[665] This portrait is now in the possession of Dr. Johnson's family.
[666] Private correspondence.
[667] This is one of those scarce and curious books which is not to be procured without difficulty. It is a dramatic representation of the Fall, remarkable, not so much for any peculiar vigour, either in the conception or execution of the plan, as for exhibiting that mode of celebrating sacred subjects, formerly known under the appellation of mysteries. A further interest is also attached to it from the popular persuasion that this work first suggested to Milton the design of his Paradise Lost. There is the same allegorical imagery, and sufficient to form the frame-work of that immortal poem. Johnson, in his Life of Milton, alludes to the report, without arriving at any decided conclusion on the subject, but states, that Milton's original intention was to have formed, not a narrative, but a dramatic work, and that he subsequently began to reduce it to its present form, about the year 1655. Some sketches of this plan are to be seen in the library of Trinity College, Cambridge. Dr. Joseph Warton and Hayley both incline to the opinion that the Adamo of Andreini first suggested the hint of the Paradise Lost.
That the Italians claim this honour for their countryman is evident from the following passage from Tiraboschi, which, to those of our readers who are conversant with that language, will be an interesting quotation. "Certo benche L'Adamo dell Andreini sia in confronto dell Paradiso Perduto ciò che è il Poema di Ennio in confronto a quel di Virgilio, nondimeno non può negarsi che le idee gigantesche, delle quali l'autore Inglese ha abbellito il suo Poema, di Satana, che entra nel Paradiso terrestre, e arde d'invidia al vedere la felicita dell' Uomo, del congresso de Demonj, della battaglia degli Angioli contra Lucifero, e più altre sommiglianti immagini veggonsi nell' Adamo adombrate per modo, che a me sembra molto credibile, che anche il Milton dalle immondezze, se cosi è lecito dire, dell' Andreini raccogliesse l'oro, di cui adorno il suo Poema. Per altro L'Adamo dell' Andreini, benche abbia alcuni tratti di pessimo gusto, ne hà altri ancora, che si posson proporre come modello di excellente poesia."
It is no disparagement to Milton to have been indebted to the conceptions of another for the origin of his great undertaking. If Milton borrowed, it was to repay with largeness of interest. The only use that he made of the suggestion was, to stamp upon it the immortality of his own creative genius, and to produce a work which is destined to survive to the latest period of British literature.
For further information on this subject, we refer the reader to the "Inquiry into the Origin of Paradise Lost," in Todd's excellent edition of Milton; and in Hayley's Life of Milton will be found Cowper's and Hayley's joint version of the first three acts of the Adamo above mentioned.
In addition to the Adamo of Andreini, Milton is said to have been indebted to the Du Bartas of Sylvester, and to the Adamus Exul of Grotius. Hayley, in his Life of Milton, enumerates also a brief list of Italian writers, who may have possibly have thrown some suggestions into the mind of the poet. But the boldest act of imposition ever recorded in the annals of literature, is the charge preferred against Milton by Lauder, who endeavoured to prove that he was "the worst and greatest of all plagiaries." He asserted that "Milton had borrowed the substance of whole books together, and that there was scarcely a single thought or sentiment in his poem which he had not stolen from some author or other, notwithstanding his vain pretence to things unattempted yet in prose or rhyme." In support of this charge, he was base enough to corrupt the text of those poets, whom he produced as evidences against the originality of Milton, by interpolating several verses either of his own fabrication, or from the Latin translation of Paradise Lost, by William Hog. This gross libel he entitled an "Essay on Milton's Use and Imitation of the Moderns;" and so far imposed on Dr. Johnson, by his representations, as to prevail upon him to furnish a preface to his work. The public are indebted to Dr. Douglas, the Bishop of Salisbury, for first detecting this imposture, in a pamphlet entitled "Milton vindicated from the charge of Plagiarism brought against him by Mr. Lauder." Thus exposed to infamy and contempt, he made a public recantation of his error, and soon after quitted England for the West Indies, where he died in 1771.
[668] Now Dowager Lady Throckmorton.
[669] Private correspondence.
[670] On Fop, Lady Throckmorton's dog.