man. Such a one as he might have been expected to take up any cause that assailed the existing condition of things politically and sociologically. While he was an ascetic his asceticism was only a wreaking of his own bitterness upon himself. He was a man in whom strong emotions were easily excited and he put into his writing all the passion which he suppressed in his dealings with his fellows socially. He never felt malice towards people whom he assailed most maliciously. He saw them simply as representatives of some fault in our social or political system, and he felt that he was doing his duty by his own conception of what the world should be, by pillorying them as object lessons of characters to be eliminated in his good time coming. When he saw a foul wrong he saw it personified in some man or woman. Then he went abroad in search of foul things to say about it. And he found them and he hurled them at the object, and he polluted the atmosphere for a mile around. When he wrote about the abstractions of poetry and philosophy he wrote with a sweeping, swinging rhythm that thrilled anyone. He was master of the diapason. His ear was not attuned particularly to minor chords. He loved cyclonic clashes of words and he would strike out fecal flashes to illuminate them. His correggiosity was at times overpowering. His vocabulary overcame him often, bore him away from his thought and landed him in some swamp out of which he was wont to extricate himself, to the great delight of the semi-educated reader by some quip or quirk equally meretricious and mephitic. Thus would he, metaphorically, throw filth at himself. He felt all the time that he was pursuing the best course, bending things he despised and loathed to better purposes. Mr. Brann believed that the country was, if not in itself decadent and degenerate, under the control of decadent, degenerate and depraved men. He believed that society was a social cesspool. He thought that most religion was hypocrisy. He believed that most wealth represented nothing more than the superior and diabolic genius of dishonesty. So believing he so preached and he preached with a vehemence that was in a sense vicious. His terribly irony made his work an engine of anarchy. Not that he meant anarchy at all, but because the people who were caught by his banalities could not differentiate sufficiently to extract the core of truth from the great superstructure of extravagances with which he hid it. Mr. Brann meant only to lift the world up, and one of his queer conceptions was, that his own dragging down of things pure to the lowest levels of life and thought and feeling was calculated to make his multitudinous clientele look upward. He was mistaken. He came to know it, too, for he said to me one evening, "I am only a fad." "I'll pass away when my vogue is done, like brick pomeroy." He wished he could believe that the best way to help people up was to take a stand and view a little above them. He said, when it was suggested that he try this tack, that he feared it was too late. Not that he wholly abandoned his belief in his own plan, but it seemed to me that he felt sorry that once attention could be attracted by being shocking it could only be held by a continuance of the shocks.

. . .

In my personal dealings with Mr. Brann I found him a person of almost feminine fineness. It was amusing to meet him after some particularly atrocious issue of the ICONOCLAST, either personally or by letter, and have him "roar as gently as a sucking dove." In such moods he revealed a character that was really sweet—though I must apologize for that misused word. He was impressed with the pity of life. He loved to toy intellectually with subtleties of thought. He had intuitions in art and poetry, and music touched him truly and deeply. I never have seen such a gentle man with women and his estimate of woman, either in conversation or writing, was a high and noble one. If at times he wrote so that his conception of virtuous womanhood was unpleasantly associated with ideas that revolted you, it was his peculiar belief that purity was all the purer for the contrast and antithesis. He loved children, too, and in his more familiar moods, according to his intimates, he was like one whose heart was as a little child. He cared no more for money after he began to make it than he cared in his bohemian days when he was readier to give than to take. He loved his friends blindly. He did not hate his enemies, he despised them. He had all the manly virtues, courage, generosity, modesty. Yes, modesty; for egoism such as he had was not foolish pride. His egotism was only his own force asserting itself. His friendship was almost foolish. He praised too generously. He was inclined to help everybody he could and I am sure that he never assailed anyone or anything that did not represent to him uncharity and snobbery. He was not envious. His mind was on the Texas scale; he knew no meanness. His was Kentucky origin and he was tainted with Kentucky's quixotism. He loved liberty and he loved love. He was the friend of the people as he dreamed they should be. He was the advocate of the greatest enlargement of rights. With little of what he strove for in immediate political issues did I sympathize. He believed more in what is called socialism than I do, but he believed it most earnestly. He was the greatest force in this country, with his 80,000 issues of his magazine per month, for all the things that go with free silver. His following included all the thinking followers of Bryan and his work had no little effect, in its powerful music and color, upon many people to whom Bryanism represented the political abomination of desolation.