Believe me, my dear friend,
Sincerely and affectionately yours,
W. C.
I am out of your debt.
TO JOSEPH HILL, ESQ.
Olney, Oct. 20, 1783.
I should not have been thus long silent, had I known with certainty where a letter of mine might find you. Your summer excursions however are now at an end, and, addressing a line to you in the centre of the busy scene, in which you spend your winter, I am pretty sure of my mark.
I see the winter approaching without much concern, though a passionate lover of fine weather, and the pleasant scenes of summer; but the long evenings have their comforts too, and there is hardly to be found upon earth, I suppose, so snug a creature as an Englishman by his fire-side in the winter. I mean, however an Englishman that lives in the country, for in London it is not very easy to avoid intrusion. I have two ladies to read to, sometimes more, but never less—at present we are circumnavigating the globe, and I find the old story with which I amused myself some years since, through the great felicity of a memory not very retentive, almost new. I am however sadly at a loss for Cook's Voyage—can you send it? I shall be glad of Foster's too. These together will make the winter pass merrily, and you will much oblige me.
W. C.
The last letter contains a slight sketch of those happy winter evenings, which the poet has painted so exquisitely in verse.[206] The two ladies, whom he mentions as his constant auditors, were Mrs. Unwin and Lady Austen. The public, already indebted to the friendly and cheerful spirit of the latter, for the pleasant ballad of John Gilpin, had soon to thank her inspiring benevolence for a work of superior dignity, the masterpiece of Cowper's rich and fertile imagination.
This lady happened, as an admirer of Milton, to be partial to blank verse, and often solicited her poetical friend to try his powers in that species of composition. After repeated solicitation, he promised her, if she would furnish the subject, to comply with her request. "Oh!" she replied, "you can never be in want of a subject:—you can write upon any: write upon this sofa!" The poet obeyed her command, and from the lively repartee of familiar conversation arose a poem of many thousand verses, unexampled perhaps both in its origin and excellence—a poem of such infinite variety, that it seems to include every subject and every style without any violation of harmony and order; which delineates nature, under her most attractive forms, and breathes a spirit of the purest and most exalted morality.