Mrs. Unwin desires me to add her respectful compliments.
I am, dear sir,
Your affectionate and most obedient servant,
W. C.
To John Thornton, Esq.
Clapham, Surrey.
Through this harsh and unwarrantable exercise of criticism, the world might never have possessed the immortal poem of "The Task," if an American philosopher had not awarded that honourable meed of just praise and commendation, which an English critic thought proper to withhold.
But it is not merely the poetic claims of Cowper which have earned for him so just a title to public gratitude and praise. It would be unjust not to bestow particular notice on a talent, in which he singularly excelled, and one that friendship ought especially to honour, as she is indebted to it for a considerable portion of her happiest sources of delight—we mean the talent of writing letters.
Those of Pope are generally considered to be too laboured, and deficient in ease. Swift is frequently ill-natured and offensive. Gray is admirable, but not equal to Cowper either in the graces of simplicity, or in the warmth of affection.
The letters of Cowper are not distinguished by any remarkable superiority of thought or diction; it is rather the easy and graceful flow of sentiment and feeling, his enthusiastic love of nature, his touching representations of common and domestic life, and above all, the ingenuous disclosure of the recesses of his own heart, that constitute their charm and excellence. They form a kind of biographical sketch, drawn by his own hand. His poetry proclaims the author, his correspondence depicts the man. We see him in his walks, in the privacy of his study, in his daily occupations, amid the endearments of home, and with all the qualities that inspire friendship, and awaken confidence and love. We learn what he thought, what he said, his views of men and manners, his personal habits and history. His ideas usually flow without premeditation. All is natural and easy. There is no display, no evidence of conscious superiority, no concealment of his real sentiments. He writes as he feels and thinks, and with such an air of truth and frankness, that he seems to stamp upon the letter the image of his mind, with the same fidelity of resemblance that the canvass represents his external form and features. We see in them the sterling good sense of a man, the playfulness and simplicity of a child, and the winning softness and delicacy of a woman's feelings. He can write upon any subject, or write without one. He can embellish what is real by the graces of his imagination, or invest what is imaginary with the semblance of reality. He can smile or he can weep, philosophize or trifle, descant with fervour on the loveliness of nature, talk about his tame hares, or cast the overflowings of an affectionate heart at the shrine of friendship. His correspondence is a wreath of many flowers. His letters will always be read with delight and interest, and by many, perhaps, will be considered to be the rivals of his poems. They are justly entitled to the eulogium which we know to have been pronounced upon them by Charles Fox,—that of being "the best specimens of epistolary excellence in the English language."
Among men distinguished by classical taste and acquirements, his Latin poems will ever be considered as elegant specimens of composition, and formed after the best models of antiquity.
There is one exquisite little gem, in Latin hexameters, entitled "Votum," beginning thus: